Watched: August 9 2016
Directors: Edward Sedgwick & Buster Keaton
Starring: Buster Keaton
Runtime: 1h 09min
In this rollercoaster ride, the exquisite Buster Keaton portrays a slightly creepy hair-sniffing tintype photographer who falls instantly in love with a charming young lady played by the beautiful Marceline Day. He finds out that she works for MGM News Reel and promptly decides to get a job there as a cameraman. Which is kind of stalkery, but he is so nonthreatening that he gets away with it. He is also adorably uncoordinated with the camera, and slapstick ensues.
The characters are very likable. Probably for the first time (in terms of films we’ve watched for this project), the hero has fallen for a lady worth making good for. Sally is sweet and kind, and she tries to help him and give him advice when he accidentally double exposes all of his footage. She does not seem to care that he has very little money, and she appears to genuinely enjoy his company. No wonder, considering all the other douches creeping on her. At least Buster can do magic tricks!
The physical comedy is this film is wonderful. There’s an amazing one-man baseball scene, a hilarious stair-running bit, a brilliant scene on a bus and a very enjoyable running gag with a police officer. As well as a delightful scene in a dressing room, which I’m sure we would have enjoyed even if he didn’t get undressed…
Among its many merits, The Camerman has a shoot out scene which rivals that of Spaced (1999-2001), and there’s a bit with a monkey. It is considered by many Keaton’s last masterpiece as he lost creative control of his movies around this time and eventually descended into alcoholism. Which is not funny. But the film is. So if, like us, you have developed a major crush on Buster Keaton, this is a definite must-see.
Next time: The Passion of Joan of Arc (1928)