The tiny Duchy of Grand Fenwick is in a financial crisis after their sole export, Pinot Grand Fenwick wine, is priced out of the market by a cheap American imitation. Their solution: declare war on the United States, lose, and collect aid from their former “enemy.”
Unfortunately, through a series of unlikely events they end up winning, and Prime Minister Count Mountjoy (Sellers), Grand Duchess Gloriana (Sellers), and Field Marshall Tully Bascomb (Sellers) must find a way out of their newfound power and notoriety.
The Mouse that Roared is no longer on the list, but we post this in our we-already-bought-the-fucking-DVD-so-we’re-watching-it-dammit category. It’s a very silly and very enjoyable comedy with an excellent Peter Sellers. We loved all the characters, especially the Duchess; the narration, the fox, the army uniforms, and the peace treaty. While no longer deemed good enough to occupy a precious space on the list, it’s still very much worth watching. Such fun!
After the doomed attack naturally fails, and B company doesn’t even manage to leave the trenches due to heavy casualties, the General’s pride is a casualty in itself and he decides someone must pay. More specifically, 100 soldiers must give their lives.
A few negotiations later, the number of soldiers to be executed for cowardice has been cut down to three. Dax requests to represent them during the court marshal, but he soon learns that the whole trial is a ridiculous sham. The defendants, Paris (Meeker), Arnaud (Turkel), and Ferol (Carey), have no chance of a fair hearing, and the commanding officers have zero sympathy or understanding for the men in the trenches.
We cannot believe we haven’t seen Paths of Glory before! We have, of course, been aware of it, but never watched it despite our undying love for Kubrick’s other anti-war masterpiece Dr. Strangelove (1964). We now have a new favourite.
The absurdity of warfare in Paths of Glory is similar to what we see in Dr. Strangelove, but even more frustrating and sad; there’s humour here too, but not as much as in the later film. Also, this film is based on a true event, which adds frustration and sadness rather than humour and levity…
Corruption, pride, fear, ambition, power, and absolutely no justice – Paths of Glory is our new favourite World War I film, for sure. We loved the big scale battle scenes and the small scale human drama; the performances and the social commentary. Love, love, love.
What we learned: The military is a silly and dangerous place.
While the title states this is All About Eve, this classic is in reality all about Margo Channing (Davies), an aging theatre actress, and her circle of friends. The show starts with the eponymous Eve (Baxter) winning a prestigious theatre award with Margo in attendance, looking very much less than impressed. We then flash back to their first meeting and get to see what has unfolded up until this point and what brought them there.
After her show one night, Margo’s friend Karen (Holm) invites a devoted fan backstage to meet her hero. The fan introduces herself as Eve and tells her tragic life story, charming both women in the process. Margo, sympathising with her visitor, offers her a home and a job as a personal assistant of sorts.
As Eve and Margo grow closer, Margo starts to see through Eve’s quiet, unassuming demeanor and realises that she is in fact an ambitious young actress who works on manipulating everyone around her to make it to the top. Coupled with Margo’s own insecurities about aging, this leads to some irrational (but fabulous!) behaviour on her part, as she struggles to convince those around her of Eve’s true nature.
With the exception of critic Addison DeWitt (Sanders), the men are generally bad at seeing through Eve, while the women catch on to her a lot quicker. In a way though, Eve is just manipulating a system made by men in which she has very little actual power. The ageism, especially towards women, in the entertainment industry comes across very clearly in this film and even the strong Margo eventually more or less gives up her career and marries her longtime boyfriend despite teasing her best friend about her life as a housewife.
Despite being almost 70 years old, All About Eve never feels old or outdated. It’s a drama with elements of thriller and a lot of comedy, and the two hour run time flies by. As good, and as beautiful, as Baxter is, Bette Davies is easily the star of the film, and we absolutely loved her. A classic for a reason, this is one of those films which everyone should watch at least once. If this isn’t enough to peak your interest (if you haven’t already heard of the film, you philistine!), there’s also an early appearance from Marilyn Monroe. Should seal the deal, we think.
John L. Sullivan (McCrea) wants to make a serious film with real social issues and deep meaning (with a little sex in it) which will educate his audience and make them think about the social and economic structures in place in 1940s USA. The only problem is, he’s a pampered Hollywood director who’s never really experienced any of these problems himself. Also, his producers would rather have him make silly comedies and fun action flicks (with a little sex in them).
Naturally, he decides to go undercover as a hobo to experience firsthand the suffering of the penniless, with nothing but ten cents (or something like that), the clothes on his back and a crew of five or six reporters, producers and chefs following him in a bus.
His first venture is somewhat fruitless. Although he hilariously manages to shake his entourage with the help of a little boy in a “whippet tank” and then convinces them to take a vacation in Las Vegas, he doesn’t do too well on his own and is eventually kidnapped by a sexually frustrated woman. After escaping through the window he finds a diner where a failed actress (Lake) buys him breakfast and he then “borrows” his own car to give her a ride home.
More problems ensue and after a stint in prison Sullivan realises that comedies aren’t really that bad after all and that serious films with real social issues are actually more interesting to the people not experiencing these issues themselves than the ones living them.
It’s pretty much impossible to explain how funny this film is. We loved the fast, snappy dialogue, the long, silent Chaplinesque scenes, the wonderful bass voice of the minister who invites the prisoners to movie night in his church, and the satirical view of 1940s Hollywood (and U.S. society in general). This was also our first Veronica Lake (we know – for shame!) and we have now developed major girl crushes on her. Not only is she gorgeous, but she has a very particular presence which is completely fascinating.
Give Sullivan’s Travels a chance. You’ll laugh, you’ll cry, it’ll change your life!