#235 A Shot in the Dark

Watched: June 25 2019

Director: Blake Edwards

Starring: Peter Sellers, Elke Sommer, George Sanders, Herbert Lom, Tracy Reed, Burt Kwouk, our dad’s old guitar.

Year: 1964

Runtime: 1h 42min

We’re back! After charging our batteries in lovely Vietnam (you must go!) we’re ready for another year of classic A-, B-, and C-movies, starting with the very silly and charming A Shot in the Dark.

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We open on a series of illicit affairs and romances all taking place in the same building, and the scene ends in a shot. In the dark. And then a dead chauffeur. Enter Inspector Jacques Clouseau (Sellers).

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Mustache and trenchcoat ready for beumbs and beumps!

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The incompetent and clumsy inspector is the only one convinced that main suspect, the beautiful maid Maria Gambrelli (Sommer), is innocent, and he sets out to prove this. In the course of his investiation, the bodies keep piling up and his superior, Commissioner Dreyfus (Lom), is gradually driven mad and homicidal by Clouseau’s apparent bungling of the case.

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“Bungling? Who’s bungling? This was always the plan. I am solving this.”

 

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The plot is not really that important though. This is all about the gags, and they are numerous and hilarious.

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Among our favourites: Kato. Everything related to Kato.

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There are so many things we adored in this movie. We particularly loved Kato and his sneak attacks, the lethal (and multicultural) date night, all Clouseau’s disguises, and the synchronising of the watches. However, the gags are too numerous to list, and the entire movie is just a masterclass in slapstick and physical comedy.

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Also, could it possibly be an inspiration for one of the murders in Hot Fuzz..?

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We were slightly traumatised by Sellers using our dad’s old guitar to cover up in the nudist colony (we swear it’s the exact guitar!) but otherwise we had a blast with this movie. Often, we become frustrated and annoyed with bumbling, incompetent characters and farces, but Sellers is so damned good that in this case we were just charmed instead. Well done, Edwards and Sellers!

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“I can’t believe that idiot inspector was an actual success! FML.”

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What we learned: We suspect everyone. And we suspect no one. Also, no fabric is safe around this man.

Next time: Band of Outsiders/Bande à part (1964)

#203 Zazie dans le Métro

Watched: October 8 2018

Director: Louis Malle

Starring: Catherine Demongeot, Philippe Noiret, Hubert Deschamps, Carla Marlier, Vittorio Caprioli, Yvonne Clech

Year: 1960

Runtime: 1h 33min

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Zazie (Demongeot), a charming ten-year-old precocious brat, is left with her uncle Gabriel (Noiret) in Paris for the weekend so that her mum can get some sexytime with her new lover.

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All you need to take over the world is a jaunty hat and absolutely no shame

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Zazie’s only goal for the weekend is to go on the metro, so she is less than impressed when it is closed due to a strike. On her first morning at her uncle’s place, she sneaks off to explore the city on her own and try to find an open metro, but instead she finds a very creepy stranger (Caprioli) and lots of trouble.

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We were surprised to find where we’ve gone wrong trying to attract guys…

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The creepy stranger may or may not be a paedophile, may or may not be a cop, and may or may not also be attracted to Zazie’s aunt and a merry widow they encounter on their adventures. It’s all a bit fuzzy and bewildering.

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We’re not sure if we ever got an explanation of the furry

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While we didn’t quite understand what was happening half the time, Zazie dans le Métro was a wild ride from start to finish. The visual comedy of it reminded us a bit of Hulot, and we loved the silliness of it all, although we’re pretty sure we saw a poor lady stabbed at some point. And there’s an attempted rape. And there’s a fairly big chance Zazie is a victim of abuse or a psychopath, judging from her reactions to people and events. Now that we think about it, are we sure this is a comedy..?

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Trust us – this girl has seen some shit!

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Still, we loved the cuts, the speeding up and slowing down of the film, the absurdity, the chaos and the colours, and the assortment of strange and unusual characters.

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Such as the dapper drag queen uncle who has a huge problem with other people’s personal hygiene

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There’s a reason this film keeps playing in film clubs and cinemas to this day, and it’s well worth catching. Enjoy a strange romp through an even stranger Paris!

What we learned: Not everything needs to make sense all the time. Sometimes you just have to enjoy the ride.

Next time: A Taste of Honey (1961)

#200 The Running, Jumping and Standing Still Film

Watched: September 22 2018

Director: Richard Lester, Peter Sellers

Starring: Richard Lester, Peter Sellers, Spike Milligan, Dick Bentley and a bunch of others, all uncredited

Year: 1960

Runtime: 11 min

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Hooray! We’ve reached number 200 on the list! 20% done! 200+ blog entries! And many, many hours spent in front of the TV! Tonight, we shall toast with bubbles and celebrate, but not before bringing you another very short film review of a very short film.

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Skål!

The Running, Jumping and Standing Still Film is a series of strange and absurd slapstick comedy skits shot in the English country side. The title is almost longer than the film itself, and there’s very little we can say about it other than that it was amusing and reminded us a bit of Monty Python, so we would not be surprised if this was an inspiration for the comedy group. Which, if we’d bother looking it up, we’re sure we’d find was true.

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It’s hard to pinpoint a favourite gag, but this one is up there

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You can watch the whole thing here, and we recommend that you do so.

What we learned: Not a whole lot, really. Perhaps that once you shoot something, you own it..? Or don’t go towards someone beckoning you if they’re wearing boxing gloves..?

Next time: The Virgin Spring/Jungfrukällan (1960)

#134 The Court Jester

Watched: September 24 2017

Director: Melvin Frank & Norman Panama

Starring: Danny Kaye, Glynis Johns, Basil Rathbone, Angela Lansbury, Cecil Parker, Mildred Natwick

Year: 1955

Runtime: 1h 41min

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A Royal child has survived the massacre of his family, and is being kept safe in the forest by Not-Robin-Hood “The Black Fox” and his singing, dancing and fairly merry men. The usurping king is not very happy about this and sends out his men to track down and kill the child who bears the tell-tale birthmark “The Purple Pimpernel”

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We chose this image to avoid being banned for lewd pictures, but it gives you a certain idea of where the birthmark is placed

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Among The Black Fox’s merry men is carnival performer Hubert Hawkins (Kaye) – a minstrel who really wants to fight for the rightful heir but who is tasked with entertaining the troops instead. Along with Captain Jean (Johns), he is sent to smuggle the child to safety, but as the pair run into the new unrightful king’s new jester, they make their own plans.

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Guess who’s going undercover!

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Once at the court, complications arise as Sir Ravenhurst (Rathbone) thinks he’s an assassin, Princess Gwendolyn (Lansbury) thinks he’s her one true love, and her Nanny Griselda (Natwick) hypnotizes our hero to be all those things. Additionally, Jean is kidnapped into prostitution at the castle, and the infant King must be kept hidden under the nose of his would-be killer. Let the farce commence!

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The prostitution-thing is not explicitly stated, but very heavily hinted at

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The Court Jester is very silly and very funny, with great musical numbers (we especially loved the opening song) and gags galore! It’s a swashbuckling adventure which reminded us in style of The Adventures of Robin Hood (we’re guessing not accidentally) and in humour of Mel Brooks – particularly Men in Tights, of course.

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Also, the inspiration for a certain famous scene with dancing, singing “knighets”!

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A fun family comedy recommended for all who love a bit of well-executed silly in their lives.

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And Murder, She Wrote-fans looking to justify their love for Angela Lansbury

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What we learned: Kings can be overthrown by dwarves and birthmarks. Also, Danny Kaye invented the drop-crotch trousers.

Next time: The Ladykillers (1955)

#115 M. Hulot’s Holiday/Les vacances de Monsieur Hulot

Watched: June 10 2017

Director: Jacques Tati

Starring: Jacques Tati, Nathalie Pascaud, Micheline Rolla, Valentine Camax

Year: 1953

Runtime: 1h 23min

Mr Hulot's Holiday

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It’s vacation time in France, and everyone (in the upper middle classes) is getting on a train to sunny beaches. Headed the same way is a run down disaster of a car, threatening the peace of the holiday makers. An ill wind blows into the hotel – Monsieur Hulot (Tati), an OCD weirdo who’s very kind to animals, approaches.

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“Bonjour, mon ami. C’est moi! Croissant, pantalon, poo poo la la!”

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Hulot, despite being a polite and well meaning character, has a tendency to exacerbate any problematic situation he gets himself into, of which there are many. Mainly because he causes them in the first place, such as unwittingly crashing a funeral, although often technology also plays a part.

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The cars in this are practically lethal

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M. Hulot’s Holiday is basically a silent slapstick comedy, 30 years after they were in vogue. It has lots of silly gags and characters and is just a jolly good time. Hulot himself could have been really annoying, but he’s oddly endearing (something we personally feel Rowan Atkinson failed to achieve with his similar character Mr Bean decades later, although we understand that may be a controversial statement).

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“Just out for a stroll. Don’t mind me.”

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This film is so, so silly and fun, with lots of nods to earlier silent comedy geniuses and the tradition of mime and physical theatre. In addition, there’s a series of eccentric supporting character, such as the British tennis referee and poor Arthur. All together, they make a hilarious experience for any comedy fan. Check it out!

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We’ll just leave you with this image, completely out of context

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What we learned: The best intentions can still lead to disaster. Also, you don’t need a lot of dialogue to make people laugh.

Next time: The Band Wagon (1953)

#92 Jour de Fête

Watched: March 21 2017

Director: Jacques Tati

Starring: Jacques Tati and other French people

Year: 1949

Runtime: 1h 10min

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This film is hilarious! Seriously.

It’s the day of the annual party in a small French village and everyone is getting ready, as explained to the viewer by an adorable old lady’s running commentary on their efforts. In the middle of the preparations is François (Tati himself), the local postman and part time village idiot.

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For reference, this is his most intelligent expression throughout the film

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The poor man is trying to complete his round, but is sidetracked by the other villagers who recruit him to set up a pole (not a euphemism), get drunk with them and watch a propaganda film about the high-tech American postal service. The latter inspires him to step up his own game, with hilarious consequences.

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He is constantly being taken for rides, both literally and figuratively

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Jour de Fête is a silly, silly film with loads of throwbacks to old silent movies in the physical humour and slapstick found throughout. There’s also verbal humour though, so it does not stay too much in the silent movie era. Among our favourite scenes were the meeting of the potential lovers with the Western soundtrack playing, the old lady narrator in the beginning, and of course François’ amazing chicken catch. If you have no idea what we’re talking about – watch the film.

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For those of you wanting something deeper than a silly, French comedy, there are also political undertones as the protagonist confuses the U.S. M.P.

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We recommend this one to everyone who likes a bit of silly in their lives, although we did feel sorry for François when the other villagers made fun of him all the time. Still, that’s the price you pay for being the village idiot (which is an important position, make no mistakes). We’re looking forward to more Tati in the future.

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Hopefully, the upcoming films will also include the old lady and her goat. Fingers crossed!

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What we learned: Allons-y!

Next time: Kind Hearts and Coronets (1949)

#37b (or something) The Thin Man

Watched: January 16 2017

Director: W.S. Van Dyke

Starring: William Powell, Myrna Loy

Year: 1934

Runtime: 1h 31min

Disclaimer: This film was added at 37th place (chronologically) after we had already reached (the old) no. 71 (now no. 73) and as such we throw it in here. The next post will be #74 but that does not mean we’ve skipped #72 and #73. Confused? Read this disclaimer. We’re sure it’ll explain everything.

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We’re so glad this one made the list! Sister the Oldest has seen this one before and loved it then as she loves it now. It’s a boozy adventure of the best kind, with wonderful characters and banter.

Nick Charles (Powell) is a retired private detective, enjoying a life of leisure, and copious amounts of cocktails, with his charming and charmingly rich wife, Nora (Loy), and their terrier, Asta.

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“These are just my breakfast drinks!”

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An old acquaintance, Dorothy Wynant, approaches the former detective as she suspects her father is in trouble, but Nick refuses to take the case, on account of the retirement and all. However, soon after, Mr Wynant’s secretary is killed and the plot thickens considerably when Dorothy’s father, who’s missing, becomes the chief suspect. Nick, egged on by Nora who thinks all this detective business terribly exciting, takes time between cocktails to look into the matter.

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Clink!

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The Thin Man is one of the funnest, booziest mystery comedies you’ll ever see. There are eccentric characters, dysfunctional families and lots and lots of drinks. The quick banter between Nick and Nora is magical, and their relationship is something to aspire to (in its own way). In addition, Nora has the best fashion sense, and the the dog is adorable. This film should be everyone’s traditional Christmas viewing, along with Gremlins and Die Hard, of course. Enjoy!

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True love!

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What we learned: We need to purchase lots of stripy chiffon. Also, do NOT make this film into a drinking game where you try to keep up with Nick…

Next time: A Matter of Life and Death (1946)

#65 Arsenic and Old Lace

Watched: December 14 2016

Director: Frank Capra

Starring: Cary Grant, Priscilla Lane, Peter Lorre, Raymond Massay, Josephine Hull, Jean Adair, John Alexander

Year: 1944

Runtime: 1h 58min

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Theatre critic Mortimer Brewster (Grant), against his convictions, is getting married to Elaine (Lane). While they get hitched, his sweet old murderous aunts (Hull & Adair) entertain his new father-in-law along with Teddy “Roosevelt” (Alexander), Mortimer’s insane brother. And the body of their latest victim.

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Murderous and adorable!

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On their way to their honeymoon, Mortimer and Elaine stop by Dark and Godless Brooklyn to greet their relatives, and Mortimer stumbles across the dead body in the window seat and panics. Naturally. He is then completely shocked to find that his lovable aunts committed the deed and not only this one! They have so far killed 12 men and had Teddy bury them in the cellar.

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“But… They looked so peaceful after we poisoned them. So relaxed. We can’t see that we’ve done anything wrong!”

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While Mortimer tries to sort out the mess and have Teddy institutionalized to take the blame (without serving prison time), another brother shows up to further complicate things. Jonathan (Massey) is also insane, but more in the I’ll-kill-you-and-everything-you’ve-ever-loved kind of way and not the bugle blowing, stair charging way of innocent Teddy. He also brings his own plastic surgeon, Dr Einstein (Lorre – who does not age!). Oh, and their very own body to be disposed of.

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Guess who was the inspiration for Einstein’s latest surgical miracle?

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Mortimer, as the only sane member of the family, desperately tries to make everything right while also protecting his more loveable relatives. And the results are very silly, very funny and also strangely suspenseful. Grant’s face is EVERYTHING in this film, and aunt Abby (Hull) is one of the most adorable murderers in history. Poor Lane doesn’t really get much to work with though, despite her being billed second on the poster (though, we realise, not the one we chose to go with for this blog..). She’s mainly there to serve as another complication for Grant and perhaps to represent sanity in this insane world.

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As if Cary Grant isn’t perfectly capable of representing sanity on his own!

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Arsenic and Old Lace is a silly and hilarious farce which we absolutely loved. The spinster sisters living together weren’t in any way a glimpse into our own futures at all! No sir. There’s no way we’ll ever be able to afford a house like that…

What we learned: Brooklyn is not part of U.S. proper. Also, inbreeding is never a good idea…

Next time: Double Indemnity (1944)

#60 Road to Morocco

Watched: November 27 2016

Director: David Butler

Starring: Bing Crosby, Bob Hope, Dorothy Lamour, Dona Drake, Anthony Quinn

Year: 1942

Runtime: 1h 22min

Note: see note for Cat People. Yup, she was still gone.

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After their ship blows up, two stowaways find themselves on a raft discussing who will eat who first. Luckily, before it comes down to that, they find land and a very friendly camel to take them to Morocco. Yay camels!

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You haven’t lived until you’ve sung a song on the back of a camel. Fact!

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They arrive in a very Arabian Nights-inspired Morocco, complete with princess in distress and violent locals, where they get  up to all sorts of zany antics including, but not limited to, selling each other into slavery. Ah – men, am I right?

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At least, this particular form of slavery consisted of courting a beautiful princess. As far as human trafficking is concerned, it could be a lot worse.

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Once Jeffrey (Crosby) finds out the exact nature of the work he sold Orville’s (Hope) into, he inserts himself into the lives of the newly engaged couple to try to win princess Shalmar (Lamour) for himself. And he succeeds. Which is just as well, as Orville seems more interested in her handmaiden Mihirmah (Drake) anyway.

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Can’t imagine why

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Now, this is when things get really complicated for the two old friends. It turns out the princess is only interested in marrying Orville because a prophecy has foretold that her first husband will die after only a week of marriage, and she is really engaged to a local sheikh, Kasim (Quinn). However, the sheikh cannot compete with the natural charm and musical talents of Bing Crosby, and the princess decides to go with the penniless American instead. The sheikh does not take kindly…

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He doesn’t take kindly at all!

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He kidnaps the princess and her entourage, and leaves Jeff and Orville to die in the desert. It’s up to them to rescue their loves and save the day!

Road to Morocco is very silly, quite raunchy at times, and it breaks the fourth wall masterfully. There’s dancing, action, romance, and cool costumes as well as sometimes sweet, sometimes fun, musical numbers. A great hangover film for early Sunday afternoon. Or Tuesday morning. Whatever rubs your Buddha.

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We all know what he will be rubbing. Ooo – naughty!

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What we learned: make sure your telescope is clean before making life or death prophecies.

Next time: To Be or Not To Be (1942)

#52 The Bank Dick

Watched: October 21 2016

Director: Edward F. Cline

Starring: W.C. Fields, Cora Witherspoon, Una Merkel, Grady Sutton, Franklin Pangborn

Year: 1940

Runtime: 1h 12min

Note: since one sister (Sister the Youngest) fucked off to Oslo for a week, Sister the Oldest watched this one alone. Well, not alone, as she does have friends apart from her immediate family. So she watched it with a friend. Who’s real.

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Bumbling buffoon Egbert Sousé (Fields) drinks too much, has no career to speak of and his family does not respect him. So he goes out in search of a drink. On the way, he stumbles across a film team whose drunken director is unable to work and naturally they hire Sousé.

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Anyone capable of sitting on a chair shouting into a tube is automatically qualified to work as a director in 1940. Sadly, Sousé isn’t really able to do the former.

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After his short stint as director, Sousé finds himself in the vicinity of bank robbers trying to escape. He is credited with stopping them and so gets a job as a bank guard. His daughter’s fiancé Og Oggilby (Sutton) works in the same bank and after Sousé is offered the chance to invest in stock in a mining company, he persuades his future son-in-law to “borrow” $500 from the bank.

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“Of course it’s okay to borrow money from the bank! I’m head of security, aren’t I? Check out my trustworthy face!”

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Unfortunately, a bank examiner, J. Pinkerton Snoopington (Pangborn) shows up the very next day and Sousé and Oggilby must join wits (of which Og especially has very little) to keep the examiner to discover the missing $500. Let the farce commence!

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Rule number one when being investigated: take the investigator out for drinks and slip them a mickey.

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This is a very silly movie full of fucked up characters, over-the-top performances and slapstick humour. The main character is gullable, stupid and self-aggrandizing, yet he is also occasionally likeable, possibly because the way his family treats him makes you feel a bit sorry for him. But usually not for long, as he parries their attacks on him with attempted murder such as when he tries to throw a concrete vase at his youngest daughter.

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It’s practically as big as its intended target

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The real gem here though is the car chase towards the end of the film. It is fast, funny and impressive in so many ways – such as the very real danger in which it must have put stunt performers. Even if farcical slapstick films aren’t  your thing, it is well worth watching The Bank Dick for this scene alone. Or if you enjoy violence against 8-year-olds. And let’s face it – who doesn’t? Have fun!

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Naturally, no still can do a great chase scene justice, so you’ll just have to watch the film.

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What we learned: poor men are mad – rich men are eccentric. Also, it was surprisingly easy to get a job as a director back in the day.

Next time: The Grapes of Wrath (1940)