#352 Dark of the Sun

Watched: January 9 2023

Director: Jack Cardiff

Starring: Rod Taylor, Yvette Mimieux, Jim Brown, Peter Carsten, Kenneth More, André Morell

Year: 1968

Runtime: 1h 40min

In war-torn Congo, Captain Curry and his trusted partner in crime Ruffo take on a dangerous new mission: to travel through areas of civil and military unrest to retrieve a bunch of diamonds for the new president. And what does a mission of this magnitude need? A crack team! And a mid-sized military squadron. Or battalion. Brigade? Division? Regiment? We’re not down with the lingo – we never joined the army despite our sharp wits and even sharper bayonets (a weapon much favoured among modern military forces, we’re sure). Anyway – Mercenaries Assemble!

“You know I’ll only go if there’s a guarantee that I can shoot stuff with a big-ass gun from a vehicle that’s on fire, right?” “Guaranteed!” “You son of a bitch, I’m in!”

Their band of mercenaries (and one nazi) ready themselves for the adventure of a lifetime! Well, not technically a lifetime seeing as how they’re all soldiers who have been fighting in Congo for a while. More like they ready themselves for another day’s work. Either way, ready they are and off they go!

And you thought we meant nazi in the figurative way…

Along the way they run into flying attacks, a damsel in distress (who was coming along anyway, but still), child murder, chainsaw fights, inconvenient time locks, Simbas, child birth, nuns and train delays. There’s also love and betrayal, and surprisingly emotional deaths.

And, of course, a sprinkle of romance between the (anti-)hero and the only female character

Dark of the Sun (a.k.a. The Mercenaries, a.k.a. Planes, Trains and Armored Jeeps, a.k.a. Bromance – The Movie) is exciting, emotional, violent and very, very good, and we absolutely loved it! Curry might be in a gray area morally, but he firmly places himself on the right side of history, calling out racists and literal nazis throughout the movie. Also, can we talk about Curry and Ruffo? Now that is a friendship for the ages! The whole romantic thing with Claire means nothing in comparison – Curry and Ruffo is the real romance here. Also, that final fight between Curry and Nazi-boy felt incredibly brutal and real. Overall, two very enthusiastic thumbs up from Norway!

“You know she’s just a beard, right..?”

What we learned: Diamonds are a man’s worst enemy. Also, don’t bring a nazi on your mission. Or anywhere really.

Next time: Head (1968)

#351 Danger: Diabolik

Watched: January 5 2023

Director: Mario Bava

Starring: John Phillip Law, Marisa Mell, Michel Piccoli, Adolfo Celi, Claudio Gora, Terry-Thomas, Mario Donen

Year: 1968

Runtime: 1h 45min

Diabolik: a criminal mastermind! Think 1960s Batman villain/dark James Bond. He has a suave underground lair, fast cars and even faster dames, revealing showers, infinite tricks up his (immaculately tailored) sleeves, and a lust for adventure and danger surpassing even Rick O’Connell. He also has A Dame of His Own; Eva – a trusted sidekick and confidant as well as Secret-Lover-in-the-Night-Time (or really any time, it seems). Like her man, the Dame has expensive taste and her only wish for her birthday is an emerald necklace owned by a powerful politician’s wife. Cue heist!

“I think, for this heist, I shall wear my BLACK leather daddy mask.”
“No! Wait! This calls for my sad beige mask for sad beige röbberies!”

Now, being a Criminal Mastermind, Diabolik has managed to piss off both law inforcement, represented by inspector Ginko, and a mafia-like crime syndicate, led by the ruthless Valmont. They’re both after his hide, and throughout the movie our anti-hero and Eva must thwart their plots and avoid capture, traps and certain death.

Not to mention avoid papercuts in unmentionable places

Danger: Diabolik is the epitome of the 1960s in our minds (of course, as we are very young and nubile, we didn’t experience the decade ourselves); it’s colourful, cool, sexy and sleek. At first, Diabolik himself was presented like a clear hero – his first heist was immaculately planned with no loss of life. However, as the film progressed, he started killing people left, right and centre. Still, he is much more humane with more of a moral compass than say crime boss Valmont, and we loved how we ende up rooting for both Diabolik and Inspector Ginko. Diabolik and Eva seem very much in love and in a surprisingly healthy relationship. You know, apart from the crime of it all.

And the aforementioned papercuts.

We loved the art/graphics of this, the fact that we learn nothing about the backstory of this gentleman criminal (we guess there might be more meat on that bone in the original comic, but we enjoyed the mystery of it all), the Morricone score and the drama queen that is Diabolik himself. It’s a funny, cool, stylish and thoroughly entertaining watch, and we recommend it to basically everyone. Enjoy!

“I told you this would happen, Diabolik! Look at this! Pick me up some ointment on the way home..?”

What we learned: Clearly, there’s a universe out there where cars and guns come cheap, but fabric for women’s clothing is out of everyone’s price range. Also, it is impossible NOT to pronounce Diabolik as “diabolique.”

Next time: Dark of the Sun (1968)

#350 Coogan’s Bluff

Watched: August 20 2022

Director: Don Siegel

Starring: Clint Eastwood, Lee J. Cobb, Susan Clark, Tisha Sterling, Don Stroud, Betty Field, Tom Tully

Year: 1968

Runtime: 1h 33min

Coogan, a sheriff’s deputy in Arizona, is sent to New York City to pick up a prisoner and bring him back for trial. Easy enough you might think. But you’d be wrong. The prisoner, James Ringerman, is not so much in jail as he is in Bellevue after a bad LSD trip. In order to get him back, Coogan has to follow loads of rules, regulations and procedures. Coogan is not a fan of rules and regulations. Or procedures. So he bluffs to get Ringerman out of Bellevue. Hence the title purloined from an actual location in NYC. See what they did there?

Sure, I’m a stoic and sassy bad ass alpha male, but that doesn’t mean I don’t enjoy a good wordplay. What, a man can’t have layers?

Unfortunately, Ringerman escapes and neither NYPD Lt. McElroy nor Sheriff McCrea is very impressed by Coogan’s shenanigans so they both command him off the case. However, Coogan is not a fan of commands either, so he promptly ignores them and decides to hunt down his escaped prisoner.

You can’t touch this – dun dun-dun-dun dun dun

Along the way, he runs into the weirdest female character – Julie Roth. She’s some sort of psychoanalyst/social worker/parole officer working with young women on probation, and her fetish is being taken advantage of and objectified by men. Perfect for Coogan who is all about the objectification of women. Sometimes fate just intervenes and brings people together.

For the rest of the movie Coogan runs around NYC getting into brawls and beds in his hunt for Ringerman. He quips and sasses, and participates in quite a cool motorcycle chase. But will he catch his prey?

…or will he just catch STDs?

Ok, the action is cool and we loved the swinging 60s party, but the protagonist and the “love story” seem incredibly dated. Coogan, though kind of hilarious at times and undeniably intelligent and charming, is a cocky and chauvinistic asshole with absolutely no regard for anyone else. Which we guess is sort of the point; the conservative (in some ways) country boy vs. the liberal city values. And while it probably works as intended, it’s kind of Toxic Masculinity: The Movie. Also, Julie needs some serious therapy for falling for his crap. Actually, they both need therapy, but she seems more likely to seek it out. He has no reason to, as society keeps rewarding him for his assholey behaviour and talking about your feelings is probably for city sissies anyway.

“I can fix you!”

Coogan’s Bluff is interesting as a double feature with Bullitt; the contrast between the two protagonists (who in many ways are very similar) only underlines what a bitch Coogan is. Still a fun watch though – the bar brawl is legendary. And sure, we get how a young Clint Eastwood might blind a young psychologist to anything but the D, but come on Julie! He is never going to meet your emotional needs. Just bang him and get it out of your system. If you need a strong, silent type with a clear sense of right and wrong who still doesn’t mind breaking a few rules to bring criminals to justice, and who is comfortable being in a relationship with an educated, professional woman, look no further than Lt. Bullitt.

What we learned: Sometimes the hot bastard is just a hot bastard – don’t waste your time searching for that hidden heart of gold and ascribing characteristics to them that they just don’t possess.

Next time: Danger: Diabolik (1968)

#349 Bullitt

Watched: August 20 2022

Director: Peter Yates

Starring: Steve McQueen, Jacqueline Bisset, Robert Vaughn, Don Gordon, Robert Duvall, Simon Oakland, Georg Stanford Brown

Year: 1968

Runtime: 1h 54min

Happy New Year guys. It’s been a minute. For reasons. But like us, Edgar has been busy editing the list and adding lots of new titles! Loads of juicy bits for us to bite into. Yummy! Thus, we shall once again pick up the mantle of chronicling our odyssey through the list (provided we don’t get too distracted by side quests again). Allons-y!

That tagline tho. Is the Sunday Mirror impressed? Awed? Just informative? How far back can they recall? The public needs to know!

We’ll pick up (sort of) where we left off, with Peter Yates’ Bullitt (although it has jumped from #305 to #349. Which means that while you may have thought we took a year’s hiatus, we actually managed to do 44 films. In a strange, but also very real, way. For an explanation of how we deal with numbering, read here).
In San Francisco, Lt. Frank Bullitt is tasked with keeping star witness and former mobster Johnny Ross safe for the next 40 hours, until he is scheduled to testify in a hearing which is supes important, for a dodgy politician named Chalmers. It’s a whole thing.

“You see, the trick behind a successful political career is to really accentuate your chin in conversation. Like this. Try sticking your jaw out a bit more when speaking and you’ll find that people will soon see you in a completely different light!”

Bullitt and his men fail miserably and Ross is shot on the first night. He survives for a bit in hospital, but when he finally bites the dust Bullitt teams up with his surgeon to hide the body for a bit so that he can keep investigating the murder. With both Chalmers and Captain Bennett putting the pressure on him, our hero must solve the mystery and complete his investigation while he avoids being murdered and stuff.

“I’m off to avoid being murdered. And stuff.” (Possibly actual quote)

Bullitt is a violent action thriller, and the violence comes in short, quick increments, making it all the more effective. It also has an iconic car chase (some might even say it “surpasses any within recall”) in the hilly streets of San Francisco (where both the good guy and the bad guys are inexplicably outrun by an unassuming green beetle on several occasions), and a climactic foot chase in an airport to round it all off. Steve McQueen, a personal favourite of Sister the Youngest, is perfect in the title role. Very much the strong, silent type, his intensity makes him believable as a cop who will stand up to his superiors and do what’s right.

Seriously – the beetle keeps popping up everytime they’ve rounded a corner. It might be a Tardis.

We loved McQueen’s cardigan game (cardigame?), the very ’60s soundtrack, the nurses’ headgear (how did anyone ever think that was practical?), Eddy’s entire look (choices!), the African American surgeon (progressive for the time? Or do we only think it is because things are still so shitty in the world? God, that’s a very depressing thought, isn’t it..?) the chases, the murders, the mystery and the mayhem. And Steve McQueen’s absolute coolness. That man really knew how to work the silences.

Don’t be fooled by the cardi I’ve got, I’m still, I’m still gonna shoot you in the face ’cause I’m a bad motherfucker

What we learned: You work your side of the street and I’ll work mine.

Next time: Coogan’s Bluff (1968)

#755 Pulp Fiction

Watched: September 8 2021

Director: Quentin Tarantino

Starring: John Travolta, Samuel L. Jackson, Bruce Willis, Uma Thurman, Tim Roth, Amanda Plummer, Ving Rhames, Rosanna Arquette, Harvey Keitel, Eric Stoltz, Phil LaMarr, Christopher Walken, Maria de Medeiros, Quentin Tarantino

Year: 1994

Runtime: 2h 34min

On Wednesday, we went out (yay vaccines! Thank you scientist people!) for an amazing evening of “kulinarisk kino” (culinary cinema), courtesy of Kosmorama film festival. First, there was a screening of Pulp Fiction at Prinsen cinema, then we went to Bula Neobistro for a fabulous three course meal inspired by the movie. More on that to follow, but first our review of the film.

“Bitches be taking too long…”

Ok, Pulp Fiction probably doesn’t need an introduction. From its release in 1994, it has been one of the most watched, discussed and acclaimed movies of our time, and for good reason. The non-linear structure, various intertwined storylines and fantastic cast all come together to create one hell of a ride!

“You see, if you show seemingly unrelated events in a more or less random order, the audience will feel rewarded when everything comes together at the end. And when you feel rewarded, it is because dopamine is released into the brain, which will make you love the movie more than you might have done if everything was neatly served in a logical order.” “So, we’re tricked into liking it..?” “Well, yes and no. The first time you see it: yes, maybe. But it would not hold up on subsequent viewings if the movie wasn’t actually good. Now, let’s rob some people.”

Among the stories we have Pumpkin and Honey-Bunny (Roth and Plummer) – a couple of bank robbers planning on switching to robbing restaurants; Vincent Vega and Jules Winnfield (Travolta and Jackson) – two gangsters running errands for Marcellus Wallace (Rhames); Wallace’s wife Mia (Thurman) looking for a good time and a dance trophy; boxer Butch (Willis), who’s ready to get out of the business with his girlfriend Fabienne (de Medeiros) – a girl with the mind of a child, and oh… Oh no, that’s not good…

“How many times I gotta tell ya: No Italian food in the car!”

Throw in some racist hillbilly rapists with a gimp, a drug dealer and his wife, an unfortunate shooting victim, a dapper cleaner, and a killer soundtrack, and you’ve got yourself an instant classic. The two and a half hours fly by, every minute entertaining.

“And NO MATTER WHAT, you have to remember to put the motherfucking safety back on after you kill a man. Aight?” “Yeah, yeah, stop yammering on about it. I won’t forget, ok?”

The cast are pretty much perfect, and while there are some questionable moments (are we all ok with a grown man dating a woman whose mental age is about 6..? And is the character of Jimmie just there as an excuse for QT to say the n-word 45 times in 3 minutes?), Pulp Fiction is, 27 years on, still a stylish, exciting and entertaining piece of cinema.

We’re gagging

Now for the meal we had. There were fried squash rings with a Hawaiian inspired habanero-pineapple dip, a Big Kahuna burger with fries (served with both mayo and ketchup, of course), and finally a $5 milkshake (with a shot of bourbon). Yum! If you ever find yourself in Trondheim looking for a delicious meal and wonderful service, look no further than Bula (and no, we’re not paid to say this)! Together, the movie and the meal made this night a phenomenal success and we can’t wait for our next culinary cinema. Which is coming up this Wednesday with #767 Big Night shown with a three course Italian meal. Buon appetito!

“You put your right foot in, you put your right foot out, you put your right foot in, and you shake it all about…”

What we learned: How to handle an O.D. Which, we’re sure we can all agree, is useful knowledge. Also, the safety is there for a reason, Vincent!

Next time: Big Night (1996)

#296 The Dirty Dozen

Watched: December 21 2020

Director: Robert Aldrich

Starring: Lee Marvin, Ernest Borgnine, Charles Bronson, Jim Brown, John Cassavetes, Telly Savalas, Donald Sutherland, George Kennedy, Richard Jaeckel, Trini López, Ralph Meeker, Robert Ryan, Clint Walker, Robert Webber, Tom Busby

Year: 1967

Runtime: 2h 30min

Source

We continue our criminal-men-do-fun-but-risky-stuff-together-while-paying-an-inordinate-amount-of-attention-to-their-attire with The Dirty Dozen – a suspenseful war drama featuring a host of well-known tough guys.

“We have come here to chew bubblegum and kick ass . . . and bubblegum is heavily rationed so our options are limited.”

During WWII, Major Reisman (Marvin) is tasked with blowing up a French château housing a bunch of important Germans. To help with this suicide mission he enlists not the best of the best, but rather the worst of the worst: conviced rapists, murderers and other assorted criminals who are promised freedom should they happen to survive. What could possibly go wrong with this scenario?

It’s all fun and games until…oh… Eh, yes. Carry on.

A lot, it turns out. For some reason, these condemned sociopaths have trouble working together and listening to authority. Luckily, the Major understands them and knows how to get them all on the same page (hint: liquor and prostitutes will go a long way..). So gradually, they learn to cooperate, have each other’s backs, and the greatest bonding exercise known to man: burning Germans alive. Yay!

“How do I reach these kiiiiids?”

The Dirty Dozen was our family’s big Christmas movie this year and while it didn’t necessarily give us a lot of Christmas spirit, it was very good entertainment. While it all leads up to the mission itself, most of the film shows the teambuilding and training the soldiers/convicts are put through, and how their comradery grows as they get ready.

Nothing strengthens friendships like blowing shit up together. Takes us right back to our university days. Such carnage… Such bliss…

We loved the base building, the military band gag, Pinkley’s impersonation of a General (can’t go wrong with a Sutherland!), the opposition of Franko, the practise maneuvers, and of course George Kennedy. The movie is funny, exciting, tense, brutal, dramatic, ultimately heartbreaking, and we really enjoyed it.

“My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions and loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. Kamikaze soldier of the Allied Forces and proud owner of a pack of dental floss.”

What we learned: Sometimes you have to be a little bit naughty. Also, don’t entrust religious fanatics with sensitive missions… Or misogynists with anything, really.

Next time: The Firemen’s Ball (1967)

#295 Robbery

Watched: March 30 2021

Director: Peter Yates

Starring: Stanley Baker, Joanna Pettet, James Booth, Frank Finlay, Barry Foster, William Marlowe, Clinton Greyn, George Sewell

Year: 1967

Runtime: 1h 50min

Source

A bomb is planted in a car. We follow it through the streets of London. When the countdown reaches zero, instead of an explosion, gas is released and knocks out the driver and his passenger. Enter our heroes/gangsters in their fake ambulance. And that, our friends, is how you kidnap someone in broad daylight!

“Heigh ho, heigh ho, it’s off to rob we go! We’ll get some cash to build our stash, heigh ho, heigh ho!” “Come on guys! Join in! Remember we have that recital on Monday.”

Source

But even a well-planned and perfectly executed heist is not foolproof. The police are onto them, leading to an adrenaline-filled and insane car chase. After they get away (spoiler! Sorry!) and have cooled down a bit, it is time to plot, plan and rehearse the actual heist – one very much inspired by the Great Train Robbery of 1963.

“Actually, this is all just an excuse to show off our new range of dapper outerwear: The Heist Line™ – available now in a variety of styles and colours, such as Blend-in Beige™, Camouflage Camel™, and Blot-out Black™. Not to mention the highly sophisticated Covert Cream™.”

Source

Robbery is very much in the tradition of Topkapi, Rififi, and even Gambit. There’s an elaborate scheme which has been planned to the last detail, there’s a motley yet lovable crew of misfits – each hand picked for their job, and there’s a lot that could go wrong. There’s also a kinda, sorta love story here, but honestly it seemed a bit forced. It certainly wasn’t necessary for the plot.

Now, we all want more women in film, and more good roles for women, but this subplot felt a bit unnecessary. Not because of the lovely Joanna Pettet though – she’s fantastic. Here pictured in Veiled Viridian™.

Source

Our favourite scenes were the opening heist and the subsequent car chase, as well as the prison break. We also loved the meticulous planning and the main heist, of course. Robbery touches on most clichés within the heist movie genre, but it does it well and it’s thrilling from start to end, so we have no complaints.

“I see you went for the Obscure Oxblood™ with the Inconspicuous Ivory trim™. Brave choice!”

Source

What we learned: Our money’s on the pill. Also, use the discount code HEIST10 for 10% off of all items in Mysterious Mauve™

Next time: The Dirty Dozen (1967)

#291 Point Blank

Watched: January 23 2021

Director: John Boorman

Starring: Lee Marvin, Angie Dickinson, Keenan Wynn, Carroll O’Connor, John Vernon, Sharon Acker

Year: 1967

Runtime: 1h 32min

Source

Walker (Marvin) is double-crossed (by his wife and best friend, no less!), shot and left for dead during a heist at the abandoned Alcatraz prison. He somehow survives and escapes, and is now determined to get his $93 000 back from “the Organization.”

“I AM Judge Judy and executioner!”

Source

He kills his way through a bunch of crooks and crime bosses, outsmarting them at every turn, all the while repeating his mantra of “I want my money.” Which, spoiler alert, he never gets. But he manages to fuck enough shit up that the people who stole from him won’t be able to enjoy it either. Which is a sort of a win itself, we guess. Although not a very satisfactory one.

About as satisfactory as emtying your chamber in the unoccupied bed of your treacherous ex-wife. We assume. We’ve never experienced the former as all our revenge plots have gone off without a hitch.

Source

As is tradition, in between kicking ass and taking names, he manages to entangle himself with a Dame, in this case his wife’s sister Chris (Dickinson). Keep it in the family. Smart man.

“I cannot believe my own brother-in-law is all the milkshake brought to the yard. Step up your game, milkshake!”

Source

We loved the sort-of-non-linear storytelling, Lee Marvin’s strong silent man routine, Angie Dickinson’s… Angie Dickinsonness, Lynne’s monologue when confronted by her “late” husband, and of course we’re suckers for a good revenge story.

“If you think about it, I’m the real victim here. I mean, I had to watch you die. Do you have any idea how hard it was for me to backstab you like that?”

Source

Our pet theory: Walker is a terminator. His escape from certain death, glitches in memory/patchy, non-linear thinking, and single minded determination to achieve his agenda are all testimony to that. Or, he is possibly just a very goal-oriented man. Either way Point Blank makes for a very entertaining watch, with its noir and French crime film influences and bad ass protagonist.

“I’ll be back. To watch the T-Birds beat the Scorpions in a drag race…”

Source

What we learned: If you’re going to double-cross and kill someone, make sure they’re actually dead. Also, just pay the man his money!

Next time: Poor Cow (1967)

#288 Le Samouraï

Watched: January 1st 2021

Director: Jean-Pierre Melville

Starring: Alain Delon, Nathalie Delon, Cathy Rosier, François Périer

Year: 1967

Runtime: 1h 45min

So, happy new year, everyone. What a start. We’re not sure 2021 is going to be much better than 2020 judging by the first few weeks, but who knows? In Norway, we’ve gone right into a semi-lockdown so we’ve had our hands full dealing with the repercussions of that, while of course following the insanity that is the USA closely. However, we are the perpetual optimists and have high hopes for February! Things need to calm down at some point, right? And while we wait, why not watch some movies? Such as Jean-Pierre Melville’s amazing Le Samouraï.

Source

Remember when we said Tokyo Drifter was cool? Well, prepare to meet Le Samouraï! Jef Costello (Delon) is a French hitman. After being observed at a murder scene, he needs to avoid both the police and the people who hired him who now see him as a liability.

Unfortunately for a killer for hire, he is cursed with a face so ridiculously handsome that no eye witness will ever be able to forget him.

Silently and cooly, in his trenchcoat and fedora, he goes around Paris figuring out who to trust, who to love (if such a thing is possible), and how to survive.

He’s also working really hard on varying his facial expressions, but so far no dice.

Source

This movie is amazing. The story itself is not the most original, perhaps, but Alain Delon is fantastic as Costello. The world he inhabits is quiet, efficient, spartan and grey, but with the occasional song bird to brighten the mood. Or alert one of danger. Whatever rubs your Buddha.

Real question: how on earth did he end up owning a bird? Did he buy one? Did someone give it to him? Did it just come with the apartment? The public needs to know!

Source

We loved the little glimpses into the Parisian underworld, such as the mechanic Costello visits, the long, quiet scenes without dialogue, Costello’s M.O. in establishing his alibi and planning his evening of chilling and killing, the police’s strange practice of just rounding up a random 600 people to parade in front of eye witnesses in hopes of finding a match (we hope they put a bit more thought into it than it seemed..?), the two women in Costello’s life, and the quiet, suspenseful action of Le Samouraï.

“Witnesses descibed the shooter as a ridiculously handsome young man, so I got this middle aged lady in for the line-up, boss!” “Good work, officer! With work like this a promotion is just around the corner.”

Source

It’s stylish and suspenseful, visually a sort of mix between some of the other French films and the older American noirs, and a welcome distraction in a world gone topsy-turvy. And with that, we hope you are all safe and healthy, and we urge you to get your Samouraï on!

If hitmen in fedoras don’t get you hot, then you can at least appreciate the woman who actually manages to pull off this coat. You have our deepest admiration, Miss Rosier.

Source

What we learned: In Paris in 1967 there were only 100 different keys. Together, they opened every single door and started every engine. Also, everyone owned a set.

Next time: Mad Monster Party? (1967)

#283 Bonnie and Clyde

Watched: November 14 2020

Director: Arthur Penn

Starring: Warren Beatty, Faye Dunaway, Gene Hackman, Michael J. Pollard, Estelle Parsons, Gene Wilder

Year: 1967

Runtime: 1h 51min

Source

Bonnie Parker (Dunaway) is a bored small town waitress looking for trouble. Trouble arrives in the form of recently released convict Clyde Barrow (Beatty). The two fall instantly in love when he tries to steal her mother’s car and then performs a robbery just to prove to Bonnie that he really is a convict.

“Impotence and poverty don’t bother me none, but there’s no way I’ll ever date a man who doesn’t have a record.”

Source

Bonnie and Clyde take off to travel around the US robbing and looting. You know, normal first-year-of-a-relationship-stuff. Soon, the two hook up with gas station attendant C.W. Moss (Pollard), kill their first man, and go see a musical. Two of those things might be more important to the plot than the other. Once Clyde’s brother Buck (Hackman) and his wife Blanche (Parsons) join the group as well, the Barrow gang is born.

We pillage, we plunder, we rifle and loot!
We kidnap and ravage and don’t give a hoot!
We also need all your money and a fourth for our barbershop quartet.

Source

The gang continue the crime spree started by the protagonists, and as they grow in notoriety and their crimes grow in brutality, the web starts closing in around them. It’s not long before law enforcement starts to catch up…

“No, ma’am, I ain’t here to arrest you. I just wanted a picture for the grandkids. Much obliged!”

Source

Bonnie and Clyde doesn’t really follow a traditional structure – it starts right in on the action and then has a fairly flat structure throughout, until the final shoot out and credits. Which is not a criticism – it works. There’s just not a lot of ups and downs in action and tension. In a lot of ways, it reminded us of some of the French movies we’ve watched from the ’60s, which is probably intentional from the director. The flat structure also gives it a bit of a documentary feel, although there’s very little else which gives that impression.

Least of all Gene Wilder’s face. There’s no way you can watch his scenes in this movie and not project the character of Fronkonsteen onto this hapless young man.

Source

We loved the old timey car chases, the costumes, the clip from Gold Diggers of 1933, and the match made in hell of Bonnie and Clyde. As always with movies based on real events, we fall for the temptation of doing some fact checking, and so here is some trivia, based on about 5 minutes of googling. Inaccuracies may occur.
1. There’s little evidence to substantiate the claim that Clyde Barrow was impotent or otherwise unable to perform sexually. There is however some evidence that he was brutally raped in prison, and also that he was bisexual.
2. The couple killed their first man in 1932, but then went right to the cinema to see a movie musical released in 1933. We can only conclude that the pair owned a time machine [citation needed].

“Hey, Clyde!” “Yeah, Bonnie?” “Do you think maybe we should have used that time travel thingamajig to foresee this predicament?” “Well, it’s too late now!” “Uhm… Is it..?”

Source

Despite the historical inaccuracies and the fact that Bonnie and Clyde never once used their time machine to do anything except watch movies, we really enjoyed this. It is of course an inaccurate version of the very real criminals, but they’re perhaps not overly romanticized – they’re both flawed people in difficult situations, neither heroic nor vilified. All in all, very good. And we can’t wait for the inevitable sequel where they team up with Marty McFly.

“Just gotta get this bad boy up to 88 mph and we are home free!”

Source

What we learned: The minute someone orders you to change your hair is the minute you should dump them. Also, Arthur Penn was in love with Faye Dunaway’s face.

Next time: Cool Hand Luke (1967)