Watched: April 23 2019
Director: Joseph Losey
Starring: Dirk Bogarde, Sarah Miles, James Fox, Wendy Craig
Runtime: 1h 56min
Tony (Fox) has recently bought a house and like all houseowners he is now in dire need of a manservant. This need is met in the form of Hugo Barrett (Bogarde) and he is immediately hired. Tony seems content with his new employee and they fall into their roles quite naturally.
Despite playing his devoted servant-role to perfection, whenever Tony is not around, we see a different Barrett: he drinks, smokes and even moves differently. Tony’s girlfriend Susan (Craig) seems to be the only one who picks up on the more malevolent side of Barrett, and she soon becomes directly hostile towards him. We can’t blame her though – he goes out of his way to ignore her, even when she speaks directly to him.
Then, when Barrett moves his “sister” Vera (Miles) in, the tension in the household reaches new heights. Tony and Vera soon have an affair, then Tony catches Barrett with Vera (who, of course, is not actually his sister), and gradually the power in the relationship shifts from one man to another.
The Servant might start off like Jeeves and Wooster, but then it goes oh so dark. Bogarde is wonderfully creepy as Barrett, and there’s an air of malice and threat about him which we absolutely loved.
The house is wonderful and practically a character in it self, and the dinner scene where we caught glimpses of people’s lives was amazing. We also loved the tension built by the dripping sink, as well as the Pinocchio nose shadow, the use of mirrors, and the score.
It’s a slow build, but exceedingly enjoyable, full of detail and hugely suspenseful. Just a beautifully successful union of writer, director and stars.
What we learned: It’s just as well we cannot afford servants… Also, deep focus was all the rage in the 1960s!
Next time: The Small World of Sammy Lee (1963)