#380 I Start Counting

Watched: May 27 2026

Director: David Greene

Starring: Jenny Agutter, Bryan Marshall, Clare Sutcliffe, Simon Ward, Gregory Phillips, Lana Morris, Billy Russell, Madge Ryan, Michael Feast

Year: 1969

Runtime: 1h 45min

The List has once more been updated, and thus our numbering has changed. For details on how we deal with this, look here. While we skip back a couple of numbers, we’re still in 1969, and today we’re serving up a movie we had never heard of (which honestly says more about us than the film) but that we ended up enjoying very much indeed: I Start Counting. (Also, as an added note, we’re having more and more trouble finding movie posters in landscape format, which works a lot better in a blog context than the more classic format above. We rue the day lobby cards went out of fashion…)

Word of warning – the creep factor in this is fairly high at times…

15 (or 14..? De lærde strides [Norwegian expression meaning something along the lines of “the scholars (in this case, the internet) are not in agreement.” Did this minor detail deserve such a long digression? Probably not. But you’re welcome for the language lesson. Now back to our regularly scheduled broadcast]) year old Wynne (Agutter) lives with her adopted family and haunted stuffed rabbit. Her hobbies include Catholicism, brushing her hair, and having secret and inappropriate sexual thoughts about her 32 year old “brother” George (Marshall). We did mention that she’s adopted, right..? Somehow, that fact only makes it slightly less disturbing…

The teenager might be the one with the crush, but honestly the 32-year-old doesn’t do much to make their relationship more appropriate…

As if the fact that the object of her sexual awakening is part of her immediate family (and over twice her age) didn’t complicate things enough, Wynne begins to suspect that George is also the local serial killer, responsible for the deaths of several young women in the area. Particularly the area surrounding their former residence, where a lot of the action takes place. She starts investigating, occasionally aided by her best friend Corinne (Sutcliffe). Can this messy situation ever be happily resolved?

“I take it this suspicion immediately quelled any romantic feelings you’ve been nursing for him, right?”
“Weeeeeeell…….”

I Start Counting was a great watch! Jenny Agutter is amazing as Wynne, and we also thoroughly enjoyed Clare Sutcliffe as her bff. We loved the portrayal of teenage girls impatient to grow up, although their focus on older men was creepy af. Then again, the boys their age weren’t exactly positively portrayed in the movie either, so we can sort of see where they were coming from. Additionally, we loved Wynne’s other brother Len the Stoner (Phillips) (and his friend Jim [Feast]), the school girls during the priest’s visit (“What does the pope have against the pill?”), the soundtrack, drunk Wynne, and most of all the teenage dynamic between the two best friends.

No, but what DOES the pope have against the pill though???

We always enjoy a good murder mystery. However, in this case, the murder part was definitely the least interesting thing about the film, which says a lot about the rest of it. This movie is intriguing, occasionally tense, often hilarious, and overall a good time, with some great performances. Whether you’re here for crime or the coming-of-age story of a young girl (both of which could easily be classified under “horror”), I Start Counting is definitely worth the watch.

We mentioned the haunted (or possible possessed, cursed, bedevilled, damned or similar) stuffed rabbit, right? We spent half the movie scared that Wynne might accidentally spill blood on it and bring it to life in a sort of Dusk Till Dawn/Parasite-esque genre shifting twist. We will not spoil anything by revealing more…

What we learned: Incels are nothing new…

MVP: The Friendships of Teenage Girls

Next time: Kes (1969)

#241 Red Desert/Il deserto rosso

Watched: October 16 2019

Director: Michelangelo Antonioni

Starring: Monica Vitti, Richard Harris, Carlo Chionetti

Year: 1964

Runtime: 1h 57min

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Giuliana (Vitti) is not doing too well. After a car accident she has not been herself, according to her husband Ugo (Chionetti). But was it the accident that changed her? Her conversations with her hubby’s business partner Corrado Zeller (Harris) reveal that all may not have been peachy even before the incident.

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“Oh, I’ve never had any ill effect from being the only dab of colour within miles. Never bothered me at all, no way!”

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Whatever the reason might be, she is clearly not completely stable, and Ugo is incapable of helping – or even understanding his wife. Corrado seems more sympathetic but he cannot help her either. Even the prospect of group sex cannot cheer her up, so you know it’s serious!

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Just one pineapple short of being a proper swingers party! (Yeah, this will probably only make sense to people in Molde, Norway. Thanks, Eirik!)

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All around Giuliana, nature is being ruined by industry and she is falling apart with it. She is utterly diconnected from her husband and most other people – even (or perhaps particularly?) her son. The only one she does connect with is Corrado, but it is a relationship which can’t save her.

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You cannot be saved by a man who enthusiastically engages in breaking apart and burning up your sexy, red bedroom cave for momentary warmth and comfort.

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Red Desert is beautiful, fragile and mesmerizing. The bleak environment feels a bit alien in many ways and the film is strangely hypnotic. As often before, we weren’t overly keen to start it (two hours of Italian drama is a lot on a Wednesday night after work) but we were drawn in from the beginning and we really loved it.

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We do enjoy a good fog!

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We loved the music, the long takes, Monica Vitti, and the slow development of the affair. Although we found the sex scene very uncomfortable – we’re still not quite sure this was what she wanted..?

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Her look suggests “trapped animal” more than “sexually aroused woman”, but perhaps we’re reading her wrong…

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Definitely one to rewatch at some point!

What we learned: It’s hard to manoeuvre through life with a broken gyroscope.

Next time: Seance on a Wet Afternoon (1964)

#206 The Guns of Navarone

Watched: November 4 2018

Director: J. Lee Thompson

Starring: Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Anthony Quayle, James Darren, Irene Papas, Gia Scala, Richard Harris

Year: 1961

Runtime: 2h 38min

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In 1943, British soldiers are stranded on the Greek island of Kheros, about to be blitzed by Germany but unable to leave due to the Axis controlled guns (as in big, massive cannons, not just a couple of revolvers, mind you) on the nearby island of Navarone. As no bombing missions have been successful, the British assemble a commando unit to infiltrate the island and take out the guns.

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“We’re rascals, scoundrels, villains, and knaves, drink up, me hearties, yo-ho!”

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The unit is a team of “pirates and cutthroats;” Major Roy Franklin (Quayle) Captain Keith Mallory (Peck), Corporal John Miller (Niven), Colonel Andrea Stavros (Quinn), “Butcher” Brown (Baker), and Spyros Pappadimos (Darren). Their mission, should they choose to accept it, is to climb an unclimbable cliff to sabotage the guns.

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“I’m scared of heights…” “I think I left the stove on.” “Whose fucking brilliant idea was this, anyway???” “Tell my mum I love her.”

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The team is gathered, plans laid and events put in motion. They’re a ruthless but charming bunch, and they set out on their hazardous journey where they encounter storms, Germans, trust issues, dangerous climbs in awful conditions, injuries, capture, torture and romance.

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Among their many perils: armed women with minds of their own!

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The Guns of Navarone is an action packed movie about manly men doing manly things. We loved the long sequences without dialogue and the (often lack of) score. Among our favourite scenes were the storm with the subsequent shipwreck and climb, and the incredibly tense ending when we were waiting for the booby trap to be triggered. We were quite literally on the edge of our seats.

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We imagine it was a sensation not unlike being held at gunpoint, but as we lead very sheltered lives this is really just guesswork

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The tension is oftentimes palpable and this is a very entertaining war epic, not unlike The Bridge on the River Kwai. So if you’re looking for a WWII double feature and you have several hours to spare, the two might make an excellent combo. Just be sure to wrap up warm and bring a snack.

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Alternatively, combine it with Mamma Mia for a Greek Wedding extravaganza!

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What we learned: Sometimes, you need a team of pirates and cutthroats. Also, we need to step up our rope-climbing game. Who knew that dreaded P.E. staple could have real world applications?

Next time: The Hustler (1961)