#161 Dracula

Watched: January 7 2018

Director: Terence Fisher

Starring: Peter Cushing, Christopher Lee, Michael Gough, Melissa Stribling

Year: 1958

Runtime: 1h 22min

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The story of Dracula hardly needs another recap, but if you still have no idea what this is all about, check out our previous entries on the same story, Dracula (1931) or Nosferatu (1922). We’re pretty sure we summarized the story in at least one of those.

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Blood, fangs, crazy eyes and just a hint of sexy. Really all the info you need.

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That being said, Terence Fisher and screenwriter Jimmy Sangster took some liberties with their 1958 version, mainly concerning some characters and their relationships. Lucy, Mina and Jonathan Harker in particular have gone through some changes.

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Van Helsing is his old, charming self though

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Well-known story and some artistic liberties aside, Hammer’s Dracula (a.k.a. Horror of Dracula) is one of our favourite versions of Bram Stoker’s novel. Christopher Lee is sexy, suave and animalistic as the count, and Peter Cushing is magnetic and dynamic as his arch nemesis.

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We’re honestly not entirely sure how we would react if this guy showed up in our bedroom… Sure, he’s deadly, but what a way to go!

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We absolutely love this movie. There’s nothing like a good vampire story (emphasis on the “good”), and we appreciate that Jonathan Harker is as useless and boring as we’ve always thought he was even as they’ve tried to make his character a bit more interesting.

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Going from accountant to vampire-fighting librarian might sound cool on paper, but he can’t even resist one scantily clad woman. Giles he’s not!

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Now, our eternal love for Gary Oldman is well documented, but even we have to admit that Christopher Lee’s vampire count may be on par with Oldman’s. And despite the many changes to characters etc. made in this version, it stays true to the original story. There’s nothing not to love, and if you’re only going to watch one version of the ultimate vampire romance, you could do a lot worse than this.

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Pro tip: if you have no reflection in the mirror, take a full bath before bedtime. It’s so easy to miss a spot of blood.

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What we learned: If you’re trying to kill a powerful nemesis and his much weaker sidekick, perhaps it is a good idea to take out the main threat first..?

Next time: Elevator to the Gallows (1958)

#155 The Seventh Seal/Det Sjunde Inseglet

Watched: December 17 2017

Director: Ingmar Bergman

Starring: Max von Sydow, Gunnar Björnstrand, Bengt Ekerot, Nils Poppe, Bibi Andersson

Year: 1957

Runtime: 1h 36min

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Knight Antonius Block (von Sydow) returns to Sweden from the Crusades only to find a country ravaged by the black plague and Death (Ekerot) waiting for him personally.

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Stranger Danger! Stranger Danger!

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Block, who is apparently quite familiar with death as a concept (he returns from war after all), is not fazed by the ominous man, but challenges him to a game of chess. The wager: if Block wins he gets to return to his family, but if Death wins, Block will go willingly to meet his demise.

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“So… I poke it..?” “No, man. It’s called a fist bump. You literally make a fist and bump mine. It’s all the rage in the Crusades.”

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The chess game drags on and between moves the knight travels homeward with his philosopher squire Jöns (Björnstrand, who looks like a mix between Tony Robinson as Baldrick and Rhod Gilbert). Along the way, they gather a posse consisting of traveling performers Jof (Poppe) and Mia (Andersson) with their infant son, as well as an assorted collection of other Swedes.

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#SquadGoals

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While on the surface The Seventh Seal might seem a very existential, dark and serious film, it’s not as daunting a watch as many might suspect. In fact, there’s lots of humour in it, and Swedes have the best insults. And while it explores themes of life and death, good and evil, religion and God, it’s not too heavy or too depressing (well, sort of, but not completely without hope).

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Look! There’s song and dance! With absolutely no sinister context whatsoever.

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It’s gorgeous and iconic, and a film everyone should watch at least once. Don’t be put off by the dark subject matter – it’s really entertaining. Also, it’ll make you feel totally cultural and deep, so you can speak pretentiously about Bergman at parties and become the sort of person everybody loves.

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“Oh God, just shut up about that damned movie already. EVERYBODY has seen it! It does not make you special!”

 

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What we learned: You can’t cheat Death.

Next time: Throne of Blood (1957)

Bonus: The Monolith Monsters

Watched: December 16 2017

Director: John Sherwood

Starring: Grant Williams, Lola Albright, Les Tremayne, Trevor Bardette, Phil Harvey, Linda Scheley

Year: 1957

Runtime: 1h 17min

NOTE: At the time of watching (and writing) this, it was #155, but we see now that it has been removed from Mr Wright’s list. Still, it’s been watched and written, so we’ll just call it a bonus post and include it anyway, dammit! For details on numbering, read this.

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Meteors have been crashing into the desert in California, and geologist Ben Gilbert (Harvey) brings home a sample of the newly arrived space rocks. There is a storm, and the next day Dave Miller (Williams) arrives only to find his colleague petrified and his lab smashed, with lots of black rocks strewn around everywhere.

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“What a mystery! This calls for a huge sciency pot of sciency coffee and much pondering.”

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Meanwhile, Dave’s girlfriend Cathy Barrett (Albright) takes her class on a field trip to the desert and sends little Ginny (Scheley) home with another sample of the same rock. It ends badly.

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If you think pet rocks are a nice and safe alternative to an actual animal for your child, think again!

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Ginny’s fascination with shiny things kills her family, ruins their farm, and starts to slowly turn her to stone. Dave and Cathy start to investigate, together with a journalist, the police, and several medical doctors. They find that the mysterious rocks start to grow when exposed to water, and suck the silicon out of everything it touches when “activated.” Thank God it never rains in southern California!

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Just kidding. Of course it starts raining.

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With huge rocks making their way slowly and steadily towards the town, smashing everything in their way, it is up to Dave, Cathy, and Dave’s old professor Arthur Flanders (Bardette) to stop the advancing threat, save the town, and save the girl.

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But where to start? Why, by looking at maps and exchanging worried glances, of course.

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The Monolith Monsters is a silly, weird and fun sci-fi. The growing rocks are actually way more sinister than we would have thought possible, and while the premise of the movie is very silly, it is played straight. And it actually works.

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Evil killer rocks. We would have loved to be in that pitch meeting.

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The growing rocks are cool, we loved the newspaper man Martin Cochrane (Tremayne), and the film is a great mix between stupid (dat premise tho!) and serious. Very campy fun – thoroughly recommended if you like strange ’50s science fiction.

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It’s proving hard to find stills from this film, so here’s another picture of the titular “Monolith Monsters.”

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What we learned: Between Them! and this, the desert is no place for little blonde girls. Also, rocks are petrifying. Pun intended.

Next time: The Seventh Seal (1957)

Bonus: The Curse of Frankenstein

Watched: December 25 2017

Director: Terence Fisher

Starring: Peter Cushing, Christopher Lee, Hazel Court, Robert Urquhart, Valerie Gaunt

Year: 1957

Runtime: 1h 22min

Curse

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Victor Frankenstein (Cushing) is smart, ambitious, handsome, charming and rich. He is also an arrogant jerk. And imprisoned. He confesses to a priest and tells his unusual, and somewhat unbelievable, story.

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“It all started, as these things tend to do, with a dead dog…”

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Orphaned at a fairly young age, Baron Frankenstein hires his own tutor, Paul Krempe (Urquhart), to be his teacher and later partner. Together the two explore the world of science!

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That’s just normal glass – his eyes are really like that. If you don’t believe us, watch Top Secret (1984)

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Their greatest achievement, the reanimation of dead tissue, brings about different reactions in the two scientists. While Kempe’s initial reactions is “yay! This’ll make surgery so much easier and safer!”, Frankenstein’s first impulse is to go out and harvest body parts to make himself a new man-puzzle. Kempe finally starts to see the sociopath in his student, and they have a falling out.

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“It’s MY turn to reanimate the corpse!” “No, it’s MINE!” “Who’s the one paying for all this?” “Screw this, I’m out.”

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Things escalate when Victor straight up murders another intellectual to use his brain for his creation, and then uses his successfully assembled and animated creature (Lee) to kill his knocked up maid Justine (Gaunt) who threatens to expose his shady dealings if he does not marry her.

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“Sorry, sweetheart – you’re certainly not good enough for the likes of me. Think of what the children will be like??? No, I’m engaged to marry my cousin. Yay gene pool!”

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Meanwhile, Victor’s cousin Elizabeth (Court) has arrived to marry him, which adds another complication. With the death toll rising, a creature on the loose, a falling out between the friends, and a Fair Maiden innocently roaming the large house at night, how on earth will this end?

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Let’s face it: fancy, defenseless ladies roaming around castles in the night with only a small lamp for company are usually not indicative of happy endings…

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The Curse of Frankenstein is quite different from its early predecessor Frankenstein despite their many similarities. For one, the monster (or, in this case, creature) isn’t really all that important. As creepy and scary as Christopher Lee is in this, the focus is all on the Mad Scientist Victor Frankenstein.

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For such an unfortunate looking creature, he’s a surprisingly snappy dresser!

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Frankenstein himself is also very different. Personally, we feel that this take on the Baron is closer to the source material than many other incarnations – he really is an arrogant, egotistical, spoiled brat with a God complex in the book, no matter how bad he feels once everything falls apart. Cushing’s Frankenstein is particularly ruthless, and we love him for it. Well, not him as much as this version of events, we suppose. But we definitely love this film!

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…and this guy! #decompositionchic

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What we learned: If you’re going to stand up to a rich, insane, megalomaniac nobleman who doesn’t like being told what to do, you’d better have a contingency plan…

Next time: The Incredible Shrinking Man (1957)

#151 Quatermass 2: Enemy from Space

Watched: December 16 2017

Director: Val Guest

Starring: Brian Donlevy, John Longden, Bryan Forbes, Sid James, William Franklyn

Year: 1957

Runtime: 1h 25min

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Small meteors keep falling near small British village Winnerden Flats, much to the interest of Professor Quatermass (Donlevy). Frustrated with the dried up funding for his lunar base project, the professor decides to look into the strange meteors, only to find a fully constructed lunar base right on the outskirts of the village.

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“Yes – exactly like my model! But bigger. Like, DD big.”

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The entire area is under military control, and when Quatermass’ colleague Marsh (Forbes) is injured by whatever emerges from the gas in the hollow non-meteors, the two are separated; Quatermass is escorted away and Marsh is sent to the base for medical attention.

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“‘Tis but a scratch!”

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With the help of an MP, our hero manages to score an invite to inspect the base, which is supposed to produce synthetic food. But what he finds there is far more sinister than GMOs…

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“My God! And they told me my diet was bad!”

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Like The Quatermass Xperiment before it, Quatermass 2 is the Hammer film version of a BBC series, and it’s a great little sci-fi adventure.

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Banners and gas masks. What a charming party!

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There’s Cold War paranoia, conspiracies, propaganda, brain washing, alien colonization, pretty blondes, and mystery – everything you could possibly wish for in a science fiction horror. Like Invasion of the Body Snatchers and The World’s End (2013), people appear normal and as they’ve always been, but something profound has changed which is hard to pin down. Add to that military operations and creepy gas masks, and you’ve got yourself an uncanny little gem, which we thoroughly enjoyed.

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Did we mention the inflated trash bags?

A fun way to kick off the next 50 films!

What we learned: Everything will be answered later.

Next time: Sweet Smell of Success (1957)

#147 Curse/Night of the Demon

Watched: November 29 2017

Director: Jacques Tourneur

Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis

Year: 1957

Runtime: 1h 35min

Night

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After Professor Harrington dies under mysterious circumstances, his niece Joanna Harrington (Cummins) teams up with the late professor’s colleague John Holden (Andrews) to find the truth. Joanna thinks her uncle’s death is related to a “satanic cult” he was investigating, and specifically the leader Dr Karswell (MacGinnis).

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“He’s not a satanic cult leader! He’s just a happy-go-lucky clown!”

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While Holden has made it his life’s mission to discredit occultism, Ms Harrington is a bit more open to the concept of her uncle’s death being supernatural in origin. But when Holden finds a mysterious paper in his belongings (after a chance encounter with Karswell in the British Library – the no. 1 hang-out place for academics and satanists) and his symptoms start resembling those of the dead man, he gradually starts to come around to Joanna’s way of thinking.

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If you’re chased through the woods by a strange smoke cloud, satanic forces is usually the first and only theory.

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Night of the Demon (or Curse, if you’re American) is less subtle than Tourneur’s earlier work (Cat People and I Walked with a Zombie), where you’re never sure if something supernatural is happening or not. In this, the demon is shown on screen several times, although arguments could be made that they are only seen by the doomed men who believe a demon is out to get them.

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They both see the same, slightly cross-eyed demon though…

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Apparently, this was at the insistence of the producer rather than the vision of Tourneur, and it might have been a better movie without it. Despite the somewhat outdated special effects though, this is still a very enjoyable movie.

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Karswell is nice and sinister throughout, when he’s not in clown make-up that is

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We loved Karswell acting all serious in full-on clown mode; the seance with the singing; the scene on the train; and the general plot. It’s a fun, slightly camp, horror film which is slightly dated but still a good watch – especially if you’re a horror fanatic.

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Or if you’re really into huge, cross-eyed demons floating through dark woods. It’s a fetish, we’re sure.

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What we learned: Don’t mess with the occult. Or with dudes who like to dress up as clowns and live with their mothers.

Next time: Funny Face (1957)

#141 The Bad Seed

Watched: November 1 2017

Director: Mervyn LeRoy

Starring: Nancy Kelly, Patty McCormack, Henry Jones, Evelyn Varden, Eileen Heckart

Year: 1956

Runtime: 2h 9min

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8 year old Rhoda Penmark (McCormack) is a prim and proper young lady who is a bit spoiled and very straightforward. Her father and neighbours think the world of her, especially landlady Monica Breedlove (Varden), but her mother Christine (Kelly) has noticed a more sinister side to her daughter; she has an explosive temper and is possibly the worst loser in history.

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“Another kid has better handwriting than me! My life is over!”

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When Rhoda fails to win a school prize for penmanship, she does not take it well. Later, at a school picnic, the boy who beat her accidentally drowns. Christine becomes suspicious when she then finds the boy’s missing medal among her daughter’s precious things…

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By precious things, we mean serial killer trophies

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While Christine suspects her daughter may not be quite normal, handyman Leroy (Jones) recognizes exactly what she is – he sees himself in her. He’s too confident in his own supremacy though, so he confronts the child and teases her. Big mistake! She may be tiny and young, but Rhoda is also vicious and resourceful.

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Lesson: never confront a suspected killer, no matter how cute their pigtails are

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The Bad Seed holds up very well, despite the many “evil child”-films which have come since its release. Patty McCormack is perfect as Rhoda – alternating between sweet and deadly effortlessly.

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Mama should have known something was wrong looking into those eyes…

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We loved Monica the Landlady and her psychoanalytical friends, and the crazy and manipulative Rhoda. The film is long and melodramatic, with lots of sitting room exposition (it’s based on a play), but it is also very creepy and engaging. The Freudian influence is very evident, especially when it comes to the (many) weirdly intense parent-child relationships. Or perhaps that’s just how parents and children interacted in the ’50s.

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You know, with poison…

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What we learned: Don’t have kids!

Next time: The Killing (1956)

#140 Invasion of the Body Snatchers

Watched: October 5 2017

Director: Don Siegel

Starring: Kevin McCarthy, Dana Wynter, King Donovan, Carolyn Jones, Larry Gates

Year: 1956

Runtime: 1h 20min

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Dr Miles Bennell (McCarthy) has had a rough few days, and is trying to convince a psychiatrist that he is not crazy but that his home town really is at the centre of a large scale alien invasion. His story is then told in flashbacks and we see the invasion unfold.

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He has really cultivated that so-not-crazy-right-now-look

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Bennell, a small town doctor, has been out of town and very popular in his absence; half the town has been in to see him, but when he returns they are no longer as keen. He gradually finds that many of his patients seem to suffer from Capgras delusion – they think their loved ones are not themselves or have been replaced by impostors. They also suddenly snap out of their delusions without any treatment…

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The thick plottens when the protagonists find an unconscious man with no distinguishing features hidden in a friend’s basement

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Bennell, together with childhood crush Becky Driscoll (Wynter), starts to investigate and what they find is literally out of this world – a race of alien “pod people” who are taking over the entire town of Santa Mira by replacing its people with unemotional but otherwise perfect replicas.

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“Tired of your neighbour? Grow a new one in a greenhouse! Pod People – Replacing Non-Conformist Folks Everywhere”

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Invasion of the Body Snatchers shows a quiet invasion – alien beings who fell from the sky gradually take over friends, relatives and neighbours in their sleep. Those not yet taken grow increasingly paranoid and hysterical, especially since the change is hard to prove – it’s mostly just a feeling and an instinct that something is wrong.

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Until they start chasing you, of course. Then you know.

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This film is remade (or, the novel by Jack Finney is filmed) every other decade or so, sometimes under different titles (such as Body Snatchers or The Invasion), and each time the plot changes slightly based on the general zeitgeist. The original, from the fifties, naturally has clear undertones of McCarthyism and the communist scare.

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Though things have changed a lot since 1956, the tried and tested investigative method of poking stuff with a stick has fortunately survived.

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We’ve mentioned how we love old-timey sci-fi before, and this film is an old favourite which still holds up. We’re really looking forward to Philip Kaufman’s 1978 version now, to see the differences (we haven’t seen it in ages). Also, although the quality of the different productions vary a bit, we think they should just keep remaking the plot every twenty years or so. It’s a good indication of what people’s fears are at any given time, and important documentation for the ages.

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And it gives us shots like this.

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What we learned: If people around you start acting weird, they’re probably pod people and are out to get you.

Next time: The Bad Seed (1956)

#137 The Quatermass Xperiment

Watched: September 24 2017

Director: Val Guest

Starring: Brian Donlevy, Jack Warner, Margia Dean, David King-Wood, Thora Hird, Richard Wordsworth

Year: 1955

Runtime: 1h 18min

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As a young couple laugh randomly in a field, a rocket comes crashing down from the sky. Emergency services arrive shortly after but are unable to do anything with the space craft other than wait for it to cool down.

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Not a scenario covered in basic training for most British emergency services. Only a few.

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Enter Professor Quatermass (Donlevy) – a scientist with little patience, no respect for so-called authorities, and no time for nonsense. He is the brains behind the semi-successful space launch, and he is worried about the crew after they lost radio contact for 57 hours. And rightly so – when they finally open up the ship, two of the three astronauts have vanished, and the only remaining crew member is in a state of shock.

 

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“Not to worry, my dear. I suspect, if we put him in this dental chair and stick tubes in him, he’ll probably snap right out of it. Yes, that’ll do the trick!”

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The survivor, Victor Carroon (Wordsworth) is transferred to a hospital after he fails to make any progress, but his wife Judith (Dean) has the brilliant idea to kidnap her non-responsive, traumatized and possibly infectious husband and get him out of there.

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“We still don’t know what’s wrong with you or what happened to the rest of the crew, but what could possibly go wrong?”

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With their subject missing, Quatermass and Dr Gordon Briscoe (King-Wood) find out some ugly truths about his condition, and they must hunt Carroon down before he manages to kill and/or infect too many others. The future of the planet is at stake!

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He retains some of his humanity. Little girls with dolls are scary and must be avoided!

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We’ve never seen this one before, although we have seen the two surviving episodes of the 1953 BBC show on which is was based. It was good to finally get some closure and find out how this all developed.

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Answer: not that well…

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This is a great sci-fi horror, which obviously inspired shows like Doctor Who, although the effects are now a little bit dated (not that we care about that stuff – we are masters at suspending our disbelief!). The stages of Carroon’s transformation are still very good, and also very sad.

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Donlevy’s Quatermass is a bit more aggressive than Reginald Tate’s TV version, but we enjoyed him a lot.

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We can’t wait for the other two Quatermass films – we loved the shows they’re based on and can’t imagine the films being anything less than amazing.

What we learned: Outer space is scary.

Next time: Bigger Than Life (1956)

#124 Them!

Watched: June 29 2017

Director: Gordon Douglas

Starring: James Whitmore, Edmund Gwenn, Joan Weldon, James Arness

Year: 1954

Runtime: 1h 34min

Them

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Police pick up a shell-shocked little girl in the New Mexico desert. They also spot an abandoned car and trailer, and when they check them out they find a war zone sprinkled with sugar. What on earth could have happened?

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Nothing good, that’s what!

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As more similar crime scenes appear, Police Sergeant Ben Peterson (Whitmore) investigates with the help of his trooper, who quickly becomes another victim of the unseen threat. FBI Agent Robert Graham (Arness) replaces the dead trooper, and with their only clues being strange tracks, sugar, and huge amounts of formic acid in the victims’ bodies, the investigators call in some experts. Dr Harold Medford (Gwenn) arrives, accompanied by his daughter, Dr Patricia Medford (Weldon). The two of them have some crazy theories.

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Surprise! The crazy theories were spot on and there really are enormous killer ants running around in the desert!

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The culprits are giant ants, mutations made by radiation from nuclear bomb tests in New Mexico (see “Godzilla: Bombs are Bad“). The team manage to destroy the nest, but realise that three queens have managed to escape. Now they must track them down and destroy them before they destroy all of humanity.

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Pretty much the most fun you can have with nuclear mutation mistakes

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As mentioned, we watched this as a double feature with Godzilla, and they really are a perfect match. Atomic monsters threatening major cities who must be destroyed by scientists and the military working together, with a sprinkle of romance and humour. We loved them both, although Them! seems the slightly sillier version of the same general idea.

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Giant dinosaury sea monsters beat giant animatronic insects in terms of fright factor, in our opinion. The insects win for fun factor, though.

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A cult classic which is surprisingly tense given the premise, Them! is a great film if you’re a fan of creepy creature features with slightly dated effects but otherwise great performances and lots of eerie sounds. We loved both Doctors Medford, and had a great time watching this.

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Who you gonna call? Antbusters!

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What we learned: Get the antennae! Also, not all nuclear explosions lead to superheroes.

Next time: All That Heaven Allows (1955)