Drama – Page 4 – 1000 Films Blog

Posted on April 16, 2020April 16, 2020 by 1000filmsblog

#267 The Ipcress File

Watched: April 15 2019

Director: Sidney J. Furie

Starring: Michael Caine, Nigel Green, Guy Doleman, Sue Lloyd, Gordon Jackson, Frank Gatliff, Freda Bamford

Year: 1965

Runtime: 1h 49min

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Dr Radcliff boards the 7.55 to Nottingham and then promptly disappears – the last in a long line of misplaced scientist working for the British government.

ipcress3 — Pro tip: if scientists are disappearing at an alarming rate, try diversifying your reading material when in public.

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After a long and strange morning ritual (who goes through all that trouble to grind beans and make French press coffee and then NOT let it steep??? You’re basically drinking beige water at that point), Sergeant Harry Palmer (Caine) of the Ministry of Defence goes into work and is given a new mission recovering the misplaced scientific equipment.

ipcress2 — “He’s about yea high, grey hair, glasses, sort of sciency-looking..? Yeah, we keep losing him, so give us a call if someone turns him in, ok?”

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The “insubordinate trickster” Palmer starts to track down the main suspect, Albanian scientist-stealer “Bluejay” (Gatliff), alongside fellow spies and officers, including love interest Jean Courtney (Lloyd). However, it becomes clearer and clearer that there is a mole inside the British Army. Who can it be?

ipcress4 — In real life, our money would be on the guy with the obviously fake glasses.

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Can you do better than The Ipcress File if you’re in the mood for an espionage thriller with brainwashed scientists, sexual tension, double crossing weasels, cheeky yet charming scoundrels, and some sort of cooking fetish? Possibly. But you can certainly do a hell of a lot worse!

ipcress5 — We think this picture speaks for itself

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Michael Caine is more likable than he has any right to be, and we enjoyed the bureaucracy of espionage – you never see a single L101 in a Bond-film! We also loved the exchange in the parking garage, the library (we want one!), the bowler hats, all the lamps, the shot composition, and the sort of jazzy/noiry music.

ipcress6 — So many lamps. We kind of regret not counting them. Hit us up if you are bored enough to do that very thing! #coronahobbies

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Double this with The Manchurian Candidate for the perfect cold war/paranoia/science-gone-wild/brainwashing thriller evening. And kids? Stay home. Stay safe. Wash your hands and watch excellent movies.

ipcress7 — Make yourself a pot of stronger coffee than Harry and have yourself a marathon!

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What we learned: Don’t slouch like a pregnant camel. Also, Sister the Youngest learned the advantages of a revolver vs. an automatic for when you want to get away with a crime. Sister the Oldest has known for a very long time…

Next time: The Knack… And How to Get It (1965)

Posted on April 5, 2020 by 1000filmsblog · 2 Comments

#266 The Hill

Watched: April 5 2019

Director: Sidney Lumet

Starring: Sean Connery, Harry Andrews, Ian Bannen, Ossie Davis, Ian Hendry, Alfred Lynch, Roy Kinnear, Jack Watson, Michael Redgrave, Norman Bird

Year: 1965

Runtime: 2h 3min

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Hey kids! Are you stuck at home? Feeling increasingly bored, frustrated and lonely? Longing for society to return to normal? Well then, have we got the perfect uplifting movie for you!

hill1 — “All right boys! Ready to make a comedic romp reminiscent of M*A*S*H? (which curiously hasn’t been produced yet, but I’ll still reference it because that’s the sort of oddball character I am!)”

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The Hill has it all: sadism, inhumanity, madness, cruelty, injustice and an overhanging sense of impending doom.

hill2 — Oh, but there’s young, sexy Sean Connery, so it’s got that going for it which is nice.

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Sure, it might leave you depressed and disillusioned, but it could also put your own situation into perspective.

hill3 — Pro tip: if you pay attention to the background, you’ll get a bunch of good ideas for home workouts you can do while socially distancing. You’ll also feel very sorry for the poor extras…

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Seriously though, The Hill is horrible and great and disturbing. It’s one of those movies we would never watch again (too frustrating!) but that we’re very grateful we’ve seen. And we’ll never stop encouraging others to watch it (although we’re not really selling it, are we..?). You can feel, smell and taste it. It is extremely intense, but worth watching, if only just once.

hill4 — If you’re looking for horrible characters to direct your hatred and frustrations towards, then look no further! We’ve got you covered.

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What we learned: The only thing necessary for the triumph of evil is for good men to do nothing. Also, no one wins…

Next time: The Ipcress File (1965)

Posted on March 29, 2020 by 1000filmsblog · 2 Comments

#265 The Collector

Watched: March 19 2019

Director: William Wyler

Starring: Terence Stamp, Samantha Eggar

Year: 1965

Runtime: 1h 59min

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Freddie Clegg (Stamp) is a socially awkward butterfly collector who’s convinced that the only reason he can’t get a date is because women won’t take the time to get to know him. Then one day he wins a large sum of money, buys a remote farmhouse, and decides to test his theory by kidnapping Miranda Grey (Eggar) – an art student he’s been stalking for a while.

collector2 — “Stop..!. struggling..! I am a nice.. *hnng* ..guy – I’m doing this for your own good.”

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After the initial shock of having been drugged and taken by a psychopath, Miranda decides the only way she’ll leave the house alive is if she plays along with her deranged “host.” She agrees to stay for four weeks, during which time Freddie believes he can Beauty-and-the-Beast her into falling in love with him.

collector3 — “Oh, you’ll be quite happy here in this cold, damp cellar prison I made you. You’ll have a bed, clothes, art supplies – everything a young woman could possibly need! Now love me. “

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The Collector may be from 1965 (based on a 1963 novel) but the parallels to certain contemporary movements are impossible to ignore. Freddie definitely doesn’t see himself as a bad guy (he’s a Nice Guy, you see – just misunderstood), but he also doesn’t see Miranda as human. She is only there to fulfill his needs – she has none of her own. And when she fails to act the way he wants her to, she has no more value to him.

collector4 — Trying to flood the house to get the attention of a neighbour when your host is finally letting you have a bath? Where were you raised???

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We absolutely loved this one, and were on the edge of our seat throughout. Terence Stamp was amazing as the psychopathic Freddie – his physicality as well as his sudden and chilly shifts in mood and attitude were fascinating to watch.

collector5 — The switches between childlike, innocent happiness and icy calculation are very creepy

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Samantha Eggar is similarly engaging as Miranda – she never loses her defiance despite having to negotiate and play along with her kidnapper. She, like us, never quite loses hope that she might eventually escape this hell.

collector6 — Despite her fear, Miranda tries to connect with and manipulate Freddie – anything to regain her freedom

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If you’re a fan of psychological horror and/or serial killers, The Collector is a classic and you simply must check it out. And what better time to watch a movie about someone being held against their will in a remote house than in the midst of a pandemic in which we’re being forced to stay inside our houses? If nothing else it will put your own isolation into perspective. (We hope you’re doing well though, and that you’re not too lonely, wherever you are. Stay inside and stay safe!)

collector7 — And even if you’re stuck inside, it’s still nice to occasionally dress up for dinner. Especially if you’re alone and not with the psychopath who abducted you… If that is the case, eat in your PJs. You deserve it.

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What we learned: NEVER hit them once and then try to run. You keep hitting until there’s nothing left but splattered brain matter (theoretically of course. Please do not organize a raid on our apartments. Or search our basement).

Next time: The Hill (1965)

Posted on March 16, 2020March 16, 2020 by 1000filmsblog · 1 Comment

#261 Simon of the Desert

Watched: February 23 2019

Director: Luis Buñuel

Starring: Claudio Brook, Silvia Pinal, Enrique Álvarez Félix, Hortensia Santoveña

Year: 1965

Runtime: 43 min

As attentive readers may have noticed, we have now skipped a few numbers. That is because Edgar has recently edited the list and added a few more movies to the earlier years. Hopefully, we’ll get around to watching them and adding them as soon as the Corona crisis is over. However, for now the library is closed and we just have to work with what we have. That also means that we might have to skip a few upcoming movies as well since we can’t get our grabby (and quite possibly infected) hands on them. Not to worry though – we’ll make up for it as soon as we can. For now, were just happy that the Norwegian government are taking precautions and doing their best to keep us all safe.

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Disclaimer done, now on to the good stuff! Simon of the Desert is a weird one, which should come as a surprise to absolutely nobody considering Buñuel’s earlier works. Basically, Simon (Brook) is super pious. Like, really incredibly pious. And humble. Let’s not forget it. In fact, he’s so pious and humble that he disowns his own mother (Santoveña) because he needs to concentrate on God and being pious and humble.

simon2 — “Bar none I am the most humblest. Number one at the top of the humble list.”

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Still, you can’t walk around being as humble as Simon without drawing the attention of the devil him/herself (Pinal). Once you set yourself on a literal pedestal as the best person in the world, Satan will want to get in on this action and prove you wrong. But who will win? The fallen angel or the oh so pious man?

simon3 — “Don’t judge me. I was going through an identity crisis when this was filmed, wanting to be Jesus and stuff. So embarrassing now…”

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This was amazing. We loved the skipping brother Matthew/Matías (Félix), the inner monologue, the mix of time periods, the incredibly unsubtle Satan, and the coffin. Don’t ask. The film looks beautiful and some of the close-ups reminded us a lot of the gorgeous The Passion of Joan of Arc.

simon4 — Also, very topically, Simon practised social distancing before it was cool. Well done, Simon! You’re doing your part!

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Besides taking one for the team by socially distancing himself from everyone though, Simon’s pursuit of holiness and divinity seems extremely selfish and self-indulgent. He’s not really trying to save the world or anything, just himself. That being said, he does perform miracles which the villagers surrounding him take for granted so maybe he was just fed up with not being appreciated. At least Satan gave him something to focus on – Pinal is very entertaining and a lot more interesting than Simon. But then again, that is always the case, isn’t it?

simon5 — Seriously – who would you rather party with?

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What we learned: Get thee behind me Satan! And keep your distance – we’re trying not to get infected here.

Next time: The 10th Victim (1965)

Posted on March 9, 2020March 9, 2020 by 1000filmsblog · 1 Comment

#254 Repulsion

Watched: February 9 2020

Director: Roman Polanski

Starring: Catherine Deneuve, Ian Hendry, John Fraser, Yvonne Furneaux, Patrick Wymark

Year: 1965

Runtime: 1h 45min

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So, here’s the thing. We enjoyed the movie. We loved Catherine Deneuve. The story is intriguing, and the men are sleazy and disgusting. However, watching Polanski-movies is difficult in light of, well, him… (And yes, we know this might seem a bit hypocritical seeing as we actually did review Knife in the Water. We have just given it a bit more thought since then. And sure, there are probably lots of other problematic directors as well, but in this case there is so little doubt and it is so well publicized that it cannot be ignored.)

repulsion3 — Also, he’s clearly just ripping off *Beauty and the Beast*

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It’s the continuous debate of whether one can truly separate the artist from the art. Considering that he still goes free and is even rewarded (and awarded) despite being a rapist piece of shit, viewing and reviewing his movies is conflicting. Especially when they involve sleazy men trying to take advantage of mentally ill women. But, like, sexy mentally ill women. So that makes it ok, apparently…

repulsion2 — Cause as we all know, nothing is sexier than a spiralling woman. She probably just needs a penis to set her straight.

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We’re not going to tell you whether to watch this or not. It’s entirely up to you. The film itself is intriguing and beautifully shot, but it is also problematic in oh so many ways.

What we learned: Watching (old) Polanski movies is difficult…

Next time: Simon of the Desert (1965)

Posted on January 19, 2020January 19, 2020 by 1000filmsblog

#250 Darling

Watched: December 30 2019

Director: John Schlesinger

Starring: Julie Christie, Dirk Bogarde, Laurence Harvey, José Luis de Vilallonga, Roland Curram

Year: 1965

Runtime: 2h 08min

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Diana Scott (Christie) is being interviewed for “Ideal Woman,” telling the story of her life. And what a life! From a “normal” life and a normal marriage, she becomes friends, and later lovers, with reporter Robert Gold (Bogarde). The two of them move through in the London art scene in the swinging sixties, partying and being adored.

darling1 — “My career goals? Model, actress or princess. Yes, I’m a grown woman. Why do you ask..?”

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They both leave their spouses for each other and move in together. However, Diana becomes very jealous when Robert goes back to his ex to see his kids. In fact, she decides to have her own child, but changes her mind when it becomes a reality.

darling5 — “You know what they say – bringing a baby into a troubled relationship always saves the day.”

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Diana, bored with Robert who likes to stay home and write, continues to seduce and be seduced to further her own modelling and acting career. She moves up in the world one man at a time while not playing very well with other women at all, all of whom she sees as threats. But what does she really want from life?

darling3 — “Oh, I’m just like any modern woman trying to have it all. Loving husband, a family. It’s just, I wish I had more time to seek out the dark forces and join their hellish crusade.”

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Darling is fascinating and engaging, and the contrast between Diana’s words and actions is very interesting to watch. The stories we tell ourselves and others are clearly just a version of the truth.

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We loved the clothes, the decadence and hypocrisy, the out and proud gay people, and all the fake books hiding vices throughout the movie. Julie Christie and Dirk Bogarde are wonderful as Diana and Robert, with both good and bad qualities.

darling6 — “Just think of all the ways we could eventually hurt and devastate each other!”

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Thematically, there are parallels to Bitter Harvest, but Diana is treated much better than Jennie. Jennie is pretty much a victim, while Diana is the author of her own destiny – for better or worse.

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What we learned: If you can’t love yourself, how in the hell are you gonna love somebody else?

Next time: Faster, Pussycat! Kill! Kill! (1965)

Posted on January 8, 2020 by 1000filmsblog · 1 Comment

#249 Bunny Lake is Missing

Watched: December 30 2019

Director: Otto Preminger

Starring: Carol Lynley, Laurence Olivier, Keir Dullea, Martita Hunt, Noël Coward

Year: 1965

Runtime: 1h 47min

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When Ann Lake (Lynley) comes to pick up 4 year old Bunny from preschool, the child is nowhere to be found. Not only that – she has not been seen by anyone the entire day.

bunny2 — “Hi! It’s my daughter’s first day of school in a new country! I couldn’t find anyone, so I left her to her own devices in an empty room. I’m sure someone will come find her eventually. If not, maybe you can check in on her at some point during the day, random stranger. Gotta dash! Ladida, mother of the year!”

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As she desperately starts searching for her girl, Ann finds that she has trouble convincing people that Bunny really exists. Apart from her brother Steven (Dullea), no one in England has ever seen the girl since they came over from the USA – not even the audience.

bunny3 — “Darling sister – are you sure you remembered to take her with you when you moved..?”

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Even Bunny’s things have gone missing from their new house, and supercreepy landlord Horacio Wilson (Coward) cannot remember seeing them despite being very invasive while Ann was unpacking her toys and clothes. And now we are no longer sure there ever was a girl. But fear not! Superintendent Newhouse (Olivier) is on the case and determined to get to the bottom of the mystery!

bunny4 — “And when she said her daughter was missing, what did you do then?” “Well, I tried to dick her, of course!” “Ah yes, naturally. “

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We loved this SO much! The characters are amazing and the mystery is very well done. Carol Lynley is wonderful as the increasingly frustrated and desperate Ann (while looking very much like a 1960s Keri Russell. Or the other way around, we suppose). Noël Coward is Creepy McCreeperson, Keir Dullea is slightly sinister, and Laurence Olivier’s Newhouse is likable from his very first appearance.

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AND HERE THERE MAY BE SPOILERS:

Trying to figure out who to believe and what is really going on was fun and kept us guessing (although our suspicions were eventually confirmed. Yay us!) Despite her slow start, Ann turned out to have agency and cunning – she was not just a damsel in distress!

Huty1913524 — Even surrounded by eerie dolls, she puts to shame all those men who question her sanity. Take that, woman-not-being-believed-by-authorities-when-she-worries-about-her-child-trope!

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What we learned: Junket is junket. Also, trust no one.

Next time: Darling (1965)

Posted on January 2, 2020 by 1000filmsblog

#248 Zulu

Watched: November 17 2019

Director: Cy Endfield

Starring: Stanley Baker, Jack Hawkins, Ulla Jacobsson, James Booth, Michael Caine, Nigel Green, Patrick Magee, Mangosuthu Buthelezi

Year: 1964

Runtime: 2h 18min

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The year is 1879. In South Africa, imperialism rules, but Zulus have attacked a white settlement and won, which inspires another tribe to do the same to a nearby mission/military hospital.

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At the mission, Lieutenants Chard (Baker) and Bromhead (Caine) must learn to work together and cooperate if they are to defend themselves from the 4000 advancing Zulus with their own measly 150 soldiers, many wounded.

zulu2 — “You think you’re so cool, riding in here with your title and rank and stupid sexy hair…”

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Zulu is a famous epic depicting real events with surprisingly little racism considering the subject matter and the time. Sure, we do not really see the Zulus’ side of the story, and they are a nameless, faceless, personalityless mass for most of the movie. However, they are also intelligent, strategic, cultured and honorable, which makes the film a lot less dated than we’d expect.

zulu3 — Basically, they are people. And treated as people. Which should be a given but sadly is not.

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The cinematography is gorgeous, the characters are great (Bromhead is a very shady queen!), and the suspense is real. Also, fun fact, the Zulu king Cetshwayo kaMpande is played by his real life grandson Mangosuthu Buthelezi.

zulu5 — However, no fun fact can compare to the glorious moustache of Colour-Sergeant Nigel Green

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We loved the arrival of the Zulu, the British adherence to protocol even in a crisis (proper tunic etiquette is to be observed at all times!), the action, and the game we made up wherein we recast the movie using only Monty Python members (they all correspond perfectly with a character in the film!). And did we mention it is gorgeous? Well worth a watch!

zulu4 — “We’re knights if the round table, we dance whene’er we’re able. We do routines and chorus scenes with footwork impeccable…”

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What we learned: Invade someone’s land and they might be a bit pissed off.

Next time: #249 Bunny Lake is Missing (1965)

Posted on December 13, 2019 by 1000filmsblog · 1 Comment

#246 The Umbrellas of Cherbourg/Les parapluies de Cherbourg

Watched: November 11 2019

Director: Jacques Demy

Starring: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel, Ellen Farner, Mireille Perrey

Year: 1964

Runtime: 1h 31min

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Geneviève Emery (Deneuve) lives with her mother Mme Emery (Vernon) in Cherbourg, selling umbrellas. Not umbrellas, bags, shoes, and raincoats, or anything which might help them actually earn a living. Nope. Just umbrellas. We’ve never been to Cherbourg, but now our impression is that of a rainy town filled with forgetful and/or wasteful people.

umbrellas2 — “Maman! Maman! I think I see a raincloud! If someone didn’t check the forecast before they left the house today we might actually eat something this week.”

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Not surprisingly, the mother-daughter-team struggle to make ends meet and Maman wants her daughter to marry rich. Specifically Roland (Michel), a character we remember from Lola, who has taken a fancy to the young umbrella salesgirl. Geneviève on the other hand is in love with mechanic Guy (Castelnuovo) and plans to marry him, money be damned!

umbrellas3 — “Don’t worry about money, my love. The constant rain makes the roads very slippery, so my mechanics business is thriving!”

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Then, Guy is drafted into the army and sent off to fight in the Algerian War. A few months later, Geneviève confesses to her mother than she is pregnant. She is also worried about Guy who only answers her letters sporadically.

umbrellas5 — “You did actually get something in the mail, but it’s possible all the wallpaper in this house has damaged your eyesight to the point that you cannot read simple letters”

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Roland (who may or may not have grown up a bit since the last movie where he famously made his unrequited feelings for Lola her problem instead of dealing with it on his own) is still willing to marry Geneviève despite her being pregnant by someone else. He offers security and comfort. So what should she do?

Just try to blend in and wait for all this to blow over.

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Oh, and did we mention that all of this is conveyed to us through the medium of song? Because it is. Every single word in this movie is sung (not necessarily by the actors), and continuously accompanied by the wonderful score. Additionally, the photography and colours are so bright and vivid that you can’t help being sucked into the story.

umbrellas7 — It’s enough to give you a toothache. But, like, a good one.

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We loved the colours, the music, the random interruptions by passers-by during Geneviève and Guy’s date, the wallpaper (we want ALL of it – we don’t care if it blinds us!), and drama queen Auntie Élise (Perrey).

umbrellas8 — “As I keep saying, I’ll probably die soon. Most likely when you’re away. When that happens, be a dear and send all my capes to a couple of sisters in Trondheim, Norway.”

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The Umbrellas of Cherbourg is a sort of continuation of Lola (1961), and also connected to the upcoming The Young Girls of Rochefort (1967). It’s an intriguing universe filled with men befriending the mothers of young girls, and storylines that don’t always go where you expect them to. It is a universe we recommend you visit at some point.

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What we learned: Use protection. Also, life doesn’t always turn out the way you planned. But it might be OK after all.

Next time: Topkapi (1964)

Posted on December 1, 2019 by 1000filmsblog · 3 Comments

#245 The Pawnbroker

Watched: November 28 2019

Director: Sidney Lumet

Starring: Rod Steiger, Geraldine Fitzgerald, Brock Peters, Jaime Sánchez, Thelma Oliver

Year: 1964

Runtime: 1h 56min

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Ready for some holiday cheer? You’ve come to the wrong place. After watching this, we could certainly need some cheering.

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Sol Nazerman (Steiger) is a holocaust survivor (with a slightly unfortunate name) living in New York. There, he runs a pawnshop while dabbling in whitewashing money for local gangster Rodriguez (Brock). Other than the business, he’s just going through the motions after losing his family, his friends and his will to live in Auschwich.

pawn2 — No, we’re not able to identify various concentration camps on sight, but we are aware of the not-so-fun-fact that Auschwich was the only camp to use prison number tattoos. And we wish we didn’t have to know this sort of thing.

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Sol’s only employee Jesus (Sánchez) looks up to his boss, but he is also ambitious and has some less-than-savoury contacts. So he’s a bad choice waiting to happen. Meanwhile, Sol has repressed his memories and emotions, and that always ends well. Basically, you’re sitting on tenterhooks for 116 minutes, ready for tragedy.

pawn4 — Look, we realise that you have nothing left to give to your fellow man, but please be nice to poor old Mr Smith. We love him.

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Ok, while this didn’t exactly get us into the Christmas spirit, The Pawnbroker is a really good movie. Sol, while anti-social and detached, is an intriguing character and we can see why everyone who came into contact with him was drawn to him. Probably mainly due to Steiger’s excellent performance – he’s marvellous.

pawn5 — “I know you want nothing to do with me or any other human being, but you’re hypnotic and magnetic and I’m dying to be your friend”

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We loved the jazzy soundtrack, the menace of the lawnmower pawners (whose names escapes us), the quick-cut flashbacks with scenes from the camp, Mr Smith, and the contrast of the two sex scenes. It’s heartbreaking and horrible, but oh so good. Watch it, and then take a page out of the book of Penelope Garcia and go stare at pictures of puppies for a good half hour. You’ll need it.

Snapchat-1802402961 — Alternatively, enjoy this photo of our late, great doggo watching “The Last of Sheila” and trying to figure out who dunnit.

What we learned: Everyone has a breaking point. And pushing people away has consequences…

Next time: The Umbrellas of Cherbourg (1964)