Watched: March 15 2019

Director: Elio Petri

Starring: Marcello Mastroianni, Ursula Andress, Elsa Martinelli, Salvo Randone, Massimo Serato, Luce Bonifassy

Year: 1965

Runtime: 1h 32min

the-tenth-victim

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In the near future (from 1965 so, now..?), people are given an outlet for violent tendencies and aggression through “The Big Hunt” – a game in which each participant gets five rounds as hunter and five as victim. The idea is that this will stop people from going to war. You’re licensed to kill your victim and your hunter, and if you win ten rounds there’s a big prize waiting for you!

10th5
The prize is no longer having to wear outfits that will cut you up if you move. Yay!

 

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One of the greatest hunters is Caroline Meredith (Andress) – a woman with deadly boobs and the wits to go with them. But when she’s pitted against Italian pro Marcello Poletti (Mastroianni) she meets her match. In every sense.

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“Oh, don’t mind me. I was just planning to make a surrealist documentary about a man drinking from 16 glasses at once when I happened to spot you. Carry about your business.”

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This thing was insane and we loved it! The ’60s-inspired futuristic fashion is amazing, and the entire movie is sexy, stylish, campy fun. We loved the dancing, the cow print dress, the insanity of Marcello’s sun worshipping cult (what the h*** was that all about?), Caroline’s deadly boobs, the random people killing each other in the background, and Marcello’s wife and girlfriend going off on their own spree.

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It might look cool, but girl – those tan lines!

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This is one of the most entertaining episodes of Spy vs. Spy you’ll ever see, and an interesting take on a futuristic dystopia. But a stylish, sexy dystopia. With excellent fashion (and government controlled culling of the elderly, but we’re not supposed to focus on that..).

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We simultaneously love and hate this hot pink outfit in equal measure. We have nothing but love for the musicians on the boxes though.

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We would love to watch this on the big screen at some point as a normal TV could never do it justice. And we encourage everyone to do the same if you ever get the chance once social distancing and quarantines are over. We’re also wondering just how many drugs were involved in the making of it…

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Our best guess is oh so many. And some very creative designers with a penchant for colour blocking.

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What we learned: The moment you catch feelings is the moment you catch a bullet.

Next time: The Collector (1965)

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