Watched: April 28 2017
Director: Luis Buñuel
Starring: Alfonso Mejía, Roberto Cobo, Alma Delia Fuentes, Estela Inda, Mário Ramírez
Runtime: 1h 20min
Pop the champagne! We’ve reached number 100! And what an uplifting and optimistic film with which to celebrate. Perfect for a night of champagne and revelry, Buñuel’s Los Olvidados follows the depressing lives of a group of children (of various levels of dental hygiene) in the streets of Mexico through minor and major crimes.
El Jaibo (Cobo), recently escaped from prison, comes back to his old neighbourhood to take up his rightful place as leader of the local children, who he rallies into helping his criminal path by attempting to rob a blind street musician. Brave. Meanwhile, Ojitos (Ramírez) has been left in the streets by his father who seemingly has no plans of returning to pick up his son. The abandoned child is taken care of by Pedro (Mejía) – a good boy who’s abused at home but wants a different life for himself.
Another one of the kids who wants something more from life is Julian, but when Jaibo finds out he has a job and is no longer interested in petty crime he goes into a rage and kills him. Pedro, who witnesses the murder, tries to turn his life around by getting a job, but Jaibo not only screws that up for him, he also literally screws Pedro’s bitch of a mum.
As a general rule, if one of the kids finds something worthwhile in their lives, Jaibo is there to tear it down. As many other criminals who recruit children, he has no prospects or ambition of his own and therefore wants to drag everyone down to his level to feel like less of a loser.
Los Olvidados is a sad and depressing insight into lives of poverty with a very Un Chien Andalou-dream sequence (which we loved) and frustratingly little hope in the end. If we thought Ladri di biciclette was depressing, it has nothing on this. At least in De Sica’s film there was a loving family and some semblance of hope in the depression – Buñuel’s depiction is pretty much devoid of hope.
Happy one hundred, people. We need to go look at pictures of puppies.
What we learned: This film shows the real life. It is not optimistic. Also, deprived of affection, children will look for love and approval anywhere.
Next time: Rashômon (1950)