#363 Night of the Living Dead

Watched: February 16 2023 (We know, we know… It’s been an intense few years, ok?)

Director: George A. Romero

Starring: Duane Jones, Judith O’Dea, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Ridley, Russell Streiner

Year: 1968

Runtime: 1h 36min

Heeeeey guys… So it’s been (another) minute, but we’re finally back in a place in our lives where we want to try to revive the blog. How fitting then, to talk about a movie where things refuse to stay dead and buried! It’s almost as if we planned this (we didn’t. Planning is not really part of our skill set..).

In Night of the Living Dead, siblings Barbra and Johnny expect nothing but a peaceful afternoon on their yearly road trip to place flowers on their father’s grave. Which just goes to show that expectations are meant to be crushed. Instead of a routine 6 hour trip of bickering about the inconvenience of their father being buried so far away (rude! Of him, we mean. Bury yourselves close to your relatives), they find themselves caught in a new and exciting situation: the dead walking the earth and armageddon being nigh! Well, Barbra does at least. Johnny is a lost cause from the beginning and the first one to die. But his sister makes a valiant, if somewhat hysterical, effort to escape the slooooowly creeping dread that surrounds her.

POV: the most unsettling game of Grandma’s Footsteps ever (possibly apart from the one played in Royston Vasey)

We probably don’t need to say much more about the plot – a bunch of strangers end up together in a house trying to survive, and make sense of, an inconceivable and dangerous situation. Some with more luck than others.

50+ years later, the zombies themselves might not pack the same punch (bite?) they once did, but Night of the Living Dead is still incredibly entertaining, creepy and stressful. This is the movie that cemented the modern zombie; not the Haitian undead slaves, but flesh-eating monsters with brains on their… well, brains. Interestingly enough, the word “zombie” is not used in the film – the undead are referred to as “ghouls” throughout. But you don’t fool us – we know what you really are!

A zombie, by any other name, would bite as hard

Shockingly to a lot of white audiences back at the height of the American Civil Rights Movement (and even now because the world sucks and people suck even more), the most constructive and reasonable person in the film is an African American man. Ben deals with what must be dealt with and gets shit done. Of course, once the Middle Aged White Man™ emerges from the deep dark basement, he tries to take over the leadership position. Fortunately, there are some Radical ’60s Teens™ around to help the cultural progress in the US (a.k.a. the house) and support Ben.

You don”t mess with Ben. He came there to chew bubble gum and kick undead ass. And he’s all out of bubble gum.

Progressive as that may be, the main female character is still mostly useless, prone to hysteria and easily distracted by shiny things. We can’t blame her too much, we suppose. Her reaction is pretty natural considering what she’s just gone through, which includes, but is not limited to, watching her brother be eaten by some guy in the cemetery. And as entertaining as it can be to watch characters quipping their way through mortal danger and trauma; apathy, irrationality and terror are probably more common responses to zombie apocalypses.

Flam – flames. Flames, on the side of my face, breathing-breathl- heaving breaths. Heaving breaths… Heathing…

We love this movie – it’s a regular rewatch for us, especially during spooky season (happy Halloween-month to all who observe!). From the first notes of the creepy score it is clear that this is going to be a scary ride, which it is. Not so much because of the zombies as the people and the racism, but isn’t that always the case… Night of the Living Dead is entertaining yet very dark with shocks, twists and turns. Its legacy is also undeniably significant; where would we, as a society, be without zombie movies in our horror canon? Definitely less entertained, that’s for darn tootin’.

Personally, we would hate to live in a world where every minor or major inconvenience was not met with the line “Let’s go to the Winchester, have a nice cold pint, and wait for all this to blow over.”

What we learned: Blades don’t need reloading, and stagnation means death.

MVP: Ben. Obvi.

Next time: Once Upon a Time in the West (1968)

#289 Mad Monster Party?

Watched: January 19 2021

Director: Jules Bass

Starring: Boris Karloff, Allen Swift, Gale Garnett, Phyllis Diller

Year: 1967

Runtime: 1h 34min

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Baron Boris von Frankenstein (Karloff) has made the discovery of a lifetime – the means to utterly destroy matter. As is tradition, he decides to celebrate his destructive invention with a party, and everyone’s invited.

“Death and destruction always goes best with dinner and dancing. Time to party!”

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And by everone, we mean everyone. Sure, there are the usual suspects. Dracula, a werewolf, a mummy, Dr Jekyll and Mr Hyde, the creature from the Black Lagoon, the invisible man, a certain French hunchback, and of course the Baron’s own famous creation and his fabulous wife.

“Sorry about the outfit, Baron. I’ve been an understudy in a live stage production about Sinbad the Sailor”

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In addition to these famous monsters though, a clumsy but well meaning young pharmacist named Felix also gets an invitation to the party. Because the Baron has another objective for the weekend. He wants to name his successor as head of the worldwide organization of monsters.

Even monsters are able to unionize. Why can’t employees of major international companies? Come on, people!

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While his close assistant Francesca (Garnett) sees herself as her boss’s natural heiress, she soon learns that Felix is Frankenstein’s nephew and thus nepotism demands that he will be the one to inherit his uncle’s assets. Which seems like a very bad idea given Felix’s nature. Francesca teams up with Dracula to get rid of the competition…

How long can a mere mortal be expected to survive on an island inhabited by monsters..? He won’t be in the running for long.

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We didn’t grow up with this movie (what gives, Norway in the 80s and 90s?), but you had us at “stop-motion animation with a horror theme and Poe references”. Mad Monster Party? is silly, funny, sweet, and filled with puns and gags.

It also has a very well trained zombie horde. And one who tends to lose his head a lot. Especially around women he feels are owed to him…

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Allen Swift does pretty much all the voices and he does a marvellous job, riddled with impressions. In addition, you have musical numbers, a wonderful tap dancing Dracula, an Incel zombie and an unlikely love affair. This is an animation movie for kids and adults alike, and thoroughly entertaining. Loved it!

Did we mention that there’s a skeleton rock band? ‘Cause there’s a skeleton rock band.

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By the way, this movie brought to mind Toonsylvania, more specifically “Igor’s Science Minute” where he sings the names of the natural elements, and now we can’t get it out of our heads. If anyone is sitting on a copy of that video, please get in touch. We NEED to rewatch it.

“Hydrogen, heeeelium, lithium, beryllium, boron, carbon, nitrogen, oxygen, fluoooorine, neeeeon…”
This is what we’re talking about. If you know it you know it.

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What we learned: If you’re going to leave your evil empire to someone, perhaps vet them a bit first? Also, the trick to defeating monsters is not to fear them. And powerful explosives. That works too.

Next time: Playtime (1967)

#62 I Walked with a Zombie

Watched: December 11 2016

Director: Jacques Tourneur

Starring: Frances Dee, James Ellison, Tom Conway, Edith Barrett, James Bell, Christine Gordon, Theresa Harris

Year: 1943

Runtime: 1h 9min

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The second Lewton/Tourneur collaboration on the list after Cat People, and every bit as good as its predecessor. I Walked with a Zombie follows Canadian nurse Betsy Connell (Dee) who takes a job nursing Jessica (Gordon), the wife of Paul Holland (Conway), a plantation owner on Saint Sebastian in the Caribbean. Jessica never recovered from a fever and spends her days in a daze, unable to say anything or do anything of her own free will.

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Judging by that waist, she is sadly also unable to eat.

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Betsy’s patient lives on the plantation with her husband and his slightly alcoholic half brother Wesley Rand (Ellison), as well as several black people who are descendents of the slaves Holland’s forefathers brought to the island. Betsy soon learns, through song format no less – the best way to learn anything, that Jessica had an affair with Wesley before she fell ill, and that the two of them even planned on running away together.

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“If there’s anything else you’re wondering about, I’m sure I have a song explaining that as well. Have you heard my one about the periodic table of elements?”

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After talks with the local doctor (Bell), Holland’s mother (Barrett), and maid Alma (Harris), Betsy starts to suspect that perhaps Jessica’s illness isn’t natural at all, but that Voodoo may be at the heart of the problem, especially after the good doctor introduces her to the term “zombie.” She also finds that she has fallen in love with Paul (for some reason) and she finds that the best way to make him happy is to restore Jessica to him. How selfless. The nurse gets instruction from Alma on how to get to the houmfort (where they do all the voodoo-stuff for those not familiar with the term) and decides to give it a try.

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Bombie Zombie lets them pass as they bear very little resemblance to Scrooge McDuck

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Like Cat People, the resolution to I Walked with a Zombie is ambiguous. The audience cannot be certain whether Jessica is really a zombie or not, and that’s part of what makes the film work so well. However, it’s not the only thing by far. The atmosphere is utterly creepy throughout, helped by the drums and chanting often heard in the background. Jessica’s introduction (and pretty much all subsequent appearances) is chilling and there’s a sinister vibe to Betsy’s entire experience, from the boat trip to the end.

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Nighttime visits by apparently zombified locals are surprisingly common on this island

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The island’s history of slavery is an important plot point as well, as is Betsy’s complete lack of understanding of the problems brought on by this (her reply to her driver’s story of how his people was brought to the island is “well, they were brought to a beautiful place”).

There’s beautiful use of light and shadow for those of you who are visual fanatics. As well as wonderful costumes for those of you who are more fashion oriented. And creepy voodoo rituals and sort of incestuous undertones for the more horror minded. In short, there’s something here for everyone!

What we learned: if a vital question in your job interview is whether or not you believe in witchcraft, consider the position carefully.

Next time: Shadow of a Doubt (1943)