#237 Blood and Black Lace

Watched: August 19 2019

Director: Mario Bava

Starring: Eva Bartok, Cameron Mitchell, Thomas Reiner, Arianna Gorini, Dante DiPaolo, Mary Arden, Franco Ressel, Claude Dantes

Year: 1964

Runtime: 1h 28min

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Isabella, a model at a large fashion house, is brutally murdered and her body hidden in a closet. As the investigation gets on, it soon becomes apparent that a serial killer is on the loose. No gorgeous lady is safe!

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“Christ! He even killed the mannequin!”

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Isabella’s diary, where she had detailed every vice and sin of everyone connected to the fashion house, soon surfaces, which is not popular among her friends and colleagues. As the diary is passed around from model to model, the killer starts going after each one in turn, disposing of them in various brutal (and lurid) ways.

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Remind us never to buy from that fashion house. Every stitch of clothing rips apart the second a psycho tries to murder you. #notimpressed

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But who could be behind the murders? You’ll have a blast trying to figure that out in this atmospheric and stylish Italian masterpiece.

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Trust no one! Not even the creepy red child-but-with-boobs-dummy

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This movie was tailor made for us (no pun intended). Serial killers and gorgeous dresses? Those are our top two areas of interest and expertise! As always in Bava movies, we loved the colours and the lighting. We were completely in love with the red mannequins and all the curtains, and the scene where they prepped for the show was pure perfection.

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The killer’s mask is simple but amazingly unsettling

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For giallo and/or horror fans, if you have the opportunity (and the inclination), we would recommend you watch both the English and the Italian versions. You’ll get two slightly different stories and it’s very fascinating!

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But seriously: do not buy from “Christian’s Haute Couture.” Especially not tops. V low quality

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What we learned: “Must be a sex maniac in a homicidal rage” – our theory about everything from now on.

Next time: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

Bonus: Pit and the Pendulum

Watched: November 9 2018

Director: Roger Corman

Starring: Vincent Price, Barbara Steele, John Kerr, Luana Anders, Antony Carbone

Year: 1961

Runtime: 1h 20min

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Spain, 1546. Mr Barnard (Kerr) comes from England to see where and how his beloved sister Elizabeth (Steele) died. He meets his brother-in-law Nicholas Medina (Price) and his sister Catherine (Anders) and is offered a strange and vague explanation of Elizabeth’s death.

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“Suffocation from too-tight corset” is not among the excuses. Neither is “tripped over own voluminous skirt and broke neck.”

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Family doctor Leon (Carbone) later reveals to the grieving brother that his sister died of fright. Since more details are surely required after such a statement, Medina confesses that his bride had become obsessed with the inquisition era torture chamber in the cellar, and that she perished in an Iron Maiden.

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We’ve always felt that a house is not a home without a fireplace, a lounge area, and an indoor torture chamber. We’re having ours installed next weekend.

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But is this all there is to it? Barnard is still not satisfied, and as we delve deeper into the house’s secrets, we learn that Medina’s father killed his brother and wife in the chamber when his children were young. Young Nicholas witnessed the ordeal and was never the same again.

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Exhibit A: this is now his default resting face

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As Medina devolves into madness, strange things also begin to happen in the castle… So what really happened to Elizabeth? Is she haunting them? Or was she buried prematurely, House of Usher-style?

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And why didn’t anyone bother informing doctor Leon of the dress code for the evening? These questions will haunt us…

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Pit and the Pendulum has everything we love: Gothic castles, secret passageways, hidden torture chambers, ghosts, murder, madness and torture. It is morbid, grotesque and lovely, and we completely adored Vincent Price as the confused, distressed widower. Barbara Steele’s eyes are as haunting as they were in Black Sunday, and she is the perfect Gothic heroine/villain (take your pick here). Personally, we are of course suckers for anything Poe (and Corman. And Price.), so we had no choice but to include this even though it is no longer on the list. It’s fantastic!

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Best watched by squinting from inside an Iron Maiden. Well, we say “best”…

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What we learned: Crazy is hereditary.

Next time: Carnival of Souls (1961)

#117 The Big Heat

Watched: June 24 2017

Director: Fritz Lang

Starring: Glenn Ford, Gloria Grahame, Lee Marvin, Alexander Scourby, Jocelyn Brando

Year: 1953

Runtime: 1h 30min

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Detective Sergeant Dave Bannion (Ford) has it all – a good job, a happy marriage and a lovely young daughter. That is, until officer Tom Duncan commits suicide and Bannion starts to investigate, uncovering layers and layers of corruption and deceit.

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He’s also invited to uncover other kinds of layers, if you catch our drift

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Those who cooperate with Bannion tend to die shortly thereafter, which makes him suspicious that the suicide may not have been as straightforward as initially thought. Even his superiors tell him to back down, which drives his determination to get to the bottom of the circumstances of his colleague’s death, as well as the extent of the mob’s influence on the police force.

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Methods include, but are not limited to, threatening widows. (PS: check out the decorative lamp in the background. Classic!)

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When Bannion’s wife is killed by a bomb intended for him, and his boss suspends him for not complying with orders and accusing him of being on the mob’s payroll, our hero quits his job and goes on a one man mission to bring down the local gangster Lagana (Scourby) and everyone connected to him.

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Cornering people in pubs is a tried and tested investigatory method in many a film. It usually ends in violence.

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One of Laguna’s thugs, Vince Stone (Marvin), has a girl he does not treat right – Debby Marsh (Grahame). After a confrontation between Bannion and Stone in a bar, Marsh, the obligatory scorned female, joins forces with her lover’s enemy.

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She pays the price though, poor girl…

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We absolutely loved this film! Bannion is an early incarnation of the disillusioned-cop-with-nothing-left-to-lose-who-goes-after-the-bad-guys-on-his-own, and he is perfect. We watched it with our parents (family time!) and all four of us were at the edge of our seats for the entirety. It’s thrilling, exciting and intriguing – everything we look for in a Noir.

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There’s also real tragedy and innocent victims

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On top of it all, it is directed by freakin’ Fritz Lang, the man behind two of our favourite entries on the list – M and MetropolisWhat’s not to love?

What we learned: If one side of your face is scarred, you can always go through life backwards. Also, good friends will come through in the end.

Next time: The Naked Spur (1953)