Reggie Lampert (Hepburn) is on a skiing holiday when she decides she wants a divorce from her husband. She is spared the paper work when he turns up dead, leaving her nothing but a letter and a stripped apartment.
Peter Joshua (Grant), a charmer she met on holiday, tries to help her adjust to her newly widowed life. Meanwhile, CIA agent Hamilton Bartholomew (Matthau) warns her that she is in danger from her late husband’s WWII buddies who thinks she’s concealing a fortune they stole during the war.
Charade is one of those movies you just have to see for yourself and no review can do it justice. Suffice to say, we loved the characters, the intro, the banter, the funeral, all the eating and the costumes by Givenchy.
Dick Avery (Astaire), fashion photographer, bursts into the life of intellectual book seller Jo Stockton (Hepburn) with an impromptu photo shoot in her shop. Fashion editor (and personal hero) Maggie Prescott (Thompson) shuts her out of her shop for being a nuisance, but Dick manages to convince the brilliant lady to make Jo her new “Quality girl” and model.
Dick talks the reluctant Jo into the job by promising her a trip to Paris – her biggest dream is to travel to the French capital to hear her personal hero professor Emile Flostre (Auclair) talk. He is the inventor of empathicalism, a philosophy Jo follows and Dick ridicules.
They go to Paris, Jo blossoms into a great model, Dick and Jo fall in love (for some reason), Jo gets to meet her hero (which the adage tells us never to do, and we learn why), and Maggie and Dick get to go undercover as Floridian singers to great success. Also, there are complications and conflicts, as there should be.
We’re slightly conflicted over Funny Face. There is so much about it we love: the colours, the musical numbers, the sets, the costumes, the choreography, Maggie Prescott, Audrey Hepburn’s slightly clumsy elegance, the fact that she got to sing her own songs, and generally the overall feel of the entire film.
What we don’t quite get is the romance at the centre. It’s not so much the age difference, although 30 years is a lot (and we’re not strangers to the concept). It’s mainly Dick’s constant treatment of Jo as if she’s just a silly little girl incapable of thought and of seeing the real intentions of her hero. He berates and controls her, and he tries to change her priorities to make her more like the fashionistas he works with.
It feels a bit as if he might be better off finding someone else if he wants to change her that much. And that she would be happier with someone who at least supported her intellectual pursuits. We sort of thought Maggie and Dick would have been a better couple. But perhaps that’s just us.
Three friends, Ted Riley (Kelly), Doug Hallerton (Dailey), and Angie Valentine (Kidd), return to New York from World War II. They get drunk, engage in a stomp-style dance routine and promise each other (and bartender Tim) to meet up again in ten years.
The ten years pass, and would-be lawyer Ted is a gambler, aspiring artist Doug is an ad-man, and ambitious chef Angie is the owner of a hamburger stand. They meet up, but are disappointed in each other, their once great friendship, and themselves.
We’re suckers for Gene Kelly musicals, and so naturally we enjoyed this one. We loved the time lapse showing how their careers developed over the years; the thoughts they have about each other to the tune of The Blue Danube; the boxers in Stillman’s Gym (very Bugsy Malone!); the roller blade tap routine; the dresses and Madeline. Funny yet slightly moody and depressing at times – great stuff!
A musical classic which we, like probably most of you, have seen numerous times before, there’s nothing not to love about Singin’ in the Rain. In the late twenties, silent movie stars Don Lockwood and Lina Lamont (Kelly and Hagen, respectively) have to make the transition into talkies or fade into obscurity.
They have one problem though – Lina Lamont has the most grating, annoying voice in history, and an accent which in no way matches her glamourous image. The solution: get aspiring actress and Don’s love interest Kathy Selden (Reynolds) to dub all of Lina’s dialogue and singing, against the star’s wishes.
Gene Kelly is, as always, amazing, as are Reynolds and O’Connor. The romance between Don and Kathy is very sweet – after the initial bickering which all film romances must go through, they are actually adorable together. Meanwhile, Cosmo’s snarky one-liners, cheerful disposition and fantastic physical comedy and dance moves make him the ultimate sidekick.
We love the musical numbers, the many many films within the film, the discrepancy between the stories Don tells the media vs. the real version of events, the physical comedy and basically everything about this film. It’s just a magical experience which will make you happy no matter what, and if it doesn’t you might need to see a doctor because you have no heart and you’re probably dead inside.