#147 Curse/Night of the Demon

Watched: November 29 2017

Director: Jacques Tourneur

Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis

Year: 1957

Runtime: 1h 35min

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After Professor Harrington dies under mysterious circumstances, his niece Joanna Harrington (Cummins) teams up with the late professor’s colleague John Holden (Andrews) to find the truth. Joanna thinks her uncle’s death is related to a “satanic cult” he was investigating, and specifically the leader Dr Karswell (MacGinnis).

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“He’s not a satanic cult leader! He’s just a happy-go-lucky clown!”

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While Holden has made it his life’s mission to discredit occultism, Ms Harrington is a bit more open to the concept of her uncle’s death being supernatural in origin. But when Holden finds a mysterious paper in his belongings (after a chance encounter with Karswell in the British Library – the no. 1 hang-out place for academics and satanists) and his symptoms start resembling those of the dead man, he gradually starts to come around to Joanna’s way of thinking.

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If you’re chased through the woods by a strange smoke cloud, satanic forces is usually the first and only theory.

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Night of the Demon (or Curse, if you’re American) is less subtle than Tourneur’s earlier work (Cat People and I Walked with a Zombie), where you’re never sure if something supernatural is happening or not. In this, the demon is shown on screen several times, although arguments could be made that they are only seen by the doomed men who believe a demon is out to get them.

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They both see the same, slightly cross-eyed demon though…

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Apparently, this was at the insistence of the producer rather than the vision of Tourneur, and it might have been a better movie without it. Despite the somewhat outdated special effects though, this is still a very enjoyable movie.

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Karswell is nice and sinister throughout, when he’s not in clown make-up that is

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We loved Karswell acting all serious in full-on clown mode; the seance with the singing; the scene on the train; and the general plot. It’s a fun, slightly camp, horror film which is slightly dated but still a good watch – especially if you’re a horror fanatic.

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Or if you’re really into huge, cross-eyed demons floating through dark woods. It’s a fetish, we’re sure.

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What we learned: Don’t mess with the occult. Or with dudes who like to dress up as clowns and live with their mothers.

Next time: Funny Face (1957)

#98 Gun Crazy

Watched: April 21 2017

Director: Joseph H. Lewis

Starring: Peggy Cummins, John Dall

Year: 1950

Runtime: 1h 26min

gun crazy

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Barton Tare (Dall) has been obsessed with guns (although incapable of killing anything) ever since childhood, when he was arrested for trying to steal one and sent to reform school. As an adult, shooting is his only real skill, and after seeing the alluring Annie Laurie Starr (Cummings) show off her marksmanship in a travelling circus, he joins them as a sharp shooter and goes on the road.

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We can’t really blame him for going. Anyone capable of pulling off this look is surely worth risking it all for.

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After a short stint with the circus, the two are fired for falling in love while Laurie “belongs to” the circus owner. (Yup, we know…) The lovers go on the road, get married and spend their savings quicker than they probably planned. Laurie has an idea of how they can earn a living and, very much inspired by Bonnie Parker and Clyde Barrow, they go on a crime spree, robbing banks, shops and factories.

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Some are more trigger happy than others. See “Deadly is the Female” – original (spoiler) title

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While Bart has a strict no-killing policy, Laurie isn’t as scrupulous. After a factory hold-up gone slightly awry, Bart discovers that Laurie killed two people in the robbery and he is less than pleased.

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“Bitch had it coming though, criticizing my slacks!” – Laurie, probably

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Despite their difference of opinion regarding the value of human life, Bart is unable to leave the woman he loves, and as the FBI gets involved in the manhunt for the robbers-turned-killers, they take increasingly desperate measures to escape the law.

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They even resort to wearing *gasp* GLASSES!

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Gun Crazy was amazing (despite the fact that it pretty much put all the blame for Bonnie and Clyde’s crimes on Bonnie). Laurie may be the Fatalest Femme we’ve encountered so far – not because she is necessarily the most devious one, but because Bart is probably the most “innocent” Noir (anti-)hero in many ways. Sure, he has an unhealthy obsession with guns and firepower, but at the same time he is almost boyishly na├»ve and truly seems to believe they’ll be able to conduct a series of robberies without hurting anyone. Or he’s just telling himself that, which is the more likely scenario.

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She wears the pants AND drives the car. And he won’t even shoot police officers for her…

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A new favourite for sure, we thoroughly recommend this one, and we’re looking forward to Bonnie and Clyde (1967).

What we learned: Women are soulless creatures who will corrupt good boys. Also, boys who’ve never been exposed to girls are easily corrupted…

Next time: In a Lonely Place (1950)