#286 In Cold Blood

Watched: December 6 2020

Director: Richard Brooks

Starring: Robert Blake, Scott Wilson, John Forsythe, Paul Stewart

Year: 1967

Runtime: 2h 14min

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Perry (Blake) is a slightly simple ex-con who dreams of fame and fortune. He breaks his parole so he can return to Kansas in order to meet up with old cell mate Dick (Wilson), who can offer him a sure thing. Monetary wise, that is. Not a date or anything.

If you can think of a single date idea which would require a trip to the hardware store in preparation, we’d like to know. Then, leave your contact information and the number for your local police.

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Another old prison buddy has told Dick about a hidden safe in the basement of a farmer, and the pair plan to get their hands on it. However, what could have been a simple burglary soon turns into a bloodbath…

“Bubble bath. I said I wanted a BUBBLE bath. You need to get your hearing aid fixed.”

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We don’t want to reveal too much here even though it’s a 50 year old film based on an even older book based on a yet older real crime… Suffice to say investigators are soon on the criminals’ trails. But what really happened? And who pulled the trigger?

Also, who wore the easily identifiable shoes to a crime scene???

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This movie is amazing and you should watch it. We loved the build up to the crime and the fact that we then skipped neatly to the aftermath without seeing it play out. It is excellently structured, well acted and overall really well done. The 2+ hours fly by!

Like the lit-up club, casino and hotel signs in old-timey montages! Imagine “Mas Que Nada” playing in the background.

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Now, Dick is a dick from the beginning. Perry is perhaps a bit more sympathetic, but they both share the same anger issues. They are disenfranchised young men with a murderous streak and little left to lose.

They are also traumatized by abusive childhoods and war. Sorry, it’s hard to make hilarious captions about this story…

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As the movie plays out, you keep forgetting that Perry and Dick have killed an entire family – probably because you don’t actually see them do it. Which is somewhat unsettling and uncomfortable when you find yourself giggling at their shenanigans and sort of hoping they’ll get away.

On the other hand, we’re also introduced to this ridiculously wholesome family, who certainly did not deserve their fate. Our loyalties are torn, is all we’re saying. And we guess that’s sort of the point…

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Real question though, are trials in the USA that revenge-driven, or are they just that way in movies? Because for us rational (some would say cold and unfeeling, we prefer logical and Spock-like) Norwegians, emotions and ideas of revenge are not what should decide the outcome of a trial… Just a thought there, America.

What we learned: American trials are insane… Also, sometimes things just don’t make sense.

Next time: In the Heat of the Night (1967)

#130 Kiss Me Deadly

Watched: August 27 2017

Director: Robert Aldrich

Starring: Ralph Meeker, Albert Dekker, Paul Stewart, Maxine Cooper, Juano Hernandez, Cloris Leachman, Marian Carr, Nick Dennis

Year: 1955

Runtime: 1h 46min

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A barefooted girl in a trench coat is running along a road, desperately trying to flag down a car. When one finally stops, she is admonished for almost wrecking the car by driver Mike Hammer (Meeker) before he lets her in. The girl, Christina (Leachman), is unable to speak at first but accepts a ride and gets in the stranger’s car.

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You know you’re in trouble when getting into a car with a grumpy stranger whilst naked is the safest choice

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Mike is not exactly the nicest guy in the world, but he does get Christina past a police blockade looking for an escaped mental patient, which is more than you can usually ask of a total stranger. It turns out he is a somewhat dodgy P.I. with a history of two-timing his clients. However, luckily for the desperate Christina, he’s also the kind of man who doesn’t give up once he’s onto something.

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Even if he’s up against people who like to torture and kill helpless girls

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We say luckily, but for poor Christina there was no luck. The two are captured, tortured and dumped in their car over a cliff. Mike makes it, but his female companion does not. Offended by these events, the Private Dick starts to investigate with the help of his lover/assistant/secretary/bait Velma (Cooper) and various colourful characters. What was Christina running from? Who was after her? And what is important enough to kill for?

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What’s in the box? Spoiler alert: it’s not the soul of Marsellus Wallace.

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Kiss Me Deadly is a Noir, but there are clear influences from horror and sci-fi, with the runaway mental patient and the mysterious glowing box everybody’s after. We went in completely blind on this one and were drawn in from the beginning – the opening scene is great! We loved Nick and Friday, the Gothic and sci-fi elements, Mike’s extreme badassness (though he might be a bit of a sociopath), and the importance of Christina Rossetti.

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A thorough knowledge of classic poetry is as important as a leggy dame, an attitude, a quick wit and a gun when it comes to investigating

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Poetry is important.

What we learned: Don’t pick up hitchhikers. Or, actually, do. Add some spice to your life! Also, breaking records is a surprisingly effective interrogation technique.

Next time: Rebel Without a Cause (1955)