#246 The Umbrellas of Cherbourg/Les parapluies de Cherbourg

Watched: November 11 2019

Director: Jacques Demy

Starring: Catherine Deneuve, Nino Castelnuovo, Anne Vernon, Marc Michel, Ellen Farner, Mireille Perrey

Year: 1964

Runtime: 1h 31min

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Geneviève Emery (Deneuve) lives with her mother Mme Emery (Vernon) in Cherbourg, selling umbrellas. Not umbrellas, bags, shoes, and raincoats, or anything which might help them actually earn a living. Nope. Just umbrellas. We’ve never been to Cherbourg, but now our impression is that of a rainy town filled with forgetful and/or wasteful people.

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“Maman! Maman! I think I see a raincloud! If someone didn’t check the forecast before they left the house today we might actually eat something this week.”

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Not surprisingly, the mother-daughter-team struggle to make ends meet and Maman wants her daughter to marry rich. Specifically Roland (Michel), a character we remember from Lola, who has taken a fancy to the young umbrella salesgirl. Geneviève on the other hand is in love with mechanic Guy (Castelnuovo) and plans to marry him, money be damned!

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“Don’t worry about money, my love. The constant rain makes the roads very slippery, so my mechanics business is thriving!”

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Then, Guy is drafted into the army and sent off to fight in the Algerian War. A few months later, Geneviève confesses to her mother than she is pregnant. She is also worried about Guy who only answers her letters sporadically.

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“You did actually get something in the mail, but it’s possible all the wallpaper in this house has damaged your eyesight to the point that you cannot read simple letters”

 

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Roland (who may or may not have grown up a bit since the last movie where he famously made his unrequited feelings for Lola her problem instead of dealing with it on his own) is still willing to marry Geneviève despite her being pregnant by someone else. He offers security and comfort. So what should she do?

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Just try to blend in and wait for all this to blow over.

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Oh, and did we mention that all of this is conveyed to us through the medium of song? Because it is. Every single word in this movie is sung (not necessarily by the actors), and continuously accompanied by the wonderful score. Additionally, the photography and colours are so bright and vivid that you can’t help being sucked into the story.

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It’s enough to give you a toothache. But, like, a good one.

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We loved the colours, the music, the random interruptions by passers-by during Geneviève and Guy’s date, the wallpaper (we want ALL of it – we don’t care if it blinds us!), and drama queen Auntie Élise (Perrey).

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“As I keep saying, I’ll probably die soon. Most likely when you’re away. When that happens, be a dear and send all my capes to a couple of sisters in Trondheim, Norway.”

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The Umbrellas of Cherbourg is a sort of continuation of Lola (1961), and also connected to the upcoming The Young Girls of Rochefort (1967). It’s an intriguing universe filled with men befriending the mothers of young girls, and storylines that don’t always go where you expect them to. It is a universe we recommend you visit at some point.

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Gorgeous!

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What we learned: Use protection. Also, life doesn’t always turn out the way you planned. But it might be OK after all.

Next time: Topkapi (1964)