Watched: October 22 2025
Director: Terence Fisher
Starring: Christopher Lee, Charles Gray, Nike Arrighi, Leon Greene, Patrick Mower, Sarah Lawson, Paul Eddington, Rosalyn Landor, Gwen Ffrangcon Davies
Year: 1968
Runtime: 1h 36min
We’ll just come right out and say it: The Devil Rides Out is the perfect double feature companion piece with Rosemary’s Baby. While wildly different in execution, they are two sides of the same coin thematically, with ethnically diverse devil worshippers happily sacrificing others for their own benefit.

Nicholas, Duc de Richleau (Lee) and his old friend Rex van Ryn (Greene) are worried about their departed friend’s son Simon (Mower), who they have promised to look after. They take a ride (in a very cool car) to Simon’s place, only to find him in the company of twelve strange guest. De Richleau immediately recognizes them as devil worshippers (after using British politeness to finangle his way to the observatory), and the two friends embark on a mission to save Simon’s soul. And also the soul of Tanith (Arrighi), because Rex thinks she’s hot.

Satanic cults were apparently all the rage in 1968, but while Rosemary’s Baby is subtle in its execution, leaving most of the devil-related stuff to the imagination, The Devil Rides Out goes completely in the opposite direction. There are actual goat-faced devils, huge ass spiders, orgies, and at one point the Angel of Death himself (herself..? We’re not sure if it’s Death or Susan) rides into the living (ironically) room. We loved that Fisher went very visual and literal about it – both approaches work really well for their respective films.
Christopher Lee is simultaneously giving Vincent Price and Rupert Giles as the no-nonsense expert on the occult, and he is such a magnetic presence on screen that it’s hard to focus on anyone else whenever he is on. Rex is however fucking useless… They both make some questionable choices though – who thought it was a good idea to bring your Satanic “date” to a house with a young child? And then perform a ritual in the same house, with all the adults safe and sound in the protective circle, but just leave said child asleep in her room? With no protection save the butler??? It’s almost as though they wanted to get rid of Peggy (Landor). Even after she saved them all by breaking the spell/hypnosis placed on her mother by the big bad himself, Mocata (Gray). Still, the two men are extremely good and loyal friends to go through all of this to save the son of their departed homie.

This movie is a tense, fun and scary ride. We loved the sets and the vibe, the performances and the special effects – sometimes it’s nice to see such a classic depiction of the devil himself. We’re also intrigued by the upper classes’ obsession with the occult in the ’60s, particularly the destructive occult, that both this and its sister movie (RB) portray. Are these people rich because they worship? Or do they worship because they are rich..? Perhaps you can only be in a Satanic cult if you have the budget to get a custom made mosaic seal built into your floor? These are the questions that beg answering.

We love the British politeness in this as well – the whole “she woke up and tried to strangle me” reminded us a bit of In the Earth (2021), when the main character is trying to persuade the maniac in the woods not to cut off his foot. IYKYK. And we always, always love a good ritual. Love, love, love this!
Quote of the day: “I think we’re behaving like a pack of idiots!”
What we learned: Every friend group needs the Nurturer, the Entertainer, the Advocate and the One Who Knows About Devil Worship and Rituals For When a Satanic Cult Inevitably Comes After Someone You Love (the OWKADWRFWSCICASYL).
MVP: Nicholas, Duc de Richleau. And Peggy.

Next time: The Great Silence (1968)


