#107 Strangers on a Train

Watched: May 15 2017

Director: Alfred Hitchcock

Starring: Farley Granger, Robert Walker, Ruth Roman, Leo G. Carroll, Patricia Hitchcock, Kasey Rogers

Year: 1951

Runtime: 1h 41min

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Pliable Guy Haines (Granger) accidentally meets creepy Bruno Antony (Walker) on a train. The two start speaking – Guy’s first mistake – and the polite Guy does what most people do when they meet crazy people on public transport – he smiles and nods and generally agrees with his fellow passenger.

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Smile and nod, Guy. Smile and nod.

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Bruno is anxious to rid himself of his father, and he knows, through the gossip columns, that Guy has a wife, Miriam (Rogers), who he wants to divorce in order to marry his new girlfriend Anne (Roman). Bruno also has a theory about how to get away with murder – the trick is to murder someone you have no motive to kill. You know, such as when two people who are otherwise unrelated randomly meet on a train and decide to kill each other’s family members…

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A psychopath he may be, but one cannot fault his taste in shoes

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Guy reaches his destination and thinks no more of the insane stranger on the train until his wife refuses to divorce him now that he’s making money. To make matters even more difficult, she is pregnant by another man and Guy finds himself in a murderous mood which he tells his girlfriend.

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You can see why he’d want to divorce her. She is after all wearing glasses! The ultimate sin of women!

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Guy doesn’t need to worry though – Bruno is there to solve his problems. He follows Miriam and her two boyfriends (possibly? We’re not quite sure) to a fun fair and gets her alone in a secluded spot where he strangles her.

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At least he got rid of those pesky and unattractive glasses for her!

 

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While this helps Guy out of one predicament, it get him into another. Bruno now expects the favour returned – for Guy to kill his father. When Guy refuses, Bruno inserts himself into his life and threatens to frame him for Miriam’s murder.

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Meanwhile, to avoid suspicion, Bruno goes around randomly strangling society women

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Strangers on a Train is a classic Noir thriller with a great premise and a very creepy, menacing and completely insane antagonist. The other characters are a bit less interesting, particularly the boring protagonist, although there are some perceptive women, such as Anne’s little sister Barbara (Hitchcock), Anne to a certain degree, and of course the manipulative and morally speculative Miriam. Also, just in case you care, our favourite characters were the little boy on the carousel and the old man crawling under it.

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This guy

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It’s a suspenseful and interesting thriller which every Hitchcock fan should watch, and we loved re-watching it.

What we learned: Never talk to weirdos on public transport. Also, definitely don’t try to placate them by agreeing with everything they say!

Next time: The Prowler (1951)

#86 Rope

Watched: January 30 2017

Director: Alfred Hitchcock

Starring: James Stewart, John Dall, Farley Granger, Douglas Dick, Joan Chandler, Edith Evanson, Cedric Hardwicke,

Year: 1948

Runtime: 1h 20min

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We continue our journey through film history with this classic Hitchcock thriller, filmed in glorious technicolor. Brandon (Dall) and Philip (Granger), old school friends, decide to kill a third friend and throw a dinner party for his family with the body hidden in the room. This is what an Ivy League education will do to your sense of morality, apparently.

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Who needs morals when you have unlimited access to alcohol and this penthouse view?

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They also invite their old housemaster (whatever that is. Some sort of teacher?) Rupert (Stewart), who Brandon idolizes (and quite possibly is in love with on some level). The idea behind the party is to stroke their egos (particularly Brandon’s) by convincing themselves they have committed the perfect murder. For Brandon the party is exhilarating, while for Philip it’s excruciating.

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One of these men have less of a conscience than the others…

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As the (very tense) party progresses, we learn that the murderous philosophies so taken to heart by Brandon originate in Rupert’s fascination with Nietzsche and similar thinkers. They both think that there are differences between people and that some have more right to live than others. In fact, they go so far as to claim that it is the superior people’s right to take the lives of others. For Rupert these are simply thought experiments – not anything to be put into action. However, Brandon takes everything his hero says quite literally and drags his rather more weak-willed friend down with him.

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Guess which one is the dominant one! Hint: it’s not the one doing the actual killing…

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Rope is tense and exciting – a sitting room thriller with great long shots and a truly chilling character in Brandon (although, to be honest, there are many movie murderers who surpass him in creepiness). The long shots help build the tension quite well – especially when Mrs Wilson is tidying the chest containing the body after dinner. Philip gradually melts down until his Tell-Tale Heart-moment which reveals Rupert’s true feelings about the philosophies he spouts.

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Turns out, Rupert has some opinions about the difference between theory and practice.

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We love Rope – it’s a classic we’ve watched several times before, and we thoroughly recommend it to anyone who loves a good suspenseful melodrama. And a good murder. Which we do. There are also clear parallels to the real case of Leopold and Loeb, but we find fictional murders infinitely more satisfying than real life as we’re not total psychopaths…

Extra fun fact for you: “Farley” (as in actor Farley Granger) pretty much means “dangerous” in Norwegian. So, from a purely Norwegian linguistic point of view, he should have been the one to play Brandon. For some reason, Hitchcock did not take this into consideration when casting the film.

What we learned: Thinking oneself superior is a dangerous thing.

Next time: The Fallen Idol (1948)