Comedy – Page 7 – 1000 Films Blog

Posted on November 7, 2016November 9, 2016 by 1000filmsblog · 2 Comments

#50 His Girl Friday

Watched: October 28 2016

Director: Howard Hawks

Starring: Cary Grant, Rosalind Russell, Ralph Bellamy

Year: 1940

Runtime: 1h 32min

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Pop the champagne, people! We have reached #50! *sounds of corks popping and (two) people cheering* And what a way to celebrate – with our favourite comedy on the list so far, Howard Hawks’ His Girl Friday.

his_girl_friday_still_2 — Featuring two familiar guys and a girl who can give them a run for their money any day!

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Newspaper editor Walter Burns (Grant) learns that his ex-wife Hildy Johnson (Russell) is getting remarried and he’ll have none of it! Not necessarily out of jealousy (although that plays a part in it), but because bad-ass newswoman Hildy is planning on marrying boring insurance salesman Bruce Baldwin (Bellamy) and retiring from being awesome. So he does the only reasonable thing he can think of: he ropes Hildy into doing one last story for him while continuously getting Baldwin arrested for various offences.

cary-grant-and-rosalind-r-001 — “Seriously, where on earth did you get that hat, and can you get me one too?”

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Despite Hildy’s insistence that she is done with the news business and is looking forward to a quiet existence with Bruce and his mother, she is clearly in her element tackling other newsmen, law officials and a convicted murderer.

his-girl-friday-1939-002-00o-54j-male-reporters-around-hildy — Including her at one point physically tackling a guy, but we can’t find any pictures of that, so here’s one of her just being generally awesome instead.

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The dialogue is incredibly fast and funny with lots of overlapping lines (which probably has a technical film term with which we are unacquainted). Cary Grant and Rosalind Russell have wonderful chemistry and despite new boyfriend Bruce not being a bad guy at all (in fact, he’s rather sweet) we are rooting for them from their first scene together.

his-girl-friday-3 — Poor Bruce is so clearly out of his league with these two

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When you take the dialogue, the chemistry of the two stars, the funny and occasionally farcical plot and add one of the best female characters we’ve seen so far, you get movie brilliance. Despite being over 75 years old, His Girl Friday never seems dated and it will continue to stand the test of time.

What we learned: we’ll take a kick-ass career over safety and starting a family any day. Also, characters played by Ralph Bellamy tend to look like Ralph Bellamy.

Next time: Pinocchio (1940)

Posted on November 4, 2016November 9, 2016 by 1000filmsblog · 2 Comments

#49 Fantasia

Watched: October 19 2016

Directors: James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen

Starring: Leopold Stokowski, Deems Taylor, Mickey Mouse, various creatures and instruments.

Year: 1940

Runtime: 2h 5min

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We cannot do this film justice in a text post, so we recommend you watch it (if you haven’t already). It’s a Disney classic (and the first Disney animated feature on the list) for very good reasons – it’s a love letter to the magic of music and an (a?) homage to human creativity and artistry.

demonmonsterthing — For those of you whose tastes run darker than Disney, it also features this guy

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Various animators and directors have visualized works of classical music by Bach, Beethoven, Tchaikovsky, Stravinsky, Ponchielli, Mussorgsky and Schubert (hopefully we didn’t forget anyone… Either way, they’re dead so no harm done!) in various styles and the results are mesmerizing, beautiful, therapeutic, educational, and at times funny, sad or scary.

ostriches — The clumsy elegance of the ostrich and hippo ballerinas ticks the boxes for both beautiful and funny

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The different segments are introduced by Deems Taylor and the music is performed by the Philadelphia Orchestra and conducted by Leopold Stokowsky (our classical musician friends have informed us that it is vitally important to credit the conductor). Some of the sequences tell a story while others are more abstract interpretations of the music, but they are all lovely and entertaining to watch.

fantasia — A wonderful collaboration indeed!

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This is the sort of film one can rewatch endlessly and it should be required viewing for all children (and adults).

What we learned: hippos are awesome dancers. Also, church bells will scare off any unearthly creature.

Next time: His Girl Friday (1940)

Posted on November 1, 2016November 9, 2016 by 1000filmsblog · 2 Comments

#48 The Wizard of Oz

Watched: October 02 2016

Director: Victor Fleming, Mervyn LeRoy, King Vidor, George Cukor, Norman Taurog (clearly, it takes a village…)

Starring: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Margaret Hamilton, Billie Burke, the Munchkins

Year: 1939

Runtime: 1h 42min

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Really? Do you really need a recap of this? OK, fine, let’s sum it up.

woo-slippers — Girl kills woman and takes her shoes as trophy (in her defense, they’re very pretty)

We love it!

What we learned: there’s no place like home. Also, we do NOT trust that smug bitch Glinda.

Next time: Fantasia (1940)

Posted on October 24, 2016November 9, 2016 by 1000filmsblog · 2 Comments

#46 The Lady Vanishes

Watched: September 17 2016

Director: Alfred Hitchcock

Starring: Margaret Lockwood, Michael Redgrave, Dame May Whitty, Paul Lukas

Year: 1938

Runtime: 1h 36min

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In a remote European town, a train is delayed due to an avalanche. A random assortment of tourists are forced to spend the night in a hotel and interact with each other. We meet a gang of young women, one of whom is on her way home to England to get married; some cricket obsessed Brits, a judge and his mistress, an arrogant musician and an old retired governess.

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After the (undiscovered) murder of a busker in the night, the tourists are sent on their merry way the next day. Iris Henderson (Lockwood), the lady about to be married, shares a compartment with Miss Froy (Whitty), the retired governess, and they spend the first part of the train ride in each other’s company. However, after a nap (brought on by a mild concussion from a mysterious accident at the train station), Iris wakes up to the old lady having vanished. In addition, everyone in her compartment denies her ever having been there, saying she must be a figment of Iris’ imagination (or brain injury). Cue mystery!

lady-2 — “An old lady? We’ve never seen anything of the sort. And why would we lie? We’re not at all sinister foreign types in a xenophobic Europe!”

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Iris teams up with Gilbert (Redgrave), the annoying musician she had a less than pleasant run-in with the previous night and together they start investigating the missing lady, with the occasional help from fellow passenger Dr. Hartz (Lukas). Naturally, things are more complex than they seem at first, and the plot, as they say, thickens.

lady-vanishes-02 — “So, let me get this straight: the old lady vanishes, then she reappears but it’s not the same lady, then there’s a severe Italian lady who lies about it, then a judge and his mistress who also lie, as do a couple of Brits because of a cricket match and then there’s a creepy nun..?” “Yes. And there’s also an escape artist. But he escapes.” “I see… Makes prefect sense!”

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This is a good old-fashioned mystery film with intrigue, espionage and international politics (which was important in 1938 as you can imagine). There’s also romance, humour and a wonderful cast of characters, and there’s an action packed shootout towards the end (always fun!). Hitchcock films are always interesting to watch, both due to the contents as well as beautiful and inventive shots. We love and cherish it!

dame-may-whitty-the-lady-vanishes — Also, the lady is adorable!

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What we learned: There’s always a conspiracy.

Next time: The Roaring Twenties (1939)

Posted on October 18, 2016November 9, 2016 by 1000filmsblog · 2 Comments

#44 Bringing Up Baby

Watched: September 17 2016

Director: Howard Hawks

Starring: Katharine Hepburn, Cary Grant

Year: 1938

Runtime: 1h 42min

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Screwball comedies are always fun, and Bringing Up Baby is no exception. This was another rewatch which we enjoyed as much as the first time around (despite our dislike of having wild animals as pets).

Paleontologist David Huxley (Grant) is trying to assemble a Brontosaurus skeleton and also secure a 1 million dollar donation to his museum. Meanwhile, his path keeps crossing that of heiress Susan Vance (Hepburn) who, after several chance encounters, falls madly in love with him and comes up with increasingly complicated excuses to keep him near.

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Susan, believing David is a zoologist, talks (read: cons and guilts) him into helping her transport her leopard, Baby, to Connecticut, and the scenes with them singing “I Can’t Give You Anything But Love” to soothe the (relatively small) cat are among the funniest in the film.

bringingupbabyrep — “Are you sure this is going to work? Because right now she looks at me like I’m lunch…”

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There are mix ups, wardrobe malfunctions, romance, snappy dialogue and everything else you’d want in a farcical screwball comedy. Grant and Hepburn are adorable – their performances and chemistry really make the film, and Hepburn is amazingly good at balancing being annoying with being wonderfully charming. In the end, Susan saves David from a entering into a disastrous marriage, and he finally has all the bones he needs to finish his Brontosaurus. All in all, a happy ending, and we had a blast with this one.

bringing-up-baby-12 — “Well, fellas, I’m not gonna brag, but despite the connotations of this pose, I will fight the temptation to make a dick joke. You’re welcome.”

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What we learned: when a man is wrestling a leopard in a pond he is in no position to run anywhere. Also, there’s an abundance of leopards in Connecticut in spring.

Next time: The Adventures of Robin Hood (1938)

Posted on October 12, 2016October 18, 2016 by 1000filmsblog · 2 Comments

#42 The Awful Truth

Watched: September 18 2016

Director: Leo McCarey

Starring: Irene Dunne, Cary Grant, Ralph Bellamy, Cecil Cunningham

Year: 1937

Runtime: 1h 31min

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After jealous misunderstandings and unexplained absences, Lucy and Jerry Warriner (Dunne and Grant, respectively) decide to get a divorce.

awful-truth — “Meet Lucy and Jerry Warriner. Toast of the upper crust, headliners on the society pages… And oh yes, they’re getting divorced!”

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While waiting for their divorce to be finalized, Lucy moves in with her glorious aunt Patsy (Cunningham) and strikes up a romance with oil-rich idiot Daniel Leeson (Bellamy) who lives next door with his mother. Meanwhile, after a short affair with a showgirl, Jerry strikes up a relationship with socialite Barbara Vance, much to Lucy’s dismay.

awful-truth_592x299-7 — “You know as well as I do she won’t make you nearly as happily unhappy as me.”

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Through their shared custody of their dog, the soon-to-be divorcees are forced to meet each other on a regular basis, and they take every opportunity to try to sabotage each other’s affairs, with hilarious consequences. In addition, Aunt Patsy is always at hand with wonderfully snarky remarks.

awful-truth-2 — Aunt Patsy embodies snarkiness and delightful dance moves – all the things we aspire to possess!

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This was a new one for us, and a new favourite at that. Irene Dunne and Cary Grant were both great (they remind us strangely of Frank and Sadie Doyle, though without the supernatural complications), but our new role model is easily Cecil Cunningham’s Aunt Patsy. That girl was life! The Awful Truth is funny, charming, and has plenty of gorgeous outfits, and we loved it completely.

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What we learned: actually, what we didn’t learn was what the hell Jerry was really doing when he was supposedly in Florida??? Also, Aunt Patsy taught us the definition and consequences of rebound guys.

Next time: Angels with Dirty Faces (1938)

Posted on October 9, 2016October 18, 2016 by 1000filmsblog · 2 Comments

#41 Modern Times

Watched: September 17 2016

Director: Charles Chaplin

Starring: Charlie Chaplin, Paulette Goddard

Year: 1936

Runtime: 1h 27min

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Modern Times is Charlie Chaplin’s comment on the Great Depression and the struggles of modern society, and he is clear in his condemnation of the eradication of humanity within the capitalist ideals of modern industrialisation.

chaplin-charlie-modern-times_01 — Political, yet adorable

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The Tramp has got a job working in a factory straight out of Metropolis, and spends his time turning screws on an assembly line to maximise efficiency. After his boss tries out a new “feeding machine” on him (to reduce break time and thereby increase production), he finally snaps and has a mental breakdown.

chaplin — We’re not entirely clear on how this would increase efficiency, but it’s a great scene.

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chaplin_-_modern_times — To his credit, Chaplin has the most adorable mental breakdowns. A lot of dancing is involved

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After being advised to “take it easy and avoid excitement,” he inadvertently leads a worker demonstration and is arrested. In prison, he gets high on cocaine (again, without really realising it) and stops a mass breakout, earning him a position as the jailers’ pet.

modern-times — The prize for helping terminate a prison break: tea with this charming lady!

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He gets out of jail against his will (in prison, he is given food and clothes, which is quite a high quality of life during the depression) and immediately starts trying to find ways in which to get back in. He finds his opportunity when a young girl is caught stealing a loaf of bread, and he takes the fall for her.

modern-times-19361 — Cue depression era romance/father-daughter relationship/friendship or similar

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The girl (Goddard) and the Tramp spend the remainder of the film trying to make a life for themselves, working as singing and dancing waiters in a café while doing their best to keep her out of the claws of something equivalent to Child Protective Services (which is where her siblings went after their father died). There are many complications, and some wonderful scenes (including an amazing skating bit in a shopping centre) but the two of them manage to be quite happy together even though their lives are unstable at best.

modern-times-2 — They find that life is still worthwhile if they just smile

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Modern Times is a beautiful and melancholy film which we really enjoyed. We loved the girl and her feisty and proactive personality, and the Tramp, though a hazard and fairly egocentric, was charming and funny. It was also interesting to go back to silent films after so many talkies, where everything spoken was recorded, broadcast through a machine or sung. One of our favourite Chaplin films for sure!

What we learned: once younger siblings are removed from your life, you never spare them another thought.

Next time: The Awful Truth (1937)

Posted on October 5, 2016October 18, 2016 by 1000filmsblog · 3 Comments

#40 Top Hat

Watched: September 28 2016

Director: Mark Sandrich

Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Helen Broderick, Eric Blore

Year: 1935

Runtime: 1h 41min

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Jerry Travers (Astaire), an American dancer and Broadway star, is bringing his talent to Britain. Producer Horace Hardwick (Horton) and his wife Madge (Broderick) have a plan that their newly imported star should be married (and Madge has an idea as to who his wife should be), but Travers politely disagrees. So of course he falls in love. With the downstairs neighbour Dale Tremont (Rogers) who he annoys by tap dancing on her roof before he drowns her in flowers and sort of kidnaps her. This being an old-timey romantic musical screwball comedy though, he does these things in a very charming and endearing way

still-of-fred-astaire-and-ginger-rogers-in-top-hat-large-picture — “In dealing with a girl or horse, one just lets nature take its course” – actual quotation

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Their romance is complicated further when Dale (who incidentally is the Jerry’s intended wife) mistakes Jerry for Horace and believes him to be married to her friend Madge. She goes off to Venice with designer Alberto Beddini to meet up with the “betrayed” wife, followed by the admirably dedicated valet Bates (Blore – our favourite).

apartment-bates-3-fred-astaire-ginger-rogers-top-hat — “May we take your hat, your coat, and stalk your crush for you, sir?”

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After the very successful opening night performance, Travers and Hardwick charter a plane to Venice themselves, and Tremont decides to play a trick on her “dishonourable” suitor, which backfires horribly and leaves her even more confused. However, this being a comedy, it all works out in the end (thanks to Bates).

top-hat-2 — “Thank God Beddini and I never got around to actually…dancing.”

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The plot is farcical and frustrating but it has its moments, some of them laugh-out-loud. Top Hat has an excellent cast of characters – mainly Madge Hardwick and Bates, both of whom we now adore and want to spend our lives with. The real reasons to watch the film though, are the spectacular dance numbers and the amazing costumes. If you like that sort of thing. And let’s face it – who doesn’t.

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What we learned: For the girls – the kiss. For the men – the sword! Also, SILENCE! Must be observed in the club rooms.

Next time: Modern Times (1936)

Posted on October 1, 2016October 18, 2016 by 1000filmsblog · 2 Comments

#39 Bride of Frankenstein

Watched: September 10 2016

Director: James Whale

Starring: Boris Karloff, Colin Clive, Ernest Thesiger, Elsa Lanchester, Valerie Hobson, Una O’Connor

Year: 1935

Runtime: 1h 15min

Liquids consumed: inordinate amounts of wine…

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Dr. Frankenstein learned absolutely nothing from the events of the first film and is back to repeat his past mistakes.

a284069bb4db579399060391e0ab77be — “I nearly died myself, therefore no one can criticize me!”

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Both the good(?) doctor and his creation survived the burning windmill at the end of Frankenstein and they are back. The creation (KARLOFF! KARLOFF! KARLOFF!) doesn’t exactly redeem himself in the beginning, by killing both parents of the girl he inadvertently drowned in the first film.

1931_frankenstein_img42 — In his defense, he was probably still slightly agitated from all the burning people had been doing to him lately

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Again, the creature is captured, but no chains can bind him! He escapes into the woods where he eventually meets up with a lonely old blind man who takes care of him and treats his injuries.

brideofranknstn_083pyxurz — Pictured: one of the most beautiful meetings in cinema history

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The old hermit treats him like a person and teaches him humanity and compassion, something his creator failed to do. Of course, eventually angry villagers destroy his peace and he must once again go into hiding.

Meanwhile, Henry Frankenstein (Clive) is nursed back to health by Elizabeth (Hobson). When he recovers, he swears off playing God for the foreseeable future. That is, until his old mentor Dr. Pretorius (Thesiger) comes calling and lures him back in.

543a260dfbee68f20157afff7738dd18 — “Behold: the fruit of my loins; the tiny results of my seed!” “Wow! How did you do this?” “Ehm… Let’s not get into the details, shall we…”

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Pretorius befriends the creature and promises him a spouse. They convince (read: force) Frankenstein to assist them, and together the two scientists create a cultural icon (Lanchester).

bride-of-frankestein — The inspiration for many a Halloween costume and gothic wet dream

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If you haven’t seen this one, we have no idea what you are waiting for. The cast is brilliant; the effects are very impressive (such as the tiny seed-people), the sets are wonderfully stylistic and the film is beautifully lit. Like the first installation in the Frankenstein series, the story is loosely based on Mary Shelley’s novel, but a lot of liberties are taken with the story and the characters. They try to pay tribute to the author though, by introducing Shelley with her trophy husband Percy Bysshe and their mutual friend Lord Byron in the beginning of the film, but here Mary sort of comes off as a silly little girl which doesn’t do her justice. Still, it’s a nice nod to the creator of it all (although it gave Sister the Oldest flashbacks to certain scenes in Gothic [1986]).

Frankie — “I still love her… But we belong dead…”

What we learned: Dr. Pretorius must have won some sort of masturbation championship to create so much life from his seeds.

Next time: Top Hat (1935)

Posted on September 30, 2016October 18, 2016 by 1000filmsblog · 2 Comments

#38 A Night at the Opera

Watched: September 10 2016

Director: Sam Wood

Starring: The Marx Brothers

Year: 1935

Runtime: 1h 36min

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Is there anything left to say on the Marx Brothers? We think not, and so we will not, except to tell you to watch this one too. Boom! Shortest blog entry in 1000filmsblog history!

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What we learned: we still love the Marx Brothers. Groucho is still the most quotable bastard in movie history. Chico is still our favourite pianist. Harpo is still creepily likable. Zeppo is still oddly replaceable…

Next time: Bride of Frankenstein (1935)