#381 Kes

Watched: August 6 2026

Director: Ken Loach

Starring: David Bradley, Brian Glover, Freddie Fletcher, Lynne Perrie, Colin Welland, Bob Bowes

Year: 1969

Runtime: 1h 51min

Billy Casper (Bradley) is a working class boy who lives with his mum (Perrie) and his asshole big brother Jud (Fletcher) in Yorkshire. When he’s not in school, he helps support the household through his paper route and petty crime. He’s a cheeky little bastard, but overall very charming and likeable. He is also the poster boy for ADHD.

Literally the poster for ADHD*
*citation needed

Billy decides he’s in his kestrel era when he comes across a nest of the birds. After an unsuccessful attempt at conning a librarian into giving him a library card, he ends up (quite elegantly) stealing a book on falconry from a book shop instead. And then he starts studying.

The librarian clearly did not know about the code of librarians everywhere – if a child wants to learn, you let them fool you into giving them a library card. (There is of course the possibility that she is a Night Vale Librarian… In which case Billy’s lucky to escape with his life.)

Now, Billy may not be the brightest or most attentive student in school, and several people tease him for not being able to read, but when that hyperfocus kicks in it really kicks in. He reads diligently, kidnaps (chicknaps..?) one of the young kestrels and, with the book to guide him, starts training her.

Ah – the time before YouTube tutorials! Just a boy and his stolen book.

One of his teachers, Mr Farthing (Welland), picks up on his student’s new obsession and gets him to explain and teach his process to the other kids in his class. This in particular is a lovely scene which seems to be the only time Billy has ever been given any sort of praise and positive attention in school.

Thank the gods for Mr Farthing. Every other faculty member in the film is perpetuating the harmful stereotype that all teachers are failures, sadists, making up for being losers in school themselves, or just there to relive their glory days as they never amounted to anything. In reality, that is only true of some of us…

OK, Edgar, we know we haven’t exactly been vigorous in our blogging and we may have been letting you down a bit, but why are you determined to break our hearts like this??? We swear we’re good people deep down. Just easily distracted and somewhat lacking in the follow-through department. But we don’t deserve to be hurt this way…

Low key the best football scene in movie history though. We were more engaged than during the World Cup!

That being said, we loved a lot of things about this movie. Billy was awesome, Mr Sugden (Glover) was hilarious in the absolute worst way possible, the aforementioned scene where Billy is given the stage in class was beautiful, and there was a lot of good people and things sprinkled in amid all the horrible and depressing stuff. The overall feeling after watching it isn’t entirely bleak either – there is a lot of hope here. Still, the second half of the movie had us increasingly stressed as we suspected a happy ending was not forthcoming… Is it worth the watch? Yes, definitely. However, be prepared to feel many things.

Don’t worry – Billy and Kes became a rich and famous falconry act and lived happily ever after. Cheeky bastards.

What we learned: We stand by our decision that this movie should be titled Exploring ADHD With Kestrels.

MVP: Hyperfocus.

Next time: Last Summer (1969)

#228 The Birds

Watched: March 4 2019

Director: Alfred Hitchcock

Starring: Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, Veronica Cartwright

Year: 1963

Runtime: 1h 59min

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After a (slightly hostile) meet-cute, Melanie Daniels (Hedren), a socialite and prankster so good she makes news headlines, is intrigued by attorney Mitch Brenner (Taylor). She decides to stalk him, and follows him back to his weekend hideaway outside the city.

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Cause stalking is cute when a pretty, rich girl does it, but when we try it we’re slapped with a restraining order…

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Once there, Melanie ingratiates herself with Mitch’s ex and scores a dinner invite with his family where she learns that he is currently going through his Freudian phase – Melanie is the spit of his overbearing mother Lydia (Tandy).

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“Would you like to stay the night? I’m sure my mother can lend you some clothes. In fact, why don’t you check her closet right now? Put something on? Please..?”

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However, while Melanie and Mitch are flirting and working out their inner demons, the birds are starting to act strangely…

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“Alright, quiet down. I’m glad so many of you could make this assembly. First order of business: who wants to organize this month’s bake sale? Also, let’s kill all humans.”

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We don’t really need to say anything else about The Birds, do we? It’s one of the most well known and popular horror films in history, and also frequently referenced in other works. And while not all the special effects have aged gracefully, it’s still a fun watch.

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And it’s a good public service reminder to always close up your fireplace when not in use.

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Like Psycho, The Birds starts in one genre and ends up in a whole different place than where it was originally going. And while the eponymous birds are ever present, we’re almost halfway through the movie before they start constituting a threat and we’re reminded that we are indeed watching a Hitchcock film.

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That poor kid didn’t know what she signed up for

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We loved the very silly lovebirds-in-the-car-scene, Mrs Sholes the bird expert lady, the focus which was on everything but the birds until they attacked, the long siege without dialogue, and the fact that there is absolutely no explanation for the sudden viciousness of nature. Classic!

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Any movie which can make us fearful of these cute little things is a winner in our book

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What we learned: Nature is scary, yo.

Next time: The Great Escape (1963)