#216 The Loneliness of the Long Distance Runner

Watched: January 05 2019

Director: Tony Richardson

Starring: Tom Courtenay, Michael Redgrave, Avis Bunnage, Alec McCowen, James Bolam, Topsy Jane

Year: 1962

Runtime: 1h 44min

Runner

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Colin Smith (Courtenay), a working class boy with anger issues, is sent to a borstal school (or reform school for those of us not in the know) for burgling a bakery. Once there, he is sorted into Drake House in a ritual we found disappointingly lacking in hats.

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Face says Slytherin. Actions say Gryffindor. Absolutely nothing says Ravenclaw…

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The school’s philosophy is that hard work, discipline, and exercise will put these young men on the right track in life. During training, the governor of the school (Redgrave) observes Colin’s brilliant running skills and takes a special interest in his new pupil.

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By “brilliant running skills” we refer to his speed and endurance. Not running style.

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Colin is given special permission to train outside the school’s fence for an upcoming race against a public school (or private school for those of us not in Britain), and in between training sessions, we get flashbacks to his life before this and the circumstances which led him to this point.

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Before his arrest, he led a happy, fulfilling life, filled with laughter and friends

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Like many of the old dramas we’ve watched in the past few years, we enjoyed this movie so much more than we thought we would. We loved the flashbacks, the smart-ass remarks of our (anti-)hero, Colin’s singular running style, and the clash of cultures in the changing rooms before the race.

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This innocent, outgoing public school kid had no idea about the world he walked into. Or the Quasimodo-looking criminal following him.

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At first, the governor seemed like quite a good guy, but we soon realised that this was mainly due to what we have dubbed the “Michael Redgrave-effect,” in which a character become instantly likable because the actor playing him/her just exudes kindness and benevolence. (See also: The Innocents, in which Redgrave plays the uncle who basically abandons his young relatives and sends a youngish governess in without warning her about the circumstances, but you still go “oh, what a charming chap! I’m sure he had his reasons!”)

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It is basically impossible to dislike a pipe smoker

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Without spoiling it too much (although light spoilers ahead), the ending was the sort of ending which would have very much appealed to our teenage, rebellious selves and which frustrates our old, security-concerned selves. This was your chance, kid! But also: yeah! Stick it to the man!

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We’re so torn…

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What we learned: Don’t let the bastards grind you down. But also don’t let your own stubbornness deprive you of a chance to make a better life for yourself. Man, we’re confused on this one…

Next time: The Man Who Shot Liberty Valance (1962)

#194 Saturday Night and Sunday Morning

Watched: August 25 2018

Director: Karel Reisz

Starring: Albert Finney, Shirley Anne Field, Rachel Roberts, Hylda Baker, Norman Rossington, Bryan Pringle, Edna Morris

Year: 1960

Runtime: 1h 29min

Saturday

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Arthur Seaton (Finney) is an Angry Young Man who works in a factory and spends his weekends drinking, annoying the neighbours, and sleeping with his coworker’s wife, Brenda (Roberts).

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He’s also heavily into competitive drinking, which never fails to impress the ladies

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Even striking up a relationship with the charming and beautiful Doreen (Field) does nothing to break his illicit affair. However, he runs into trouble when Brenda becomes pregnant while Doreen is ready to go to the next level.

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After months (?) of courtship, she’s ready to actually let him in the door

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Arthur is immature and oppositional, but he’s charming and seems to have a good heart. Although it’s sometimes deeply buried… His greatest fear is to turn into his parents, who he feels have not really lived life – just survived it. Still, getting away from that life is harder than it seems, and while he has ambition, he has no real outlet for it, or any sort of plan to alter the direction of his life.

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It’s hard to save up for adventure and excitement when you drink up your paycheck every weekend

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Saturday Night and Sunday Morning is an early British New Wave kitchen sink drama (check out our terminology!), and the very sophisticated, educated and cultural Sister the Oldest actually read the book at some point. Oh yes.

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It was during one of her breaks from watching television, which are few and far between…

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It’s an engaging film, and we loved it. When it comes to social realism, none of them would be our first pick for weekend entertainment, but we never regret watching them. This particular one was also not quite as bleak as we were afraid it would be, although we suppose Arthur’s greatest fears were likely to come true judging by the ending…

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One man’s dream is another man’s nightmare. We’re just not sure which side of that Arthur is on right now.

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What we learned: Don’t let the bastards grind you down.

Next time: Shoot the Piano Player/Tirez sur le pianiste (1960)