#354 If….

Watched: February 2 2023

Director: Lindsay Anderson

Starring: Malcolm McDowell, David Wood, Richard Warwick, Christine Noonan, Anthony Nicholls, Peter Jeffrey

Year: 1968

Runtime: 1h 51min

College House – a fucked up, disciplinarian boarding school (is there any other kind?). Among its students: Mick Travis. You know the type – the sort of guy whose brand of insolence and defiance is so ingrained in him you just cannot beat it out. Yes, we love him too. But that sort of attitude and his refusal to conform aren’t acceptable in polite society, so he must be cut down. And believe us, they try.

If you strike me down, I shall become more powerful than you can possibly imagine

In If…, we are treated to a slice of normal British boarding school life: bullying, beatings, rape, truancy, less than engaged teachers and a strict hierarchy which is often abused. Being Norwegian, female, and ridiculously middle class, we have no idea how realistic this (insane) depiction is, but from what we’ve read and seen in other places, we fear it might be pretty accurate. As for plot, we don’t want to give too much away as we think everyone should see this for themselves. Suffice to say, Mick reaches his breaking point and shit goes off.

Chekhov would be very proud to be taken so literally!

As you may have inferred from the previous paragraph, we loved this! Malcolm McDowell is hypnotic as Mick – his impertinence spews from his very pores, and we loved him in this role. This is not your normal teenage rebellion, he embodies it as a deep-rooted character trait that can’t be eradicated through corporal punishment – the second the prefects confront him and try to make him conform, they’ve lost the battle.

♬ Tell me why! Ain’t nothing but a beat down. Ain’t nothing but a spanking. (Tell me why) I never wanna hear you say “I want some basic respect and human dignity and to be treated as a person in this place” because that’s not how the Empire was built!”

Also, can we talk about all male (or all-any-gender) boarding schools? What the actual fuck? Obviously, these schools have played a crucial role in fostering a culture where men don’t see women as human beings (when you never interact with them as equals, how would you?), where bullying and violence mean “building character,” where authority is absolute, and where non-conformity = death. And personally, we rather object to such a culture.

It’s the sort of culture which fosters this. And the fact that we all have the same interpretation of this image is very sad…

We loved the psycho romance with the waitress (how much of that actually happened? We’re guessing very little), the incredibly unengaged history teacher (if teaching was like this we would never think about leaving the profession), the slow build-up, the violent conclusion, and of course the magnetic Malcolm McDowell – He of the Intense EyesTM. Also the random guy who showed up at the end in full medieval armour. Honestly, we wouldn’t be surprised if this was normal ceremonial attire in the formal public school setting, but we like to imagine he just woke up that day feeling a bit medieval and decided to go for it. Overall, this is definitely a movie we will recommend to others, and one we won’t easily forget.

“He’ll have the coffee, black, and I’ll take the animalistic sexgames. With milk.”

Side note: we spent a great deal of time trying to analyse why parts of the movie were in colour and parts in monochrome. We had many theories (conformity vs. non-conformity, reality vs. fantasy, etc.) although we struggled to see the connection between them. Then, once we finally gave up and googled it, we found out that it was just because the natural light they had to use in some scenes would mess with the colour quality and thus monochrome was used… Conclusion: not everything is symbolism.

What we learned: Education in Britain is like a nubile Cinderella: sparsely clad and much interfered with.

Next time: Night of the Living Dead (1968)

Bonus: Bitter Harvest

Watched: May 25 2019

Director: Peter Graham Scott

Starring: Janet Munro, John Stride, Terence Alexander, Anne Cunningham, Alan Badel

Year: 1963

Runtime: 1h 36min

bitter

Source

Jennie (Munro) is a small town girl living in a lonely world. She takes the midnight train going anywhere. Well, actually, she gets a drunken ride with a couple of older men to their apartment in London and is raped and abandoned. But that doesn’t sound as nice.

bitter2
“What do you mean, raped? A beautiful young ginger girl who deliberately drank champagne in the company of strange men cannot possibly be raped.”

Source

Her whole life she has dreamed of the luxury and fame she’s been sold in commercials and movies, but when she tries to pursue it, she is brutally punished by every man she meets. After the rape, she meets barman Bob (Stride) who invites her to stay with him, and the two start a relationship. However, Jennie is not satisfied with just staying at home and being a girlfriend – she wants a career of her own, which Bob sees as a threat to their relationship. Actually, he sees everyone as a threat to their relationship, and would rather have Jennie stay at home and never talk to anyone but him ever again. When she meets abusive producer Karl Denny (Badel), she immediately (and completely out of character) surrenders to him and leaves Bob.

bitter3
“Well, I just figured one abusive asshole is as good as the next. At least he can make me famous.”

Source

Now, Bitter Harvest is an interesting one. Everything we’ve read about this movie (which, granted, isn’t a lot, but still) seems to suggest Jennie is a manipulative, selfish young woman who will do anything to get ahead, and who doesn’t appreciate what she has. But this is not how we read it at all.

bitter 4
Even her obliviousness to the attempted seduction when she’s caught in the bathtub seemed genuine and not manipulative

Source

What we saw was a young, sweet and naïve, though willful, girl who stood up for herself and dreamed of a more exciting life. When she told “nice guy” Bob she was pregnant at their first meeting, she wasn’t lying but thought she told him the truth – she had had sex (read: had been raped) and thus she must be pregnant.

bitter5
It’s bad enough waking up naked in a strange man’s bed without having to worry about pregnancy

Source

Also, she never lies to Bob about what she needs money for, or where she’s going. She just (rightfully) assumes that this is her choice to make, and that if he loves her, he will support her choices. However, despite his kindness in taking her in when they both think she’s pregnant with another man’s child, Bob is a controlling and condescending asshole who resorts to threats and violence when Jennie makes her own choices. When she refuses to leave with him, he tries to strangle her, suggesting he’s not really the nice guy he is painted to be.

Bitter6
A girl who doesn’t do what you tell her and goes out to see people to further her career even though you told her not to? And then has the audacity to talk back to you, the good guy, when you stalk her to drag her back home? Better strangle that bitch!

Source

Jennie’s willful and autonomous side is also what makes her complete surrender at Denny’s slap seem out of character. Personally, we feel that in order to control her like that, he needed to build up to it, not slap her on the first night. However, perhaps her hope of a better life blinds her.

bitter8
We’re just saying, the Jennie from the first part of the movie would never let herself be slapped into submission. At least not on the first date.

Source

Finally, just a couple of words about the popular interpretation of her “little black book” that the police find in her apartment: we didn’t interpret that as evidence of her “promiscuity” as many suggest, but as evidence of Denny prostituting her. However, none of us has read the book the movie is based on – our interpretation is based solely on the movie we watched. And in that, we think Jennie has been unfairly treated by several viewers.

bitter7
Unfair or not, she gets her punishment in the end, as all willful and ambitious girls must.

Source

As mentioned, there are some similarities between Jennie and Patsy from The Small World of Sammy Lee, made especially clear to us as we watched them as a double feature. The difference is that Patsy stumbles into the sex trade because of her love for a man, while Jennie falls into it due to ambition and a hope for a better life for herself. Thus, Patsy makes it out while Jennie must be punished. Really – give us time and money and we can probably write a thesis on this. Although we suspect this has already been done many times over…

So, how do we feel about Bitter Harvest? We think it’s an interesting film to watch, but it’s problematic enough that we can see how it has been removed from the list.

What we learned: Apparently, girls should be satisfied with what they have, whether it’s an uneventful life in a small, dead town or as a spouse to a man prone to violence whenever he doesn’t get his way.

Next time: Bonus: X: The Man with the X-Ray Eyes (1963)