#251 Faster, Pussycat! Kill! Kill!

Watched: December 18 2019

Director: Russ Meyer

Starring: Tura Satana, Haji, Lori Williams, Sue Bernard, Dennis Busch, Stuart Lancaster, Paul Trinka, Ray Barlow

Year: 1965

Runtime: 1h 23min

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Go-go dancers Varla (Satana), Billie (Williams) and Rosie (Haji) like it fast. Fast cars, fast men, fast living. While joyriding out in the desert, they run into young couple Tommy (Barlow) and Linda (Bernard). Varla challenges Tommy to a race, and afterwards kills him in a fight.

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“Unfortunately for you, I am both a sore loser AND a sore winner! You never stood a chance.”

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After the murder of Tommy, the girls drug Linda and bring her along on their road trip. A chance encounter with and old man (Lancaster) and his son “The Vegetable” (Busch) at a gas station lead them to their farm where the three women plan to rob them and the other son Kirk (Trinka).

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“A deltoid and a bicep, a hot groin and a tricep, makes me – Ooh! – shake!”

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The crippled old man is rumoured to have a hoard of money. Unfortunately, he also has misogynistic and murderous inclinations which he has passed on to his son. With feigned friendliness, Varla and the old man start a power struggle over lunch, both plotting each other’s demise.

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Buns of Steel vs. Wheels of Steel. The Showdown

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This movie is glorious, campy fun. We absolutely loved the diversity and blurred gender roles – the women are as badass and as bad as the men! The plot is filled with twists and turns, the dialogue is amazing and the music is fantastic. Also, Linda’s bikini is totes adorbs.

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“I really should be in a sweeter movie”

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In fact, we loved every boobyliscious and swinging go-go outfit the women wore. And we could watch angry, violent women fighting misogynistic, violent men all day every day. We’re simple that way.

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“Yay! Sexy violence!”

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What we learned: Russ Meyer was definitely a boob man! Also, don’t mess with women.

Next time: For a Few Dollars More (1965)

#250 Darling

Watched: December 30 2019

Director: John Schlesinger

Starring: Julie Christie, Dirk Bogarde, Laurence Harvey, José Luis de Vilallonga, Roland Curram

Year: 1965

Runtime: 2h 08min

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Diana Scott (Christie) is being interviewed for “Ideal Woman,” telling the story of her life. And what a life! From a “normal” life and a normal marriage, she becomes friends, and later lovers, with reporter Robert Gold (Bogarde). The two of them move through in the London art scene in the swinging sixties, partying and being adored.

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“My career goals? Model, actress or princess. Yes, I’m a grown woman. Why do you ask..?”

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They both leave their spouses for each other and move in together. However, Diana becomes very jealous when Robert goes back to his ex to see his kids. In fact, she decides to have her own child, but changes her mind when it becomes a reality.

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“You know what they say – bringing a baby into a troubled relationship always saves the day.”

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Diana, bored with Robert who likes to stay home and write, continues to seduce and be seduced to further her own modelling and acting career. She moves up in the world one man at a time while not playing very well with other women at all, all of whom she sees as threats. But what does she really want from life?

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“Oh, I’m just like any modern woman trying to have it all. Loving husband, a family. It’s just, I wish I had more time to seek out the dark forces and join their hellish crusade.”

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Darling is fascinating and engaging, and the contrast between Diana’s words and actions is very interesting to watch. The stories we tell ourselves and others are clearly just a version of the truth.

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“Did I leave the iron on..?”

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We loved the clothes, the decadence and hypocrisy, the out and proud gay people, and all the fake books hiding vices throughout the movie. Julie Christie and Dirk Bogarde are wonderful as Diana and Robert, with both good and bad qualities.

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“Just think of all the ways we could eventually hurt and devastate each other!”

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Thematically, there are parallels to Bitter Harvest, but Diana is treated much better than Jennie. Jennie is pretty much a victim, while Diana is the author of her own destiny – for better or worse.

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“Bitch, I’m fabulous!”

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What we learned: If you can’t love yourself, how in the hell are you gonna love somebody else?

Next time: Faster, Pussycat! Kill! Kill! (1965)

#249 Bunny Lake is Missing

Watched: December 30 2019

Director: Otto Preminger

Starring: Carol Lynley, Laurence Olivier, Keir Dullea, Martita Hunt, Noël Coward

Year: 1965

Runtime: 1h 47min

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When Ann Lake (Lynley) comes to pick up 4 year old Bunny from preschool, the child is nowhere to be found. Not only that – she has not been seen by anyone the entire day.

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“Hi! It’s my daughter’s first day of school in a new country! I couldn’t find anyone, so I left her to her own devices in an empty room. I’m sure someone will come find her eventually. If not, maybe you can check in on her at some point during the day, random stranger. Gotta dash! Ladida, mother of the year!”

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As she desperately starts searching for her girl, Ann finds that she has trouble convincing people that Bunny really exists. Apart from her brother Steven (Dullea), no one in England has ever seen the girl since they came over from the USA – not even the audience.

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“Darling sister – are you sure you remembered to take her with you when you moved..?”

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Even Bunny’s things have gone missing from their new house, and supercreepy landlord Horacio Wilson (Coward) cannot remember seeing them despite being very invasive while Ann was unpacking her toys and clothes. And now we are no longer sure there ever was a girl. But fear not! Superintendent Newhouse (Olivier) is on the case and determined to get to the bottom of the mystery!

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“And when she said her daughter was missing, what did you do then?” “Well, I tried to dick her, of course!” “Ah yes, naturally. “

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We loved this SO much! The characters are amazing and the mystery is very well done. Carol Lynley is wonderful as the increasingly frustrated and desperate Ann (while looking very much like a 1960s Keri Russell. Or the other way around, we suppose). Noël Coward is Creepy McCreeperson, Keir Dullea is slightly sinister, and Laurence Olivier’s Newhouse is likable from his very first appearance.

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“I’m a motherfucking legend!”

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AND HERE THERE MAY BE SPOILERS:

Trying to figure out who to believe and what is really going on was fun and kept us guessing (although our suspicions were eventually confirmed. Yay us!) Despite her slow start, Ann turned out to have agency and cunning – she was not just a damsel in distress!

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Even surrounded by eerie dolls, she puts to shame all those men who question her sanity. Take that, woman-not-being-believed-by-authorities-when-she-worries-about-her-child-trope!

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What we learned: Junket is junket. Also, trust no one.

Next time: Darling (1965)