Starring: Claudia Cardinale, Henry Fonda, Charles Bronson, Jason Robards, Harmonica’s harmonica
Year: 1968
Runtime: 2h 45min
Mrs McBain (the recently departed Claudia Cardinale) arrives in Utah to find her brand spanking new husband and stepchildren dead. The main suspect: notorious local bandit Cheyenne (Robards). But is he being framed? Other dodgy characters in this classic western include drama queen Harmonica (Bronson) and gun-for-hire Frank (Fonda).
Claudia Cardinale in all her glory. We seem to remember enjoying her character immensely!
So, full disclosure: we watched this over two years ago, but then never got around to actually writing the blog while it was still fresh in our minds. And now, due to everything leading to us taking a hiatus from the list in the first place, we have a little bit of amnesia. We did, however, take notes while watching it! Thus, we present to you: Our Impressions Of And Thoughts On The Film Based On Cryptic Notes Written Two Years Ago (or OIOATOTFBOCNWTYA for short):
Pictured: characters from the film. About 99% sure that’s Henry Fonda up front. And they definitely look like the bad guys, so that tracks. Probably about to do some serious mischief.
Very good at creating tension! (we’re pretty sure we’re talking about Leone here)
Love when people make their own soundtrack! (referring to Harmonica, probably?)
#Harmonica4Lyfe! Such a drama queen. Love!
Absolutely love the “vastness” of the production – epic scale. Good world building.
He (probably Leone again) just loooooooves people staring at each other.
Beautiful, epic, suspenseful and possibly a tiiiiiny bit too long… But hey – if you wanna be dramatic about it and make an absolute epic, you go girl! (We guess we’re referring to Leone here as well…)
Harmonica doing god’s work providing (more or less) appropriate ambient sound to a dramatic scene. Again, we suspect that’s what’s going on based on vague, watercolour memories.
With the notable exception of the Lord of the Rings-movies, very few films need to clock in at almost three hours…But this stays interesting and engaging throughout, so it kind of pulls it off.
So. Much. Staring.
Ok, even on Blu-Ray, film is definitely different from digital. The texture of this! Hard to describe… It feels substantial and kind of gritty.
Was this movie sponsored by the oil industry? The car industry? Never seen so much vilifying of railways.
Sometimes it’s best to just stay a single, rich widow.
“I know you’re developing some Stockholm syndrome feelings for me, but I’m saving all my sexual tension for my new best bud Cheyenne. Besides, Clark Olofsson won’t be born for half a century yet, so I don’t even know what Stockholm syndrome is.”
What we learned: Never trust Big Railway™
MVP: Ennio Morricone, Cheyenne and Harmonica’s harmonica.
Watched: February 16 2023 (We know, we know… It’s been an intense few years, ok?)
Director: George A. Romero
Starring: Duane Jones, Judith O’Dea, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Ridley, Russell Streiner
Year: 1968
Runtime: 1h 36min
Heeeeey guys… So it’s been (another) minute, but we’re finally back in a place in our lives where we want to try to revive the blog. How fitting then, to talk about a movie where things refuse to stay dead and buried! It’s almost as if we planned this (we didn’t. Planning is not really part of our skill set..).
In Night of the Living Dead, siblings Barbra and Johnny expect nothing but a peaceful afternoon on their yearly road trip to place flowers on their father’s grave. Which just goes to show that expectations are meant to be crushed. Instead of a routine 6 hour trip of bickering about the inconvenience of their father being buried so far away (rude! Of him, we mean. Bury yourselves close to your relatives), they find themselves caught in a new and exciting situation: the dead walking the earth and armageddon being nigh! Well, Barbra does at least. Johnny is a lost cause from the beginning and the first one to die. But his sister makes a valiant, if somewhat hysterical, effort to escape the slooooowly creeping dread that surrounds her.
POV: the most unsettling game of Grandma’s Footsteps ever (possibly apart from the one played in Royston Vasey)
We probably don’t need to say much more about the plot – a bunch of strangers end up together in a house trying to survive, and make sense of, an inconceivable and dangerous situation. Some with more luck than others.
50+ years later, the zombies themselves might not pack the same punch (bite?) they once did, but Night of the Living Dead is still incredibly entertaining, creepy and stressful. This is the movie that cemented the modern zombie; not the Haitian undead slaves, but flesh-eating monsters with brains on their… well, brains. Interestingly enough, the word “zombie” is not used in the film – the undead are referred to as “ghouls” throughout. But you don’t fool us – we know what you really are!
A zombie, by any other name, would bite as hard
Shockingly to a lot of white audiences back at the height of the American Civil Rights Movement (and even now because the world sucks and people suck even more), the most constructive and reasonable person in the film is an African American man. Ben deals with what must be dealt with and gets shit done. Of course, once the Middle Aged White Man™ emerges from the deep dark basement, he tries to take over the leadership position. Fortunately, there are some Radical ’60s Teens™ around to help the cultural progress in the US (a.k.a. the house) and support Ben.
You don”t mess with Ben. He came there to chew bubble gum and kick undead ass. And he’s all out of bubble gum.
Progressive as that may be, the main female character is still mostly useless, prone to hysteria and easily distracted by shiny things. We can’t blame her too much, we suppose. Her reaction is pretty natural considering what she’s just gone through, which includes, but is not limited to, watching her brother be eaten by some guy in the cemetery. And as entertaining as it can be to watch characters quipping their way through mortal danger and trauma; apathy, irrationality and terror are probably more common responses to zombie apocalypses.
Flam – flames. Flames, on the side of my face, breathing-breathl- heaving breaths. Heaving breaths… Heathing…
We love this movie – it’s a regular rewatch for us, especially during spooky season (happy Halloween-month to all who observe!). From the first notes of the creepy score it is clear that this is going to be a scary ride, which it is. Not so much because of the zombies as the people and the racism, but isn’t that always the case… Night of the Living Dead is entertaining yet very dark with shocks, twists and turns. Its legacy is also undeniably significant; where would we, as a society, be without zombie movies in our horror canon? Definitely less entertained, that’s for darn tootin’.
Personally, we would hate to live in a world where every minor or major inconvenience was not met with the line “Let’s go to the Winchester, have a nice cold pint, and wait for all this to blow over.”
What we learned: Blades don’t need reloading, and stagnation means death.
Starring: Malcolm McDowell, David Wood, Richard Warwick, Christine Noonan, Anthony Nicholls, Peter Jeffrey
Year: 1968
Runtime: 1h 51min
College House – a fucked up, disciplinarian boarding school (is there any other kind?). Among its students: Mick Travis. You know the type – the sort of guy whose brand of insolence and defiance is so ingrained in him you just cannot beat it out. Yes, we love him too. But that sort of attitude and his refusal to conform aren’t acceptable in polite society, so he must be cut down. And believe us, they try.
If you strike me down, I shall become more powerful than you can possibly imagine
In If…, we are treated to a slice of normal British boarding school life: bullying, beatings, rape, truancy, less than engaged teachers and a strict hierarchy which is often abused. Being Norwegian, female, and ridiculously middle class, we have no idea how realistic this (insane) depiction is, but from what we’ve read and seen in other places, we fear it might be pretty accurate. As for plot, we don’t want to give too much away as we think everyone should see this for themselves. Suffice to say, Mick reaches his breaking point and shit goes off.
Chekhov would be very proud to be taken so literally!
As you may have inferred from the previous paragraph, we loved this! Malcolm McDowell is hypnotic as Mick – his impertinence spews from his very pores, and we loved him in this role. This is not your normal teenage rebellion, he embodies it as a deep-rooted character trait that can’t be eradicated through corporal punishment – the second the prefects confront him and try to make him conform, they’ve lost the battle.
“♫♬ Tell me why! Ain’t nothing but a beat down. Ain’t nothing but a spanking. (Tell me why) I never wanna hear you say “I want some basic respect and human dignity and to be treated as a person in this place” because that’s not how the Empire was built!”
Also, can we talk about all male (or all-any-gender) boarding schools? What the actual fuck? Obviously, these schools have played a crucial role in fostering a culture where men don’t see women as human beings (when you never interact with them as equals, how would you?), where bullying and violence mean “building character,” where authority is absolute, and where non-conformity = death. And personally, we rather object to such a culture.
It’s the sort of culture which fosters this. And the fact that we all have the same interpretation of this image is very sad…
We loved the psycho romance with the waitress (how much of that actually happened? We’re guessing very little), the incredibly unengaged history teacher (if teaching was like this we would never think about leaving the profession), the slow build-up, the violent conclusion, and of course the magnetic Malcolm McDowell – He of the Intense EyesTM. Also the random guy who showed up at the end in full medieval armour. Honestly, we wouldn’t be surprised if this was normal ceremonial attire in the formal public school setting, but we like to imagine he just woke up that day feeling a bit medieval and decided to go for it. Overall, this is definitely a movie we will recommend to others, and one we won’t easily forget.
“He’ll have the coffee, black, and I’ll take the animalistic sexgames. With milk.”
Side note: we spent a great deal of time trying to analyse why parts of the movie were in colour and parts in monochrome. We had many theories (conformity vs. non-conformity, reality vs. fantasy, etc.) although we struggled to see the connection between them. Then, once we finally gave up and googled it, we found out that it was just because the natural light they had to use in some scenes would mess with the colour quality and thus monochrome was used… Conclusion: not everything is symbolism.
What we learned: Education in Britain is like a nubile Cinderella: sparsely clad and much interfered with.
So. Head. It’s really… something. Now, we’ll be the first to admit we went into this knowing next to nothing about The Monkees, except that they were the One Direction of their time and that they started as a sitcom rather than a band. And there our knowledge ended. Now, after watching Head we know…very little more.
Somehow, this image captures all of our reactions to this movie. Shock, confusion, scepticism, indifference and a hint of “what are we doing with our lives?”
Any plot in the movie is hard to find, but that’s ok – we’re not usually too bothered with plot. There are music and dance numbers, silly sketches and all manners of absurdity, which is more than enough. And to be fair – we would probably have loved to have seen something like this from a favourite band/group in our teens. However, without a relationship with The Monkees it’s a bit of a curious phenomenon.
Can’t fault the fashion though!
So, let’s do the positives first: we enjoyed the self-deprecating humour (“God’s gift to 8-year-olds” is pretty spot on!), the silliness and absurdity, the desert war bits, the walking through sets, Toni Basil, the style and the concept. However, we weren’t entirely sold on the execution of it.
“Did someone say ‘execution’?”
Maybe we’re too spoiled having grown up in a world where Monty Python had already set the standard for absurd, silly and hilarious weirdness decades before we watched this? Maybe we just didn’t get it? While we far from disliked this, we were left with the impression that the viewing experience might have been vastly improved by either being fans of The Monkees, watching this when it was first released, or being very, very high. Licorice tea just didn’t do the trick…
We get you. We also think coke (in any form) would have made us enjoy this more.
Starring: Rod Taylor, Yvette Mimieux, Jim Brown, Peter Carsten, Kenneth More, André Morell
Year: 1968
Runtime: 1h 40min
In war-torn Congo, Captain Curry and his trusted partner in crime Ruffo take on a dangerous new mission: to travel through areas of civil and military unrest to retrieve a bunch of diamonds for the new president. And what does a mission of this magnitude need? A crack team! And a mid-sized military squadron. Or battalion. Brigade? Division? Regiment? We’re not down with the lingo – we never joined the army despite our sharp wits and even sharper bayonets (a weapon much favoured among modern military forces, we’re sure). Anyway – Mercenaries Assemble!
“You know I’ll only go if there’s a guarantee that I can shoot stuff with a big-ass gun from a vehicle that’s on fire, right?” “Guaranteed!” “You son of a bitch, I’m in!”
Their band of mercenaries (and one nazi) ready themselves for the adventure of a lifetime! Well, not technically a lifetime seeing as how they’re all soldiers who have been fighting in Congo for a while. More like they ready themselves for another day’s work. Either way, ready they are and off they go!
And you thought we meant nazi in the figurative way…
Along the way they run into flying attacks, a damsel in distress (who was coming along anyway, but still), child murder, chainsaw fights, inconvenient time locks, Simbas, child birth, nuns and train delays. There’s also love and betrayal, and surprisingly emotional deaths.
And, of course, a sprinkle of romance between the (anti-)hero and the only female character
Dark of the Sun (a.k.a. The Mercenaries, a.k.a. Planes, Trains and Armored Jeeps, a.k.a. Bromance – The Movie) is exciting, emotional, violent and very, very good, and we absolutely loved it! Curry might be in a gray area morally, but he firmly places himself on the right side of history, calling out racists and literal nazis throughout the movie. Also, can we talk about Curry and Ruffo? Now that is a friendship for the ages! The whole romantic thing with Claire means nothing in comparison – Curry and Ruffo is the real romance here. Also, that final fight between Curry and Nazi-boy felt incredibly brutal and real. Overall, two very enthusiastic thumbs up from Norway!
“You know she’s just a beard, right..?”
What we learned: Diamonds are a man’s worst enemy. Also, don’t bring a nazi on your mission. Or anywhere really.
Starring: John Phillip Law, Marisa Mell, Michel Piccoli, Adolfo Celi, Claudio Gora, Terry-Thomas, Mario Donen
Year: 1968
Runtime: 1h 45min
Diabolik: a criminal mastermind! Think 1960s Batman villain/dark James Bond. He has a suave underground lair, fast cars and even faster dames, revealing showers, infinite tricks up his (immaculately tailored) sleeves, and a lust for adventure and danger surpassing even Rick O’Connell. He also has A Dame of His Own; Eva – a trusted sidekick and confidant as well as Secret-Lover-in-the-Night-Time (or really any time, it seems). Like her man, the Dame has expensive taste and her only wish for her birthday is an emerald necklace owned by a powerful politician’s wife. Cue heist!
“I think, for this heist, I shall wear my BLACK leather daddy mask.”
“No! Wait! This calls for my sad beige mask for sad beige röbberies!”
Now, being a Criminal Mastermind™, Diabolik has managed to piss off both law inforcement, represented by inspector Ginko, and a mafia-like crime syndicate, led by the ruthless Valmont. They’re both after his hide, and throughout the movie our anti-hero and Eva must thwart their plots and avoid capture, traps and certain death.
Not to mention avoid papercuts in unmentionable places
Danger: Diabolik is the epitome of the 1960s in our minds (of course, as we are very young and nubile, we didn’t experience the decade ourselves); it’s colourful, cool, sexy and sleek. At first, Diabolik himself was presented like a clear hero – his first heist was immaculately planned with no loss of life. However, as the film progressed, he started killing people left, right and centre. Still, he is much more humane with more of a moral compass than say crime boss Valmont, and we loved how we ende up rooting for both Diabolik and Inspector Ginko. Diabolik and Eva seem very much in love and in a surprisingly healthy relationship. You know, apart from the crime of it all.
And the aforementioned papercuts.
We loved the art/graphics of this, the fact that we learn nothing about the backstory of this gentleman criminal (we guess there might be more meat on that bone in the original comic, but we enjoyed the mystery of it all), the Morricone score and the drama queen that is Diabolik himself. It’s a funny, cool, stylish and thoroughly entertaining watch, and we recommend it to basically everyone. Enjoy!
“I told you this would happen, Diabolik! Look at this! Pick me up some ointment on the way home..?”
What we learned: Clearly, there’s a universe out there where cars and guns come cheap, but fabric for women’s clothing is out of everyone’s price range. Also, it is impossible NOT to pronounce Diabolik as “diabolique.”
Starring: Clint Eastwood, Lee J. Cobb, Susan Clark, Tisha Sterling, Don Stroud, Betty Field, Tom Tully
Year: 1968
Runtime: 1h 33min
Coogan, a sheriff’s deputy in Arizona, is sent to New York City to pick up a prisoner and bring him back for trial. Easy enough you might think. But you’d be wrong. The prisoner, James Ringerman, is not so much in jail as he is in Bellevue after a bad LSD trip. In order to get him back, Coogan has to follow loads of rules, regulations and procedures. Coogan is not a fan of rules and regulations. Or procedures. So he bluffs to get Ringerman out of Bellevue. Hence the title purloined from an actual location in NYC. See what they did there?
Sure, I’m a stoic and sassy bad ass alpha male, but that doesn’t mean I don’t enjoy a good wordplay. What, a man can’t have layers?
Unfortunately, Ringerman escapes and neither NYPD Lt. McElroy nor Sheriff McCrea is very impressed by Coogan’s shenanigans so they both command him off the case. However, Coogan is not a fan of commands either, so he promptly ignores them and decides to hunt down his escaped prisoner.
You can’t touch this – dun dun-dun-dun dun dun
Along the way, he runs into the weirdest female character – Julie Roth. She’s some sort of psychoanalyst/social worker/parole officer working with young women on probation, and her fetish is being taken advantage of and objectified by men. Perfect for Coogan who is all about the objectification of women. Sometimes fate just intervenes and brings people together.
For the rest of the movie Coogan runs around NYC getting into brawls and beds in his hunt for Ringerman. He quips and sasses, and participates in quite a cool motorcycle chase. But will he catch his prey?
…or will he just catch STDs?
Ok, the action is cool and we loved the swinging 60s party, but the protagonist and the “love story” seem incredibly dated. Coogan, though kind of hilarious at times and undeniably intelligent and charming, is a cocky and chauvinistic asshole with absolutely no regard for anyone else. Which we guess is sort of the point; the conservative (in some ways) country boy vs. the liberal city values. And while it probably works as intended, it’s kind of Toxic Masculinity: The Movie. Also, Julie needs some serious therapy for falling for his crap. Actually, they both need therapy, but she seems more likely to seek it out. He has no reason to, as society keeps rewarding him for his assholey behaviour and talking about your feelings is probably for city sissies anyway.
“I can fix you!”
Coogan’s Bluff is interesting as a double feature with Bullitt; the contrast between the two protagonists (who in many ways are very similar) only underlines what a bitch Coogan is. Still a fun watch though – the bar brawl is legendary. And sure, we get how a young Clint Eastwood might blind a young psychologist to anything but the D, but come on Julie! He is never going to meet your emotional needs. Just bang him and get it out of your system. If you need a strong, silent type with a clear sense of right and wrong who still doesn’t mind breaking a few rules to bring criminals to justice, and who is comfortable being in a relationship with an educated, professional woman, look no further than Lt. Bullitt.
What we learned: Sometimes the hot bastard is just a hot bastard – don’t waste your time searching for that hidden heart of gold and ascribing characteristics to them that they just don’t possess.
Starring: Steve McQueen, Jacqueline Bisset, Robert Vaughn, Don Gordon, Robert Duvall, Simon Oakland, Georg Stanford Brown
Year: 1968
Runtime: 1h 54min
Happy New Year guys. It’s been a minute. For reasons. But like us, Edgar has been busy editing the list and adding lots of new titles! Loads of juicy bits for us to bite into. Yummy! Thus, we shall once again pick up the mantle of chronicling our odyssey through the list (provided we don’t get too distracted by side quests again). Allons-y!
That tagline tho. Is the Sunday Mirror impressed? Awed? Just informative? How far back can they recall? The public needs to know!
We’ll pick up (sort of) where we left off, with Peter Yates’ Bullitt (although it has jumped from #305 to #349. Which means that while you may have thought we took a year’s hiatus, we actually managed to do 44 films. In a strange, but also very real, way. For an explanation of how we deal with numbering, read here). In San Francisco, Lt. Frank Bullitt is tasked with keeping star witness and former mobster Johnny Ross safe for the next 40 hours, until he is scheduled to testify in a hearing which is supes important, for a dodgy politician named Chalmers. It’s a whole thing.
“You see, the trick behind a successful political career is to really accentuate your chin in conversation. Like this. Try sticking your jaw out a bit more when speaking and you’ll find that people will soon see you in a completely different light!”
Bullitt and his men fail miserably and Ross is shot on the first night. He survives for a bit in hospital, but when he finally bites the dust Bullitt teams up with his surgeon to hide the body for a bit so that he can keep investigating the murder. With both Chalmers and Captain Bennett putting the pressure on him, our hero must solve the mystery and complete his investigation while he avoids being murdered and stuff.
“I’m off to avoid being murdered. And stuff.” (Possibly actual quote)
Bullitt is a violent action thriller, and the violence comes in short, quick increments, making it all the more effective. It also has an iconic car chase (some might even say it “surpasses any within recall”) in the hilly streets of San Francisco (where both the good guy and the bad guys are inexplicably outrun by an unassuming green beetle on several occasions), and a climactic foot chase in an airport to round it all off. Steve McQueen, a personal favourite of Sister the Youngest, is perfect in the title role. Very much the strong, silent type, his intensity makes him believable as a cop who will stand up to his superiors and do what’s right.
Seriously – the beetle keeps popping up everytime they’ve rounded a corner. It might be a Tardis.
We loved McQueen’s cardigan game (cardigame?), the very ’60s soundtrack, the nurses’ headgear (how did anyone ever think that was practical?), Eddy’s entire look (choices!), the African American surgeon (progressive for the time? Or do we only think it is because things are still so shitty in the world? God, that’s a very depressing thought, isn’t it..?) the chases, the murders, the mystery and the mayhem. And Steve McQueen’s absolute coolness. That man really knew how to work the silences.
Don’t be fooled by the cardi I’ve got, I’m still, I’m still gonna shoot you in the face ’cause I’m a bad motherfucker
What we learned: You work your side of the street and I’ll work mine.
Watched: January 12 2022 during our first ever 1000 Films Blog Movie Night™
Director: Stanley Kubrick
Starring: Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter, Leonard Rossiter, Margaret Tyzack, Robert Beatty, Sean Sullivan, Douglas Rain, Frank Miller
Ok, let’s face it, we cannot possibly hope to say anything new and interesting about one of the world’s most celebrated pieces of cinema – Stanley Kubrick’s masterpiece 2001: A Space Odyssey. So we’re not even going to try, but we will give a brief summary of the plot for the three readers who have never seen the movie.
Meet Ralph
Ralph might be seeing red, but in fact he is very happy today
You know why? Ralph just landed his dream job! He is going to be an astronaut!
With his trusty sidekicks D’raak and Susan, Ralph will travel the universe looking for The Lost Oyster Pearl of Quan-exa’peh™
Along the way, the intrepid trio will stumble onto many a curious adventure, such as beekeeping on Jupiter and fighting the dream-giraffes of Sckraaaaaaaa. They also find themselves in an award-winning heavy metal band supporting a world class primate drummer.
At one point they even get lost in the Windows Media Player. Classic Ralph!
But will he eventually wake up to find that it was all just a dream..? Only one way to find out! Get yourself a copy of 2001: The Space Odyssey of Ralph, D’raak and Susan – out on LaserDisc now!
There are so many reasons why this film has become such a classic – foremost of which is Kubrick’s decision to film everything with the camera lying on its side. Amazing.
What we learned: In space, no one can hear you have an existential crisis.
How can we describe Weekend? It’s definitely a film you should experience for yourself, but we’ll take a shot at describing the plot.
Basically, it’s sort of like this, but with long tracking shots, musical interludes and political speeches.
Roland (Yanne) and Corinne (Darc) are planning to kill her parents for the inheritance, as one does. Then, he plots to off her for the same reason, since he has another girl waiting in the wings. Lovely couple, very nice.
You won’t BELIEVE how they ended up in this state! Read on for all the gruesome details!
After describing a sexual encounter in detail (though without any emotion), as we all always do with your partners, Corinne gets in the car with Roland and off they go a-killing. They soon run into major traffic, as well as an impressive and very long shot of them passing said traffic in the wrong lane. With honking. Lots of honking. And some dead bodies casually strewn around.
♫ We’re all going on a – murder holiday ♬♪
Eventually the two crash their car (it was inevitable, really) and go on foot instead, running into historical and fictional characters, cannibals, and rapists. You know, the sort of people who tend to hang out in your local woods.
Sadly, when we went lurking about in the woods in our feather boas and fancy medallions, we learned that our local cannibalistic forest-lurkers lacked this kind of flair. Very disappointed. And just a little bit scared.
Somehow it all works, thanks to Godard’s genius. In a way, we feel as though it’s designed to stress you out. It’s a commentary on consumerism, classicism, racism, egotism and general shittyness. You kind of have to see it to believe it, and while Weekend doesn’t seem to be streaming anywhere, a good library will probably have a copy. This is why we love physical media and public libraries.
Hear ye, hear ye: get thee to a library and fetch thee an obscure DVD.
Weekend is funny and silly and brutal and disturbing, but most of all it’s fascinating. Sure, it’s not a movie everyone will love, but we enjoyed this roadtrip from Hell quite a lot, even though we didn’t quite understand the world we were thrown into. To be fair, we feel that way just waking up in the morning, so it might be us…
Sometimes, you just feel like a lonely drummer by a lake, you know?
What we learned: We’re going to need diagrams of the sex scene Corinne describes. How did that work physically?? If anyone can do a powerpoint presentation, an illustration, a demonstration or something of the mechanicals of it, please let us know.
1000 Films Blog 